From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening
From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

The Sierra Nevada in evening light as seen from Aguereberry Point in Death Valley National Park’s Panamint Range.

I made this photograph from Aguereberry Point shortly before sunset. Aguereberry Point is a lonely prominence over 6000′ above Death Valley, high in the Panamint Mountain range, a place of astonishing panoramic views – and often some significant winds. As I drove the gravel road to the point late in the afternoon I saw three or four other vehicles heading the other direction, but when I arrived at the point a bit more than an hour before sunset no one else was there.

Having photographed here a few times previously, I am becoming more familiar with the challenges and the opportunities of shooting here. One of the challenges – as is the case in many spots in Death Valley – is that certain subjects seem to be “photographable” at very specific times and only for short intervals. One of the most interesting views from Aguereberry is southeast down into Trail Canyon and on to the lower slopes of Wildrose Peak beyond. This is wild, rugged, austere terrain. However, because it lies on the east side of this range the light changes quickly from a washed out blast of daytime sun to sudden deep shadows as the sun drops behind the higher ridges of the Panamints. (Trail Canyon is not seen in this photograph.)

Another challenge is that, impressive and overwhelming as the scale of this grand scene is, it can be difficult to pull interesting compositions out of it. I tend to work with longer lenses here, both to isolate smaller areas out of the huge landscape and to compress distance. In this photograph, the silhouetted crest of the highest part of the Sierra Nevada range is on the horizon, with the intervening ridges of the Panamint Range and others probably including the Inyo Mountains and the ridge just west of Panamint Valley.

And, since I tend towards those large and long lenses… wind is an issue! And on top of Aguereberry Point there is nothing to stop the often strong winds of Death Valley. On this evening the winds were howling, so I found a spot below some rocks where it was a bit less windy and then spent a lot time waiting for momentary lulls in the wind when I could make photographs.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Trees and Pond

Shoreline Trees and Pond
Shoreline Trees and Pond

Shoreline Trees and Pond. Yosemite National Park, California. June 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Trees ring a shoreline pond along the edge of a lake, Yosemite National Park.

This little scene is in a not-too-hard-to-find location in the Yosemite high country along Tioga Pass Road. I have another black and white photograph made in nearly the same location that is one of my favorite photographs from last year – in fact, it might be my favorite. I had sort of written off the idea of doing a color version of the same location, but now I’m rethinking that decision.

There are things I like quite a bit about this scene, though there is also one aspect that I’m not completely happy with. I’ll keep the specifics to myself, but one reason for posting this is to remind myself of how I want to re-shoot the subject this coming summer when I think I’ll be able to find very similar conditions once again.

There are a couple of tricky things about this location and this shot. For one, it is hard to find a clear view of the major elements of the scene that is compositionally interesting and does not include distracting elements. (That is something that I now think I may have a solution to…) For another the thing that makes the light so interesting – it is early morning and the trees are backlit – is also the source of a challenge with very wide dynamic range between the shaded portions of the trees and some bright spots of direct and reflected sun on the rocks.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Reflections in Curved Window

Reflections in Curved Window
Reflections in Curved Window

Reflections in Curved Window. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

A curved window on the Portside Building reflects a street scene near the San Francisco waterfront.

And now for something quite different from recently posted photographs…

I made this photograph while walking in San Francisco last summer. I’m intrigued by reflections and by scenes holding multiple layers or even multiple layered sub-scenes, so when I found this curved window I had to try to shoot it. For me the first thing I see is the cross-shaped pattern of the metallic bars separating the panes of glass. Looking more closely at what first seems to be just shiny and silver, I see quite a few colors and patterns, especially in the horizontal bars. On the other side of the window is a bit of the interior of the building – a white wall with its own curved shape, the end of a curved cushioned seat, and a dark area opening further into the interior on the right, within which a few shining lights are visible. Then there is the world in the reflections in the glass. (I mostly managed to exclude myself from the reflections, though you might be able to find a bit of me if you look very carefully! ) A person is framed in the lower right quarter of the frame against a background of a warped and curving street and sidewalk. The upper right section features some clearing fog over the Bay and a bit of an overhang in front of the building. The reflections at lower left are faint, though a cross walk can be seen. At upper left is a typical city scene with a traffic signal, wires, and the front of an urban building.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Comes to Death Valley

Bees, Panamint Range, Death Valley National Park

At about this time every spring, winter begins to fade high in the Panamint Range of Death Valley National Park. (For those who may not know, the peaks of the Panamint Range reach to over 11,000′ and are regularly cloaked in snow during the winter months.) As the warmth returns, the hills begin to green up and wildlife emerges once again. On just the right day in early April, the bees come back to life and emerge into the spring sun.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

© Copyright G Dan Mitchell – all rights reserved.