Category Archives: Photographs: Architecture

Stairway and Broken Windows

Stairway and Broken Windows
Stairway and Broken Windows

Stairway and Broken Windows. Near Vallejo, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Exterior staircase, broken windows, and peeling paint on the wooden side panels of an abandoned building near Vallejo, California

I had joined up with a group of night photographers that I often shoot with on this evening, and we were sitting around in the late afternoon hours sharing pizza when someone made the radical suggestion of going out to shoot before darkness arrived! In the past, this has been just about the only group of photographers I’ve ever met who would stay inside during a San Francisco Bay area golden hour and sunset period, anxious for the light to go away so that shooting could begin! But on this evening, the radical concept of shooting in the daylight must have seemed so innovative that quite a few of us headed out to find either landscape-style shots over the San Francisco Bay or else abandoned and dilapidated industrial subjects nearby. I opted for the latter, and hoping to cover a bit more ground before dark, rather than walking nearby I drove, trying to figure out where I wanted to be in the fading light.

I ended up near this lonely, abandoned and partially destroyed building that has been left to vandals, who seem to be doing their best to accelerate the natural destructive forces that eventually take such buildings. Many windows are broken, there is spray paint in many places, and the exterior of the building is tremendously weathered and worn. Just a few minutes before sunset I made a series of exposures of this building, using a long lens to isolate smaller sections of the building. The sunset light turned the otherwise-dull building a much more intense shade of brown/yellow, and the brighter sky and clouds over San Francisco Bay are reflected in the broken windows. Soon after I finished shooting, the sun set, and I headed back to where my nocturnal friends awaited, and we headed out to photograph in the night.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

San Francisco, Golden Gate Bridge, Morning

San Francisco, Golden Gate Bridge, Morning
San Francisco, Golden Gate Bridge, Morning

San Francisco, Golden Gate Bridge, Morning. San Francisco, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

San Francisco skyline and Golden Gate Bridge at dawn as a winter storm passes

I have previously photographed this alignment of San Francisco icons so I know more or less the precise spot to set up in – a slice of landscape about 10 feet wide and perhaps 40 feet long. It has been a few years since I’ve stopped to photograph there, but the opportunity came up on this morning. I had driven up to San Francisco and across the Golden Gate Bridge to meet up with a large group of photographers who were on a so-called “photo walk” devoted to long exposure photography. I had no idea it would be as popular as it turned out to be! Although I arrived at the base of the road to this location well before sun rise, as I ascended I encountered several successive parking areas that were already full… before dawn… on a cold winter day… during a storm!

So I headed on up the road toward the summit, but found that access gates were closed before the top. I parked and thought a bit about what I might shoot, then grabbed my gear and started walking on up the hill. Before long I stopped at this spot – where other photographers were already set up – and set up in “my spot” that aligns the bridge tower with the building and made a few exposures. It was still quite dark – just before dawn and with thick clouds above the city – but this ended up working to my advantage. Photographing this bridge at night is very tricky because the towers are lit rather brightly and the orange color is very “hot” when photographed, making for some truly complicated exposure decisions. However, with just a bit of diffused pre-dawn light filtering in and the lights in the city not yet extinguished, it became possible to get a nice exposure on the bridge and reveal some of the details of the downtown buildings.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Room for the Big Deep Bend

Room for the Big Deep Bend
“Room for the Big Deep Bend” — Scowercroft’s Never Rip Overalls – Room for the Big Deep Bend

At about the time I made this photograph, we were staying in Torrey, Utah for a few days. Instead of doing the obvious thing and heading east to visit Capitol Reef National Park again, we headed west towards points unknown but including the Fish Lake area. We passed through small towns whose lives seemed more divorced from the tourist trade than others we had been through along route 12, and eventually turned off the main highway to head up to Fish Lake. It turned out that, at least partially as a result of my decision to not do too much research ahead of time, we had missed the main fall color season there and that, in fact, the whole place was pretty much shutting down for the season. We poked around a bit here before reversing direction and heading back to highway 24.

Rather than end our exploration quite so soon, we continued on along highway 24, soon turned off into the Valley where Koosharem is located. I cannot recall now what drove the decision to go there – perhaps the unusual name of the place or maybe the possibility of getting to mountains on the far side of the valley – but there we went. We initially pretty much drove right through Koosharem and on out into the country on the other side of town, but we soon stopped and decided that this was not the direction we really wanted to go. We turned around and headed back towards Koosharem. This time a few things caught our attention, including the plain architecture of certain buildings in the town and the surprising – to us, anyway – appearance of this antiquated looking, though clearly kept up, sign on the side of this building next to a leave littered parking area that also held an ATV and some sort of small trailer. I wondered about this sign and the advertising copy it contained, and I later found out that Scowercroft and Sons was a fairly large manufacturer of clothing centered in Ogden.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline Building, China Camp

Shoreline Building, China Camp
Shoreline Building, China Camp

Shoreline Building, China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A shoreline building extends over the edge of San Francisco Bay at China Camp

I had been watching the reflections on the calm water of this lagoon since I first arrived here in the morning. Earlier I had been on a high bluff behind the camera position for this photograph, looking down at this village and the curve of the beach of its small lagoon. The clouds thinning behind a departing Pacific weather front were starting to allow sun light to pass, yet still filtering and softening it. This light was falling on the smooth surface of this water in this relatively quiet area of the San Francisco Bay, and creating all sorts of interesting reflections.

Eventually I walked down to the village and among its old buildings, gravitating toward the shoreline. I first photographed an old pier and then investigated a building from which it extends. From here I was able to look out across the lagoon toward a further peninsula and the light of the sun on the clouds. This was technically a bit of a tricky photograph since it includes brightly sun-lit clouds right above and to the left of the building, but also includes deep shadows below and on the near side of the building. To be honest, I was unsure of what exposure would work best and provide the best balance between avoidance of blown out sky and enough shadow detail to pull it back in past without problems with image noise – so I bracketed. I bracketed like nobody’s business – making something like five exposures in the series. Ironically, in the end I was able to extract all of the detail I needed from a single exposure!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.