Category Archives: Photographs: Central California

Sudden Flight

Sudden Flight
“Sudden Flight” — A flock of Ross’s geese takes to the air at the end of the day.

As an afternoon of migratory autumn/winter migratory bird photography runs on into sunset and then twilight, it is inevitable that there will eventually be too little light to photograph as I do during the day. But I usually continue until it is virtually dark — to the point that I may need a headlamp to stow my equipment when I finish. During that final low-light period I often end the cycle of increasing ISO and pushing shutter speed, and instead I drop ISO down to the minimum and let the exposure times lengthen, working with motion blur of birds in flight.

We had positioned ourselves near a large flock of geese in a pasture, and they were gradually become more restless, beginning to take off in small groups and leave for parts unknown. Groups tend to depart together, and as they do they take to the air en masse with little or no warning. It is hard to say what makes a photograph “realistic,” but I often feel that these masses of blurry birds suggest the quality of these departing flocks as truthfully as stop-motion photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Autumn Wetlands

Autumn Wetlands
Late-autumn colors in California Central Valley wetlands.

Autumn Wetlands. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late-autumn colors in California Central Valley wetlands.

As I continue my pandemic project of reviewing years of raw files — and discovering and rediscovering all sorts of interesting things — I have now arrived at the very end of 2012. I’m currently working on the final week or so of autumn and about to move into winter and then on to 2013. One silver lining behind the dark coronavirus cloud is that I have had the time and inclination to revisit these old images and relive some of the experiences I had as I made them.

Every fall migratory birds return to overwinter in California’s Central Valley. Starting in about November I turn my attention that way and start to anticipate visits to this landscape — one that I don’t tend to photograph during the warmer months of the year. But in the cooler and wetter seasons, when the birds can be abundant, this part of California calls to me. I made this photograph on a cold and foggy late-autumn morning as the tule fog was beginning to thin, casting soft light on the autumn foliage of the scattered trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Edge of the Light

Edge of the Light
Light at the edge of a Pacific Coast fog bank on a summer evening.

Edge of the Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

Light at the edge of a Pacific Coast fog bank on a summer evening.

By this point I am quite familiar with this coastline below California’s Monterey Peninsula — I’ve been visiting almost continuously since I was a child and my parents took the family down there for day trips and rare overnights in Monterey. We went to Point Lobos all the time, where I spent days investigating tide pools and hiking trails along the shoreline.

All of this may partially be my way of explaining why I might make a photograph like this —not a typical “tourist shot” of the rugged Big Sur coast, but something much quieter. The fog is a near-constant presence here, often coming onshore and muting colors and light and condensing the visual world. When it isn’t over the land it is often just off shore — perhaps far enough out that you have to look for it or, as here, right along the shoreline. The edge of the fog bank can be a place of amazing light — dark in distance beneath the clouds and surprisingly bright along the edges and where beams of light reflect off the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Spring Flowers

Spring Flowers
Spring flowers in the hills of Central California.

Spring Flowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring flowers in the hills of Central California.

Back in 2019 we had quite an impressive spring wildflower season in most of California. The quality and number of flowers is extremely precipitation dependent in California — and depending upon the moisture levels we can see a ho-hum season or something the bursts forth is spectacular form, covering hillsides with carpets of color.

I made this photograph in one of those “carpeted” places. We arrived here at the peak color of a peak season, and the number and variety of flowers were astonishing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.