Category Archives: Photographs: Nature

Autumn Foliage, Wetlands

Autumn Foliage, Wetlands
Autumn foliage and a reflecting pond under late Autumn skies

Autumn Foliage, Wetlands. © Copyright 2018 G Dan Mitchell – all rights reserved.

Autumn foliage and a reflecting pond under late Autumn skies

Fall color varies a great deal from location to location. My East Coast friends remind  me that I haven’t seen anything quite like the forest-wide flood of color that happens there every fall — and they are probably right. (I still need to go to New England and photograph fall color. Too many subjects, too little time! ;-) On the other hand, we West Coast dwellers have a few special opportunities of our own, at least if we have learned where to look for them. One of these opportunities comes from the extraordinarily long color season.

I usually see my first indications of “fall” color in the Sierra as early as late-August. The first hints are subtle, but by halfway into September they are becoming pretty obvious, with the first aspens changing colors, and by early October the show in the Eastern Sierra is quite amazing. Because of the elevation range and north/south extent of the Sierra, the color lasts a long time — higher and more northerly color may come first, while lower elevation color may still be appearing over a month later. Once the aspens are done, the cottonwoods and other lower-elevation trees come into form. At the western Sierra foothill elevations the color can peak close to the beginning of November, and out in the Great Valley and closer to the coast there can still be excellent color in December! That’s when I photographed this group of trees, reflected in a pond and underneath autumn clouds… and at the peak of their seasonal color transformation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Beach, Evening Surf, Big Sur

Beach, Evening Surf, Big Sur
Wnter surf rolls onto a Big Sur coastline beach at sunset.

Beach, Evening Surf, Big Sur. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter surf rolls onto a Big Sur coastline beach at sunset.

The Big Sur coastline, along the Pacific Coast Highway between San Francisco and Southern California is — not a secret! — a spectacular place. It is also a place of contrasts — between land and sea, between calm summers and stormy winters, between wild surf and quieter times. A week ago I visited during high surf, with waves of up to forty feet high battering the shoreline. This time, as we took the look route back north from Los Angeles, the ocean was quiet.

Since we were driving through and photography wasn’t my primary reason for being there, we took the scenery as it came. During the final hour of daylight I began to think about finding a spot to stop and photograph the last few minutes of light. With ten minutes to spare we came around a headland and I saw this familiar scene of coastal mountains and bays extending to the north, with the Pacific Coast Highway (and one of its famous bridges) dwarfed by the landscape. I quickly found a spot along the edge of the bluff to set p my tripod, and I had a few minutes to photograph gentle evening color and coastal haze before an offshore cloud bank “turned out the lights.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer, Raging Surf

Photographer, Raging Surf
A photographer stands on headlands bluffs to photograph huge Big Sur swells

Photographer, Raging Surf. © Copyright 2018 G Dan Mitchell – all rights reserved.

A photographer stands on headlands bluffs to photograph huge Big Sur swells

On this day of gigantic Pacific Coast surf, I stopped at the first location I came to that afforded close access to the bluffs above the raging surf. I grabbed camera, one lens, and tripod and set out on one of the informal use trails between the Pacific Coast Highway and the surf, eventually finding a side trail that took me to a spectacular overlook with views to the south across the surf and into the light. (I mostly shoot “contre jour,” or into the light in these conditions, since that enhances the light on the mist and waves, among other reasons.) Soon it was time to move on, so I packed up and started back up to my car.

At the top of the trail I took one last look before packing and moving on to my next location. As I did I saw a photographer on the spine of one of the ridges running toward the sea, and noticed that he was backed by some truly astounding surf. So I quickly held up, put my tripod back up again, and made a few exposures as he stood against the background of the huge waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Headlands And Mist

Headlands And Mist
Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Headlands and Mist. © Copyright 2018 G Dan Mitchell – all rights reserved.

Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Today I continue with photographs from my visit to the upper Big Sur coastline in the middle of December, on a day when distant Gulf of Alaska weather fronts were sending giant surf crashing against the beaches, sea stacks, and cliffs. This is perhaps my favorite set of conditions for California coastal photography — a clear, post-storm day with giant surf that raises a layer of mist along the shoreline. When I see reports of such conditions I try my best to get over there quickly!

On the drive down, even as I passed Monterey Bay I could see the effects on the water. Waves in the bay didn’t seem unusually large, but off in the distance I could see the land at the northwest end of the Monterey Peninsula where gigantic white breakers created a line against the horizon. Once I got south of Carmel and right next to the coast the picture was even clearer, and I soon stopped on a bluff to get “up close and personal” (but from a safe spot) with the show. I made this photograph a bit further south in a spot that I’ve photographed many times. Here there is a view across several rocky ribs at the water’s edge and on to a taller hill beyond — and I know this as a spot with great potential for surf and light and for raising clouds of spray and mist.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.