Category Archives: Photographs: Nature

Photographs: Nature, Photographs: Northern California

Winter Trees

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“Winter Trees” — Morning sunlight on winter trees, Santa Clara County.

This photo was made in my “backyard,” relatively speaking, of the hills south of Silicon Valley. This morning it was very foggy here, and when it looked like the fog might stick around I grabbed my camera gear and headed out to see what opportunities might await. I did photograph some foggy subjects (photos will appear here before long) but eventually I wandered up an old rural road that I hadn’t visited in years.

California’s winter climate can seem quite strange to out-of-staters. In most of the state, except for the high mountains and desert areas, the latter part of winter is our green season. And now, in late January, it has begun again in Northern California. As I drove up this little road, new grass was turning the hillsides green, and there were leaves on some trees. I stopped at a wide spot to photograph the delightfully complex silhouette of this tree in hazy sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Fog and Tree at First Light

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“Fog and Tree at First Light” — A winter tree silhouetted against foggy dawn sky in California’s Central Valley.

I photographed this tree on the last morning of our New Year’s visit to California’s Central Valley. We were out there for three days — New Year’s Eve through January 2. Our targets were migratory birds (geese, cranes, and more) and the often-foggy valley landscape. Unlike most of the people who live out there — who prefer sunshine — we seek out the mysterious and moody qualities of the fog.

We arrived here right around the very first faint pre-dawn light — a slight glow in the eastern sky. It was foggy, just as we hoped, but the fog wasn’t all that dense or deep. We could see the sky overhead and there was enough visibility (barely) to drive safely. In places the fog thinned and we could see more of the landscape, albeit muted by haze. I photographed this tree well before sunrise and against the first color in the morning sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSky | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Wetlands Sunrise

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“Wetlands Sunrise” — Tule fog clears above Central Valley wetlands at dawn.

Despite experiencing a couple of brilliant sunrises on our New Year’s photo jaunt, I had not shared any intensely colorful sunrise photographs. It is time. We arrived here in foggy pre-dawn darkness on New Year’s Day, assembled our gear, and headed out on a network of levee roads through wetlands terrain. Before long we came to a spot where the fog had thinned and we had a clearer view to the east. We stopped and photographed the landscape and the intense pre-sunrise sky.

The experience of being out here before sunrise is profoundly removed from our day-to-day experience. Here time moves slowly or even seems to stop. The tule fog thins, leaving behind a faint, soft mist. Flocks of geese and cranes rise and circle, their cries echoing across the landscape. The light gradually increases in the eastern sky and here the outline of the distant Sierra Nevada is visible along the horizon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSky | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Islands, Clearing Fog

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“Islands, Clearing Fog” — Morning sun on reed-covered islands and wetland pond.

Sometimes landscape photography is slow and contemplative — the landscape stands almost still and there is time to pause and consider. But sometimes the landscape changes as quickly as any other subject, and transient conditions only last a moment. This was one of the latter moments. Thick tule fog had blanketed my position, but it quickly cleared above this pond, and brilliant light struck the little grass-covered islands.

Fog can fundamentally alter a landscape. Sometimes it simply mutes more distant subjects and allows foreground elements to stand out. It can also lend a sense of quiet mystery to otherwise mundane scenes. It may just sit there, changing little for long periods of time. And then, suddenly, the sunlight begins to break through and all kinds of beautiful effects of light may appear.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSky | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.