Category Archives: Photographs: Nature

Branch With Spring Leaves, Zion National Park

Branch With Spring Leaves, Zion National Park - New spring leaves and seeds appear on the branch of a cottonwood tree, Zion National Park, Utah
New spring leaves and seeds, Zion National Park, Utah

Branch With Spring Leaves, Zion National Park. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

New spring leaves and seeds appear on the branch of a box elder tree, Zion National Park, Utah.

Among the places I photographed on my recent Utah trip was Zion National Park – I place about which I have heard and seen much, but which I had not previously visited. A friend described the Virgin River Canyon in this park as “Yosemite Valley in red,” and this seems like an apt description. I responded differently to each of the parks we visited. Canyonlands was huge and austere. Arches was literally “fantastic,” and elicited the most intense response. But Zion seems like a place that is more subtle, with a lot to see and get to know.

Among the features that seem to me to typify this area are the cottonwood, box elder, red maple, and other trees. During our visit they were just barely beginning to get their new spring leaves – in some places we saw bare trees, in a few we saw trees that had almost a full set of leaves, but for the most part we saw trees that had just a hint of the bright green color of new leaves. One morning we took the short walk to weeping rock in Zion Canyon. While I didn’t quite see photographs in this feature itself, I did spot this box elder branch suspended just about the trail, backlit by morning light and with the faint colors of sandstone cliffs and canyon bottom plants beyond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Green River Canyon, Evening

Green River Canyon, Evening
“Green River Canyon, Evening” — Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Impossible Tree Fall, Spring

Rushing water of a seasonal creek splashes and leaps over rocks and past a tree, Yosemite National Park.

Impossible Tree Fall, Spring. Yosemite National Park, California. June 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Rushing water of a seasonal creek splashes and leaps over rocks and past a tree, Yosemite National Park.

The name of this little seasonal waterfall – found along highway 120 – is not, as far as I can tell, official. However, it seems to be fairly well-known among Yosemite folks. It is also a great name – not only because of the fun conduction of words, but also because it so aptly describes the most notable feature of the fall, the “impossible tree.” In this odd little section of rocky hillside above a road, a creek flows for a short time in the spring as the winter snow melts out. In this middle of this rocky jumble grows a single tree, with its roots seemingly attached to nothing more than rocks. So it is a doubly impossible tree, growing in the middle of a waterfall and somehow finding sustenance from granite.

This photograph was made outside of the more typical “golden hour” time, though it wasn’t all that late in the morning. My timing was just right – though luck probably had as much to do with this as did planning. As we passed by, the sun was rising high enough to peek over the top of the ridge above the fall and its light was just starting to strike the leaping water from behind and above.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest, Morning Light

Forest, Morning Light - Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.
Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.

Forest, Morning Light. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.

These forests at Point Lobos are often very appealing places to be, but I find them to be difficult to photograph! They are full of light in the right conditions – while the trees can grow somewhat close together, they tend to form a relatively open canopy that lets the light in. There is often moss hanging down from branches. Various plants grow along the ground – though watch out for the poison oak! And, of course, when you are actually there the constant sound of the surf is never far away, the air is cool, and there is often at least some breeze.

But some of these same attractive features are the source of (for me, anyway) the challenges of photographing these forests. The light, as beautiful as it is, can be very tricky. Because of the thin canopy of the trees, the direct sunlight often makes it down into the lower reaches of the forest and hits trunks and branches, creating spots of very bright light that are hard to manage. I could photograph (and have done so) in overcast or foggy conditions… but there goes that light. And the dense growth makes it difficult to find compositions that show the larger forest itself rather than just isolated elements of it. But on this visit high, thin clouds came to the rescue. While they were thin enough to allow directional sun light into the forest, they were just opaque enough to take the harsh edge off of the light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.