Category Archives: Photographs: Northern California

Photographs from Northern California

Raven on Fence Post

Raven on Fence Post
Raven on Fence Post

Raven on Fence Post. Point Reyes National Seashore, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A raven perches on a fence post above cattle ranch pasture, Point Reyes National Seashore

I had not gone to Point Reyes to photograph ravens. In fact, the thought of photographing these birds, which are not exactly high on my list of birds I love to photograph, had not even crossed my mind. I had a half day to do some shooting, so got up three hours before dawn and drove north through San Francisco, over the Golden Gate Bridge, into Marin County and then over to the coast, hoping to make it all the way out to the tip of Point Reyes to photograph Drakes Bay at sunrise. I didn’t make it quite in time, and instead ended up photographing Tomales Bay as the sun came up. After that I headed out on the road toward the point, but on a whim decided to finally drive up the Mount Vision Road, which I have always passed by on my way to other places. This was in interesting diversion, but after a while I remembered that a group of folks from the Bay Area was going to meet up to photograph the Point Reyes tule elk at around 9:00 a.m.

I figured I might try to join them, even though I haven’t really had that much luck photographing the elk in the area at the north end of the park where they are most easily found. (My best “elk experience” in the park was in a different area where I didn’t even expect to see them.) So I drove back a bit and then out on the road toward where the elk are found – in the area beyond Abbott Lagoon and near Pierce Ranch and McClure Beach. As I started out that road I saw a lot of birds of various sorts, so I stopped and grabbed my camera with the big lens from the trunk and put it on the seat next to me. (Smarter photographers than I probably normally keep such a setup handy while driving!) Sure enough, before long I started passing lots of birds along the road including this cooperative raven, who despite looking a bit nervous when I stopped close enough to make a photograph, stuck around long enough for me to get one shot… before other cars drove up and passed me and scared the bird away.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beach and Rocks

Beach and Rocks
Beach and Rocks

Beach and Rocks. Pacific Coast Highway, California. June 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late afternoon light on a rocky beach near Pescadero, California

Last week I finally was able to get out and do a bit of landscape photography along the California coast south of San Francisco. (Various other obligations and activities have minimized time in the field recently, and may continue to do so for a few more weeks – but then… lots of time “in the field!”) This area is one of my quickest “gotta get out and shoot” locations, as I can be there in less than an hour, and “there” is one of the most spectacular coastlines I can imagine, ranging from calm and peaceful to towering cliffs and raging surf.

On this visit, things were relatively quiet – nothing like the winter surf of a few months ago. My hope was to find a coastal location in that border zone between fog and sunlight, where interesting and variable things can often happen with light. Starting from the Santa Cruz area, where it was almost perfectly clear, we headed north while keeping a watch on the fog bank hanging just off shore and appearing to get closer to the coast to the north. Eventually, near the Pigeon Point lighthouse, it looked like we might get to the point where the fog and the coast converged, but as soon as we arrived the fog pulled back a bit. In this late afternoon photograph, the sun was low enough that its light was beginning to be somewhat softened and warmed by passing through the thin layer of mist and fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows
Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A weathered red bench next to a suburban lawn and in front of a home with tree shadows

This probably seems like a different sort of photograph from me, but I actually have a thread of images along these lines that goes back quite a ways. They belong to what I think of as “wandering about my neighborhood” photographs, which I make on occasional walks in an extended version of my neighborhood – literally stepping out the front door and then walking. These walks encourage me to see things that I would otherwise miss, both in the general photographic sense of noticing things more when I have a camera in hand and in the more specific sense of noticing things that I otherwise simply pass by in my neighborhood.

I distinctly recall one of the first times I did this. I “saw” two things that I simply had never noticed before, even though I’ve lived in this neighborhood for years. First, in a nearby small downtown area there are buildings with more than one level – and it wasn’t until that first walk that I actually noticed the details of the second stories of these buildings. The second thing I noticed were shadows of trees. It turns out – no surprise now that I think about it – that they are everywhere. It was as if every building had trunks and branches and foliage painted on its walls. This photograph includes these shadows. It also has some other compositional elements that interest me – I’ll leave it to viewers to think about them – and there is something interesting to me about that old, weathered bench and the ball parked next to the column on the patio at the top of the concrete stairs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.