Category Archives: Photographs: Northern California

Photographs from Northern California

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Winter Haze, Dormant Oak

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Winter Haze, Dormant Oak
A large oak tree backed by haze-obscured winter hills.

Winter Haze, Dormant Oak. © Copyright 2022 G Dan Mitchell.

A large oak tree backed by haze-obscured winter hills.

On a Christmas Eve when large sections of the country are freezing and dealing with blizzard conditions, it might seem almost cruel to share this Christmas Eve Day photograph from here in the San Francisco Bay Area, made on a brief hike in our local hills earlier today. In fact, I was wearing short sleeves. On the other hand, perhaps some of you would like to be distracted by a scene from a warmer, drier place?

This scene, odd as it may seem to people who aren’t from here, is typical of winter in this part of the West. The trees lose their leaves, though later than in other parts of the country, but then winter grasses begin to grow. The period from now through the next four or five months is our green season. Today the atmosphere was hazy, and the backlight made it luminous.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

No Parking

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No Parking
No Parking sign and colorfu paint on a San Francisco residence.

No Parking. © Copyright 2022 G Dan Mitchell.

No Parking sign and colorfu paint on a San Francisco residence.

There are lots of places offering similar visual opportunities in San Francisco, and they aren’t hard to find, especially if you get out and walk the City. And this is a very walkable city! I often walk almost all the way across between the CalTrain station and points north, following various favorite routes. This spot, if I recall correctly, is on a side street in roughly an area between North Beach and the tourist center known as Fisherman’s Wharf.

There are plenty of ways to photograph the sometimes-eclectic (and other times quite classic) architecture of this city. In terms of scale, I can go anywhere between including entire buildings (or even groups of them) and photographs that focus on very small elements — a door, a stairway, a bit of a window. In this one the colors, of course, were the main attraction. But I also was taken by the almost Cubist composition that resulted from cropping tightly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Travel

Two Windows

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Two Windows
Two windows and metallic walls at the Contemporary Jewish Museum, San Francisco.

Two Windows. © Copyright 2022 G Dan Mitchell.

Two windows and metallic walls at the Contemporary Jewish Museum, San Francisco.

On my photographic walks in San Francisco — part of a familiar routine that begins with a train ride to The City — it isn’t unusual to pass through the area around Moscone Center and SFMOMA. Just a bit north of here I often follow a route that takes me on sidewalks that don’t border the streets, and I end up passing the fascinating architecture of the Contemporary Jewish Museum, with its angled, metal exterior walls.

As appealing as this structure is, I’ve often found it difficult to photograph. The area around it is somewhat constrained by the proximity of other buildings, and those buildings are visually quite dissonant with the design of this one. So, at least for me, photographs of the larger scale of the building are difficult, and I still don’t have one that I really like. However, moving in closer and working the textures, reflected colors, and the angles and surfaces close up is more promising.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lenticular Clouds, Alpenglow Reflections

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Lenticular Clouds, Alpenglow Reflections
“Lenticular Clouds, Alpenglow Reflections” — Two lenticular clouds in the alpenglow above the Sierra Nevada crest, Yosemite National Park.

This photograph comes from her the end of the spectacular afternoon and evening that I’ve been posting about recently. To quickly recap, I saw lenticular clouds forming over the crest earlier in the day, headed to this spot that I had scoped out previously, then photographed all the way from pre-golden hour through sunset and on into the early dusk. This photograph was made just after sunset, when the pink light was still coloring the sky and the landscape but the blue of evening was gradually taking over.

If you head out into the landscape often to photograph, you will experience a lot of fine but unremarkable days. With care, you can make good photographs in those conditions. You’ll also experience a few “meh” days when nothing happens. (Deny all you want, but you’ve experience it!) But it seems like this earns you an occasional luminous miracle, when everything comes together and amazement ensues. If there is a downside to this, it might be having to explain to people that, “yes, this really happened!” That’s a small price to pay.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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