Category Archives: Photographs: Ocean & Coast

Land Meets Sea

Land Meets Sea
Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Land Meets Sea. Mendocino County, California. July 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Having lived not far from the Pacific Ocean for more than a couple of decades, I am lucky to have regular access to the California coastline and its often dramatic meeting of land and sea. Due to proximity, my home territory is the section between just north of San Francisco and down through the upper portions of the Big Sur coast. The shouldn’t be any surprise, given the number of photographs of that area that I have made.

Oddly, for a near-native Californian, I had little experience with the coastline farther north. I had made it up as far as Fort Ross a few times, but every time I went north in the state I headed inland. Some years back we began to rectify this omission with some visits to the Mendocino area. I still haven’t gotten my mind completely around photographing this particular coast, but I’m learning. While we think of the coast as being somewhat civilized, with roads traversing it and passing from town to town, the actual meeting of land and water remains mostly a rugged wilderness. I made this photograph from a spot that it at the edge of one of these wilderness sections, where the roads cut inland and leave the coast to the birds and the sea life.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sleeping Elephant Seal

Sleeping Elephant Seal
An elephant seal sleeps among its kin on a California beach

Sleeping Elephant Seal. California Coast. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An elephant seal sleeps among its kin on a California beach

Traveling up and down the California coast, it is hard to avoid eventually encountering the elephant seals. Historically they were once very common along this coastline, and their numbers have recovered considerably in recent decades. There are now several places where they are very accessible, and in large numbers — if you ever do the Big Sur Pacific Coast Highway you will certainly encounter at least one such area. In fact, that’s what we were doing on this July trip. We were mainly there to photograph landscapes and seascapes, but that didn’t prevent us from making a photographic detour to photograph these animals.

Here the coast highway comes very close to an elephant seal rookery, and the animals are more accessible than in any other location that I’m aware of. (At others you must walk long distances, and in some places they have hauled up on beaches so isolated that you can only watch from a great distance.) At first I was fascinated by their sparring and other more active things they do. The more I have photographed them, the more I have looked for and sometimes found ways to photograph them even when they are not active — and this specimen, sleeping among others of its herd, is anything but active!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fog, Water, Light

Fog, Water, Light
A beam of light on water below fog, Pacific Ocean

Fog, Water, Light. Pacific Ocean Coast, California. July 212, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A beam of light on water below fog, Pacific Ocean

Living very close to the Pacific coast of California for nearly my entire life, the ocean has always “been there” — just on the other side of coastal mountains, hardly more than a half hour away, bringing cooling evening breezes on hot summer days, and producing periodic morning fog where I live. On one hand I am more familiar with this landscape than most people, but in recent years I began to feel that I know much less about it than I should. These photographs made with the camera pointing straight out to see are something of a them of mine, not as frequent as photographs of mountains perhaps, but important nonetheless. They might include fog or winter swell or clearing storm clouds or simply the brilliant light on the water from the western sun. To me they are all a bit mysterious.

We had spent a couple of days along the Big Sur coast photographing (and eating!). The main part of the visit was over, but we had a full day to get home, and home was only about an hour and a half away. So we took our time and followed the coast almost all the way north to San Francisco before turning inland. During much of the drive we were in the sun, but north of Santa Cruz the fog began to appear, and eventually we arrived at that point where the offshore fog bank was substantial enough to form a virtual wall against the light. We stopped and I photographed as the eastern edge of the fog picked up a bit of light and the sun broke through a few clearings to illuminate the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.