Category Archives: Photographs: Sierra Nevada

Photographer Patricia Mitchell

Photographer Patricia Mitchell
“Photographer Patricia Mitchell” — Photographer Patricia Mitchell at work in early morning autumn light in the Eastern Sierra Nevada.

Someone has a birthday this week, so it seems appropriate to feature a photograph of, um, someone here. Photography is often a solitary activity — one person, a subject, a camera, how to see — and most of the time the two of us photograph alone. But every so often we get a chance to head out together on a trip that involves photography. We had such an occasion earlier this fall — and it has been too long! — when we did a weeklong trip that took us to the Eastern Sierra Nevada and then to Utah and a few nearby locations.

We started in the Sierra, where we headed into the eastern part of the range in search of fall color. Perhaps “search” is the wrong word here, as it is easy to locate! Instead of going to the “usual places” we wandered up some less-travelled roads, including the one that took us to this spot right beneath the eastern escarpment, a place with very few other people where the high desert and the beginnings of true mountain terrain intersect. We arrived on a brilliantly lit morning, with fall color everywhere, and a bit of early snow still on the peaks.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Aspens and Dome, Eastern Sierra

Aspens and Dome, Eastern Sierra
A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

Aspens and Dome, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of autumn aspen trees in front of a rocky dome, Eastern Sierra Nevada.

This photograph comes from a morning of Eastern Sierra exploration into an area that I would not typically go to for fall color photography — not because there is no fall color there to photograph, but because it isn’t exactly the most accessible place to find it. For sure, there are easier places to find the color nearby. We put the 4Runner in 4WD and slowly tracked up toward the base of the range, eventually gaining enough elevation that there were aspens, the sort that live in harmony with surrounding high desert foliage of rabbitbrush and sage.

It was a beautiful morning of the sort that you’ll only find here in autumn. A weak storm has been through a few days earlier, and there was a dusting of snow on the highest Sierra crest peaks and behind us, across Owens Valley, on the White Mountains. Despite the recent storm the morning warmed nicely, and the sunlight was warm as we photographed. Here a small row of aspens, midway through the color change process, stood against a small, rocky dome, and beyond that in the haze-obscured distance were higher hills rising toward the summit of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fire Water

Fire Water
Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire Water. © Copyright 2021 G Dan Mitchell – all rights reserved.

Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire water? Water and Fire? Smoke and Water? Hard to say. A group of use were in the Yosemite backcountry for a week, and after spending the first few days photographing around a quiet lake we moved to another location. Our partially cross-country route took us along an outlet stream that gradually steepened and eventually left us to work our way down an exposed expanse of open granite to the river below. Before out descent we saw a thin column of smoke far to our south, but soon after we arrived at the river the sky filled with smoke, the sun was almost blotted out, and ash began to fall.

Clearly we were downwind of a serious wildfire, but because we were deep in a canyon we had little idea of where it might be. It was a deeply unsettling experience to hike along the river in this mud-colored light with ash falling like light snow. Eventually we neared our destination and, as photographers inevitably do, we turned our attention to considering how to make photographs in and of these conditions. This photograph is a bit of the surface of a river, with reflections including weak sky, the brown of the smoke cloud, and dark areas reflecting surrounding canyon walls and vegetation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Owens Valley Trees, Sierra Nevada, Evening

Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.