Shipyard Hoist

Shipyard Hoist
Night photograph of an industrial hoist at the Mare Island Naval Shipyard

Shipyard Hoist. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of an industrial hoist at the Mare Island Naval Shipyard

Night photograph from the historic Mare Island Naval Ship Yard are something of a long-standing photographic theme for me. Over a decade ago I first went there to try out night photography at an event sponsored by The Nocturnes, and I was immediately hooked on the place and on night photography. Since that time I have returned to Mare Island several times every year, each time discovering something new to see and photograph.

This time I joined other photographers as part of a Nocturnes Alumni event that is part historical investigation, part social, and (a big) part night photography. On this evening I began by searching out some non-iconic subjects (some of which I’ll share later) in odd, out-of-the-way corners of the place. Eventually, though, I walked back toward the familiar central area near the huge dry docks, where I found that one of these huge ship yard hoists had been moved out of its typical position at the water’s edge behind security fences. This meant that I could photograph from right underneath it, shooting almost straight up, and positioning myself so that it would be illuminated by ship yard lighting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Orange, Yellow, and Green

Orange, Yellow, and Green
Autumn aspen color along Bishop Creek in the eastern Sierra Nevada

Orange, Yellow, and Green. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn aspen color along Bishop Creek in the eastern Sierra Nevada

By the time this photograph appears at my website, the transitory seasonal aspen color show will be mostly a memory. (Or, for many of us who think way in advance, a promise for next year!) With this fall’s release of my book on Sierra fall color (“California’s Fall Color: A Photographer’s Guide of Autumn in the Sierra” — Heyday Books, 2015) I made a point of spending as much time in the Eastern Sierra as possible. I started looking for easy signs of developing autumn color all the way back in early September — and in this unusual, drought-influenced year, I found it. The first notable aspen color appeared in late September, and by the end of the month I saw very good color in some high elevation locations, and I spent a good portion of the next few weeks returning to photograph as it continued to develop.

I made this photograph in early October, typically the beginning of the period of best color — though this year some areas had already lost leaves by then. Aspens grow in a range of different surroundings — these grow in a drier area of sage brush rather than begin interspersed with pines. This group of aspens had achieved more or less peak color, and some nearby trees were losing leaves rapidly. In this photograph the colors are intensified by the quality of the light — I like to photograph these trees in the very early and very late times when they have fallen into shadow, softening the otherwise harsh contrasts of brighter light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer Scot Miller, Yosemite Backcountry

Photographer Scot Miller, Yosemite Backcountry
Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park

Photographer Scot Miller, Yosemite Backcountry. Yosemite National Park, California. September 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park

I have been fortunate to get to know photographer Scot Miller over the past few years. I write “photographer,” but a more complete accounting would include videographer, author, and much more. I met Scot through my association with a group of photographers who have been photographing in the Yosemite backcountry for the past 15 years or so — sometimes referred to as the “First Light” photographers in recognition of their beautiful book, First Light: Five Photographers Explore Yosemite’s Wilderness(The others are Charles Cramer, Karl Kroeber, Mike Osborne, and Keith Walklet.)

This past September three of us (Scot, Charlie, and myself) spent a bit more than a week base-camped at a backcountry Yosemite National Park lake making photographs. By staying in one location for so long we become acquainted with the location in ways that would not be possible in the normal backpacking mode, in which one tends to move from place to place daily. Instead we have the opportunity to let the character of the place sink in, to wander slowly, to return to spots we saw earlier, and to experience a range of conditions — which on this trip included everything from Sierra sun, though wildfire smoke, to a couple of days of rain. One morning, without planning to do so, Scot and I ran into one another high on this ridge above our lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer Doug Kaye

Photographer Doug Kaye
Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Photographer Doug Kaye. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Back in early September I joined up with a group of fellow photographers to explore areas of downtown San Francisco in late afternoon light, followed by dinner, and then a return to the streets to photograph at night. Among the group was photographer Doug Kaye, here seen walking into the light along a narrow San Francisco street, a street lined with a bit of Dr. Seuss architecture with wildly dissonant angles from shadows, fire escape leaders, perspective convergence, and a crazily tilting lamp-post.

Later on this evening we headed back out after dark to photograph areas between roughly upper Chinatown and the Union Square vicinity. Night street photography is rapidly becoming a bit of a passion. Last year on a trip to Manhattan I realized that my little mirrorless camera performs well enough at high ISOs that I can effectively do handheld photography in the urban night environment — and this was a revelation!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.