Tail of the Humpback

Tail of the Humpback
The tail of a humpback whale is all the remains as it dives beneath the Pacific Ocean

Tail of the Humpback. Monterey Coast, California. September 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The tail of a humpback whale is all the remains as it dives beneath the Pacific Ocean

Back in early September I had a remarkable morning at the Point Lobos State Reserve along the California coast just south of Carmel. This has been a year of unusual weather and unusual ocean conditions, including much warmer than usual waters. Most likely as a result of this, sea life has behaved in unusual ways — for example, certain species that are rare along the coast or that usually stay farther out to sea have shown up right along the coast. That was the case on this morning when huge schools of small fish had apparently appeared very close to the rocks of Point Lobos.

When I went there on this morning I suspected that I might spot some whales, but what I saw exceeded my expectations. I arrived and walked out onto a high bluff that extends a way out from the shoreline, and from here I could immediately see commotion on the surface of the water very close — thousands of birds were obviously feeding on something. Within moments I spotted my first humpback whale and before long many more showed up. Every so often they engaged in spectacular examples of bubble feeding, in which groups of them work together to corral the fish they feed on, at which point the group suddenly breaks the surface all at once, with gaping mouths wide open to catch a meal. This photograph is a bit less spectacular, but it is still a special experience to watch these huge creatures slowly glide below the water’s surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Backcountry Lake, Dawn

Backcountry Lake, Dawn
Dawn sky reflected in the surface of a Yosemite backcountry lake

Backcountry Lake, Dawn. Yosemite National Park, California. September 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dawn sky reflected in the surface of a Yosemite backcountry lake

Another morning from a week of such mornings at this Yosemite backcountry lake. My tent was at the end of a granite slab leading back up from the shore of the lake, so it became typical to arise each morning, crawl out of the tent, grab camera and tripod, and walk the slab and then the meadow beyond to the shoreline for morning photography. In this strange weather year in the Sierra every morning was different. One morning it might be clear, another was filled with thick wildfire smoke, and on yet another it was raining.

This was an in-between morning. There was a bit of wildfire smoke — it never went away completely during our stay — and high clouds muted the morning light on the lake itself. The air was not moving, and was September-cold. First light brought a bit of color to the clouds, reflected in the early morning stillness of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snag, Sky

Snag, Sky
“Snag, Sky” — An old, twisted snag against a gray and cloudy Sierra Nevada sky

Old dead snags can be some of the most compelling sights in the High Sierra. They are everywhere —on the glaciated granite slabs, high atop ridges, within the first, lying in meadows. They are the other end of the life cycle begin by small trees at the edges of meadows. Sometimes to me they seem almost closer in spirit to rocks than to other living things, and some that die in dry rocky places continue to stand for a long time before finally decaying and fading away. Because they are stripped of small branches and needles, the reveal the complex and twisting shapes of the inner tree.

I came across this snag high in an area of granite slabs above a lake where we were camped. I visited it several times, intrigued by its shape and challenged to figure out a way to photograph it that did not include the surrounding living trees. Finally I found an angle that I could photograph with a long lens, tightly cropping a section of its form against the gray of a cloudy sky. In the end I decided on a monochrome rendition, feeling that it better captures the abstract from of the trunk and branches.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Reflections, Shadows, Bridge, and Sky

Reflections, Shadows, Bridge, and Sky
Industrial buildings covered with shadows and reflections, clouds moving across the night sky.

Reflections, Shadows, Bridge, and Sky. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Industrial buildings covered with shadows and reflections, clouds moving across the night sky.

On my recent nighttime visit to the historic Mare Island Naval Ship Yard, where I again made night photographs with a group of like-minded photographers, I decided to forego some of the more familiar subjects and instead poke around in some dark corners of the place. I began by spending nearly an hour photograph an odd little area of concrete structures at the base of a long stairway, and once I finished there it only seemed right to walk up those stairs and find out where they led. This took me to what seemed like an old parking area behind some abandoned buildings — though it is sometimes hard to tell in the inky darkness. I could tell that there was a lot of debris in this lot, so I stepped around it carefully as I explored this blocky building that was painted by light and shadow from its surroundings in interesting ways.

Much of this light was virtually invisible to me, but it is a combination of light from close and far artificial light sources, the shadows of trees and other structures, and the well-defined shapes of windows through which more distant light shines. Overhead there is a covered walkway between larger buildings, and the darker form of one of them is visible at the lower left. Clouds were moving across the sky, and their shapes blurred during the long exposure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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