Photographs: Abstract, Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Flight of Geese, Twilight

December 20, 2013 G Dan Mitchell Leave a comment

A huge flock of Ross’s geese takes to the sky in the twilight

I probably don’t really need to point out that geese to not look like this, at least not in the objective sense, and that this image is about a subjective impression of these birds and their world. When photographing geese, at least the geese I work with in the California’s Central Valley, long periods of sitting around while not much happens are periodically punctuated by moments when the world goes nuts. For reasons that are often not at all clear, a flock of many thousands of geese that has been on the ground feeding will suddenly lift off as one in a maelstrom of sound and flapping wings. They often head off in some direction, and the group turns in this and that direction and spreads out… and after a few minutes returns to the ground, often in the same or nearly the same spot they just left. After this wild flight ends everything returns again to relative calm.

In the evening as the light fails, I often continue shooting as long as I can, gradually raising camera ISO, opening the aperture all the way, and pushing the shutter speed lower and lower… until there is no longer any way to continue to shoot in the normal fashion. On this evening I finally looked down at my camera to note that I was shooting wide open and ISO 3200 and at 1/5 second or longer… with a handheld 400mm lens! By this point one (at least this one) can no longer really even see the geese with clarity, especially on a typical Central Valley evening when the air is thick with haze and incipient fog. While it might seem like a good time to put the camera away and go have some dinner, at this point I look forward to one final and very special photographic opportunity during this marginal dusk time between sunset colors and blue hour light. I go with the slow shutter speeds and the impossibility of clearly seeing the birds, much less stopping their motion with fast shutter speeds and perfect focus, and I instead play with camera motion and soft focus and the motion blur of the birds themselves. And given that this cannot in any way produce objectively accurate and clinically precise depictions of the birds, I instead go for a sort of subjective truth that represents their wild and only have visible flight through twilight sky.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Downtown Storefronts

December 19, 2013 G Dan Mitchell Leave a comment

A row of downtown bars and restaurants, Seattle, Washington

This is another Seattle photograph, shot quickly in street style while walking around portions of the city and exploring. It is hard for me to put my finger on precisely what it is that appeals to me about subjects like this, but let me make an attempt. My first impression of such a location, especially in the daytime when everything is more clearly seen and fewer people are around, is that a lot of it is simply run down and even drab – weathered bricks, worn and peeling paint, construction that isn’t quite square. This patina of age and use is itself interesting, and somehow a photograph of it (or the act of making a photograph of it) helps me see it for what it is and for what else I might otherwise not see.

On the large scale, there are patterns that appeal to me – and, yes, patterns are part of my way of seeing. The scene is divided into successively smaller and smaller rectangular shapes for the most part, ranging from the largest one formed by the green facade to the very small ones formed by things like the spaces between the bars of a gate. Superimposed on this are things that don’t fit the geometric grid – the car (which also seems a bit out of context with the old buildings), the roughly triangular shapes of umbrellas, and many other odd little bits and pieces. In fact, if you like this sort of thing, seeing those “bits and pieces” might make the photo become a bit more than what it first seems to be: the figure of a red and white chef statue in the window at far right above some sort of bright green carts, the tree bright blue flower pots and a pink watering can on a ledge, the bright colors near the “Il Chiosco” sign, one door that has been varnished rather than painted the same drab colors as everything else, etc.

Photographs: Desert, Photographs: Nature, Photographs: Utah

Sand and Cracked Mud

December 18, 2013 G Dan Mitchell Leave a comment

Cracked dry mud curling atop a bed of red sand, illuminated by reflected canyon light, Grand Staircase-Escalante National Monument

Dried and cracked mud is one of those strange subjects that seems to be almost irresistible for landscape photographers. Often the concept seems more interesting that the photograph turns out to be, but that rarely stops me from giving it a try. The specific location is entirely unimportant, but I photographed this somewhere in the Grand Staircase-Escalante National Monument in Utah while exploring a canyon.

Pardon me while I become enthusiastic about… mud. ;-) These patterns are fairly common, forming where silt-laden water flowed during a rainstorm. Because here the sand is from Utah’s common red sandstone, everything in this images has some red quality to it. The silt itself is tinged pink, and the sand below, some of which ended up on top of the dry mud, is very red. In addition, because this specimen was deep down in a canyon, that beautiful southwest light that reflects off the upper canyon walls casts a lot of very warm colored light onto this little intimate landscape. In fact, without that wonderful light this scene would have little too offer and the coloration would probably be too subtle to work well.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Ross’s Geese, Dusk

December 17, 2013 G Dan Mitchell Leave a comment

A group of Ross’s geese takes flight in hazy dusk light

I try to visit California’s San Joaquin Valley as often as possible during the fall, winter, and early spring months when migratory birds settle in for the cold season. The sounds of the birds and the sight of flocks of them setting in or flying overhead is addictive – so much so that I’m willing to go to somewhat great lengths to experience this. Most often this means getting up way before dawn, often on very cold mornings, and driving a couple of hours into the foggy landscape of the valley and then photographing for hours in the cold. I’m not complaining – I love doing this! I also have what has become an annual routine connected to my periodic Death Valley photography trips. I try to arrange my schedule on the last day in Death Valley so that I can do a morning shoot there, quickly strike camp and pack up, and leave soon enough that I can stop to photograph birds on the way home. (The two worlds – the dry, austere world of Death Valley, and the cold, damp, and bird-filled Central Valley – could not be more different.)

This photograph is one of several (well, OK, more than “several”) I made during a one hour stop at some valley wetlands at the end of the day on the long drive home. I arrived, did a quick reconnaissance around the area, discovered a large flock settled in along a gravel road in a pasture, and settled in to watch the evening’s events. I recall a time when I was disappointed when the light faded, since it eventually became too dark to maintain shutter speeds that would stop the motion of the geese as they flew in, out, and around. But it didn’t take long to discover that continuing to shoot in the fading light and accepting the slower shutter speeds led to motion blur would let me present the birds in a more abstract way, but one that is in many ways as true as isolating a moment of seeming stillness in a scene that is actually full of motion. I now look forward to this time of low light, when I can make photographs that might possess a bit more mystery.

G Dan Mitchell Photography

Flight of Geese, Twilight

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Downtown Storefronts

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Sand and Cracked Mud

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Ross’s Geese, Dusk

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.