Dunes and Mountains, Last Light

Dunes and Mountains, Last Light
Dunes and Mountains, Last Light

Dunes and Mountains, Last Light. Death Valley National Park, California. April 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The last rays of evening sun on the lower slopes of the Amargosa Range above Death Valley sand dunes

I walked out into these low dunes, as I often do, an hour or so before sunset. It had been a hazy day, with the remnants of two days of dust storms muting the light and colors a bit, and the haze continued on into the early evening. At this time of day it often first seems like there is plenty of time to photograph — the light is changing, but the changes are still so slow that it takes many minutes to notice them. I looked up and judged the angle of the sun above the mountain tops to the west, and five minutes later when I looked again the change was hardly perceptible. I continued to follow a path through the dunes that was almost entirely the result of seeing things to photograph, photographing them, seeing other things, and moving on.

Shortly before the sun drops behind the ridge, the light begins to change quickly. As the last warm-colored light slants across dunes, their textures are highlighted and subtle colors begin to appear. I’m often struck by how silent the change is — it almost seems that the sound should change, too, but the transition happens quietly and with incredible speed. When I sense it is about to start I pick a spot and a subject and simply try to watch closely enough to time things right. I picked this composition for several reasons. It entirely excluded any living things, leaving only sand and mountains. The patterns caught the light in interesting ways, and created a sea of subtle color and tonal variations as the last direct light gradually worked its way up the face of the more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Bridges, Narrow Street

Bridges, Narrow Street
“Bridges, Narrow Street” — Bridges between buildings cross about a narrow street in London.

This is another photograph from nearly two years ago when we spent a week in London. We stayed a ways from the center of the city and each day traveled back and forth by way of the Underground, and then doing almost all of our wandering about on foot. We prefer this for the most part, and being on foot we can easily wander off into interesting areas or linger if we see something that deserves more time. (I often do something very similar when I head to nearby San Francisco to do street and urban photography.)

We had taken the tube in, gotten off, and walked across a bridge. Arriving on the far side of the River Thames we saw a narrow old side street and couldn’t resist wandering off that direction. The general landscape seemed to be a slightly dissonant one of what looked to be a narrow old cobblestone street, but with a number of more modern looking businesses and other structures. The street itself was quite interesting — and somewhere I have some photographs of it — but the most interesting thing to me was the dense, crisscrossing pattern of multiple levels of bridges high above the street.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Detail, Tower Bridge

Detail, Tower Bridge
Detail, Tower Bridge

Earlier today we were talking about how it has been too long since we’ve been across the Atlantic — our last trip was back in the summer of 2013. We started in London, spending nearly a full week there, enough time to feel like we were beginning to get past the most obvious things — but not nearly enough time exhaust the possibilities of the place. Making that trip extra special, we managed to meet up with a bunch of family members there, and then continue more or less together as we continued on to Germany for about a another two weeks.

As I like to do in American cities, we wandered a fair amount while we were in London. While I know that planning is very useful when going to a new place and having limited time, I know that I also like to just follow my nose a bit and get out and walk around and see where I end up — in some ways I feel that this may eventually give me a better sense of a place. Not that this location is exactly off the beaten track! In fact, this photograph shows details of one of the best known iconic bridges, with bits of the River Thames visible in the background.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Devil’s Cornfield, Evening

Devil's Cornfield, Evening
Devil’s Cornfield, Evening

Devil’s Cornfield, Evening. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Arrowweed plants at the Devil’s Cornfield

I’ll confess upfront that one reason I made this photograph is that I barely have any of this specific site in Death Valley, one that is well-known enough to warrant a place to pull over on the highway and look at it. I have not found it to be an easy place to “see” photographically.

The “corn” is actually the arrowweed plant, whose roots seem to manage to block and trap blowing sand and dust on this playa-like area. As the plants grow they manage to hold onto these piles of soil and thus group above their surroundings a bit. I made the photograph from a slightly elevated position and during evening hours where the golden light emphasized and enhanced to colors of the plants.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.