Reader Question: Photographing in the Rain

My friend Ernie writes:

I’m not sure if you ever covered this – what rain protection do you use for your cameras?

I don’t think I have written specifically about that, Ernie, so here goes.

Evening Shower, Sierra Pond
Raindrops from a late afternoon shower mark the surface of a small Sierra Nevada pond reflecting the sky

Evening Shower, Sierra Pond. Kings Canyon National Park, California. September 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Before I get too deeply into my personal experience and preferences, I should remind readers that modern digital cameras are full of electronics that are sensitive to moisture. I’ve heard stories of people running into camera problems — including some very serious problems — after what seemed like minimal exposure to sprinkles or light mist. You should refer to your camera’s manual to find out what the manufacturer tells you about its resistance to water. While I’m sometimes willing to take chances with my own gear, based on my judgment about the importance of the shot and my ability to keep the gear dry enough, you should be careful since you could well encounter problems if you do what I do.  While I’m going to share some of my personal experiences and approaches to shooting where water is a concern, I do not recommend that you rely on my experience if it conflicts with what the manufacturer tells you about your gear.

With that out of the way, here are some ways that I deal with moisture in a variety of situations in my own photography.

Continue reading Reader Question: Photographing in the Rain

Big Sur Coast Near Bixby Bridge

Big Sur Coast Near Bixby Bridge
Big Sur Coast Near Bixby Bridge

A trip to the Big Sur coast last week got me thinking again about the photographic possibilities of that area, and about the fact that I need to photograph there more often! I’ve visited this coast since I was a child, and perhaps because it is so familiar to me I tend to overlook it, even though it is close enough that I can be there and back in less than a day.

In addition to my more recent visit, I was there much earlier this year, back in winter when we visited in late January. So, thinking about Big Sur this week, it seemed like a good time to start going back through those older photographs to see what emerged. (While I often share some photographs immediately after shooting a subject, I also like to revisit the images months or even a year or more later, when I think I can see them more clearly for what they are sometimes.) As I looked at these older photographs they seemed to me to have potential as monochrome images, and I ended up interpreting several of them that way. This photograph was made in the morning, and from a fairly iconic overlook in the upper section of the Big Sur coast, where ridge after ridge descends to the shores of the Pacific Ocean.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Point Sur

Point Sur
Point Sur

Point Sur. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Pacific Ocean surf at the Point Sur Lighthouse near the mouth of the Little Sur River.

Point Sur is a dramatic landmark along the Big Sur coastline of California south of the Monterey area, standing apart from the main land mass and attached to it by a low peninsula with sand dunes and a beach facing north toward the Pacific. Virtually every time I have passed by here the wind has been howling, often kicking up clouds of ocean spray, or else it has been fogged in. The lighthouse itself sits near the right end of the point, as seen in this photograph, with other buildings along the highest ridge. I have yet to visit the historic structure, but I often stop along this section of the coast and try to photograph the point.

I made this photograph on a winter day when those strong winds were blowing and the winter seas were battering the north facing beach. This time I looked for a higher vantage point that would show the line of surf approaching the beach and include the silhouette of the coastal hills and bluffs at the edge of the sea. This image languished in my archive for nearly half a year before I returned to this set of images and saw that it could work in a monochrome rendition, and that this might even be a more dramatic way to show this scene.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Updated Thoughts on Canon Ultrawide Zoom Lenses

I have updated my blog post: “Canon EF 17-40mm f/4 L Lens.” It might seem a bit strange to update an article on that subject on the heels of Canon’s introduction of a new lens that may be more interesting for many photographers, but read on…

Canon EF 17-40mm f/4 L

For quite a while, photographers shooting Canon full frame systems have basically had two options when it comes to Canon ultra wide zoom lenses, the Canon EF 17-40mm f/4 L and the Canon EF 16-35mm f/2.8L II. (Those using cropped sensor cameras have also had the option of the excellent Canon EF-S 17-55mm f/2.8 IS USM Zoom Lens.) As of mid-2014 there is a new option to consider, the Canon EF 16-35mm f/4 L IS.

I have ordered a copy of the new 16-35mm f/4 lens and I’ll report on that once I have had a chance to use it a bit. But given the altered terrain for those considering the purchase of a Canon ultra wide zoom, I thought that updating the review of the 17-40 was important. This lens is still a viable option for lots of photographers, especially those who are price-sensitive or who want smallest and lightest possible Canon ultra wide zoom for full frame cameras.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.