I have created an “under construction” page where I’m trying to organizing and distill my “favorites of 2010” photographs before posting them “for real” here. Ideally, I’d like to end up with about a dozen photographs – but I started with over 50! If you are so inclined, I’d be happy to get some feedback about the images that are on the temporary page – so take a look and leave comments at the bottom of that page. Thanks in advance!
(BTW: Don’t be surprised if you view the page once and then return to find some photos missing or the entire page reorganized.)
Morning winter fog clears from the oak forest and grassland of the Calero Hills, California.
This is a sort of scene that seems to me to be a prototypical California view. Almost anywhere you go west of the Sierra and away from either the redwoods or deserts, you won’t be too far from places like this that feature grassland, oak trees, and some sort of vertical relief in the landscape. This area happens to be a short drive from where I live. It is merely a local county park and not a place that most would regard as special. However, because it is so close, I have been able to spend a great deal of time here in all seasons, at all times of the day, and in all sorts of weather conditions. Eventually I found that there is an almost unending supply of potential photographic subjects even in this spot that would certainly not impress most people as being exceptional.
I made this photograph back near the beginning of 2010, and shortly after that a posted an early version here. That version was in a slightly wider format and it was in color. As part of my year-end review of all of my raw files from 2010, I saw this image again in its original form… and this time I saw it a bit differently, in black and white and with a more “traditional” 4:5 ratio format. Contrary to what I though originally, I now think that the narrower format does a more effective job of juxtaposing the stacked angles of close, middle and far ridges, and it also let me eliminate some stuff along the margins that now seems distracting to me.
To the extent that this version of the image works, I think it illustrates something that I’ve heard others say and which resonates with my own experience, namely that it is sometimes easier to “see” what is in a photograph when you get a bit more distance from the act of “capturing” it.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
“Coit Tower, Fog” — Swirling fog and mist engulf San Francisco’s Coit Tower and Telegraph Hill,.
Here is one more in this series of photographs of the San Francisco waterfront and downtown areas in brightly back-lit, early morning conditions with the City nearly obscured by drifting fog. All of the photographs in the series were made from a location near the north end of the Golden Gate Bridge, just a bit up the road into the Marin Headlands. Like several of the others, this one was shot with a 400mm focal length lens, pointing almost directly toward the rising sun. For some of the exposures I had to stand a couple feet in front of the camera, at the maximum extension of my remote release cable, and carefully position my hand to shade the front element of the lens.
Here the fog has almost completely obscured Coit Tower at the top of Telegraph Hill. If you look very carefully to the left of Coit Tower you can barely make out the ghostly image of the top of one of the towers of the San Francisco Oakland Bay Bridge. It was my good fortune that a slightly less opaque section of the drifting fog momentarily framed the summit of Telegraph Hill.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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