Four Desert Star Flowers

Four Desert Star Flowers
“Four Desert Star Flowers” — Four tiny desert star (monoptilon bellioides) flowers, Death Valley.

The desert star flower has become a bit of a… star here at the blog recently. It is one of the small flowers that you might easily overlook in Death Valley, but once you spot them they are abundant, poking up just above the ground, often in small groups. They are pretty flowers, but you have to get down close to the ground to appreciate them.

Big fields of wildflower color get the attention of visitors to Death Valley in a year like this, when earlier rains produced an impressive wildflower bloom. At the end of February we saw whole hillsides covered with desert gold and phacelia, and sand verbena covered the ground in some low places. But a closer look reveals a world of other small and inconspicuous flowers like the desert star.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wetland Island and Fog

Wetland Island and Fog
“Wetland Island and Fog” — Tule fog mutes the wetland landscape beyond reed-covered islands.

Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.

I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wildflowers, Playa, and Mountains

Wildflowers, Playa, and Mountains
“Wildflowers, Playa, and Mountains” — Desert gold blooms on gravel hills backed by Death Valley playa and desert mountains.

This was one of the first photographs I made on our late-February visit to Death Valley National Park. It was literally the first time I took the camera out after arriving, and the second exposure I made. We had entered the Valley, crossed it, and were starting our drive toward Beatty, Nevada. I felt that the scene encapsulated the scale of this valley and the surrounding desert mountains, and the patch of desert gold flowers was the icing on the cake.

When arriving at a location after a very long drive, it can be tempting to just set up camp or go to the hotel and crash. But I prefer to take the camera out and at least “prime the pump” by making a few photographs. That helps get things going, and marks my switch to photographer mode for the rest of the visit.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Blue Playa

Blue Playa
“Blue Playa” — Intensely blue dry mud on Death Valley’s hidden “Blue Playa.”

I have photographed in Death Valley National Park for almost three decades. I have heard whispered rumors of this remarkable “Blue Playa” for years, but no one would share anything definite about it. All I knew was that somewhere in a remote and seldom-visited area of this vast park there was purportedly a small playa featuring astonishingly colorful soil which, in the right lighting conditions, is so blue that it rivals the color of a clear sky. This has been on my mind for years.

Since those who know weren’t talking, it was clear that I’d have to do some sleuthing. All I knew was that the place is remote, surrounded by difficult mountains, and not terribly large. Out of respect for the feature — and concern about potential damage should the location become widely known — I’m going to omit specific details. But here’s as much of the story as I can share publicly.

Continue reading Blue Playa

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.