Graffiti and Barred Window

Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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The First Light Group, Through My Eyes

I will have more to say about this video and its context in a later post (though see below for a bit more information), but I wanted to share this Scot Miller video about the band of photographers known informally as “The First Light Group” and my role in the group.

There’s a lot more to say about the First Light project, but for now here is a little background. In the early 2000s the group assembled, with support from the Yosemite Conservancy, and headed into the Sierra Nevada backcountry with a special mission: to place landscape photographers in the wilderness for extended periods of time to create photographs that embody the character of these remote places. Over a period of nearly two decades we photographed all over the range.

You can subscribe to Scot Miller’s YouTube channel, where you’ll find more First Light videos and plenty of other material from him.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Eglise de Notre-Dame Des Victoire Interior

Eglise de Notre-Dame Des Victoire Interior
“Eglise de Notre-Dame Des Victoire” — The interior of the Eglise de Notre-Dame Des Victoire, Brussels.

During our visit to Brussels near the beginning of June, we stayed near the old central part of the city, an area of remarkable architecture, many places to eat… and a whole lot of tourists. In many ways it was a good location — we could easily walk there from the train station, and food options were abundant. But eventually we decided to take a very long walk out of this area.

That eventually took us to quieter neighborhoods and districts and past the Eglise de Notre-Dame Des Victoire, a beautiful older church. Like so many similar European churches, it is architecturally impressive, and I enjoyed photographing it. The light is often beautiful — soft and diffused, with spots of color and direct light coming through stained glass windows.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Slot Canyon Walls

Slot Canyon Walls
“Slot Canyon Walls” — Soft light penetrates the depths of a slot canyon.

The material making up the walls of Southwest slot canyons varies quite a bit depending on which strata the canyon traverses. Sometimes the rock can be broken and somewhat unattractive, sometimes it can hold fossils or show joints between different layers. But in some places the sandstone seems pristine — solid layers of rock broken only by small details and textures. That was the case here, at a spot where a canyon junction allowed in a bit of extra light.

I made this photograph on my first visit to this spot about a decade ago. Because I like to see with fresh eyes and because I enjoy discovery, I often intentionally forego a lot pre-visit research, preferring to show up and just look on my own. That was the case on this day when I turned, more or less on a lark, down a gravel side road, found a place to park, and just started walking, eventually coming to this spot and others that were equally beautiful.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.