Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Meandering Channels

Image May 7, 2024 G Dan Mitchell Leave a comment

Viewed up close from the valley floor, Death Valley is a mostly flat place blanked by tall mountains. But the details of its huge playa are largely invisible unless you travel off the paved roads and out into it. But even there, the flat terrain makes it difficult to fully understand the landforms. To do that you are better off heading to some place high above the valley and looking down into it from above.

I went one such place very early in the morning, and from there I watched the first rays of sunrise light strike the peaks of mountains across the valley, then work their way down to the valley itself. Eventually the shadows contracted and the full valley was in sun, revealing remarkable patterns of land, salt deposits, and meandering seasonal streams.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Far Desert Mountains

Image May 6, 2024 G Dan Mitchell Leave a comment

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.

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Photographs: Architecture, Photographs: Europe, Photographs: Spain, Photographs: Travel

Blue Column, Sagrada Familia

Image May 5, 2024 G Dan Mitchell Leave a comment

We visited the Gaudi-designed Sagrada Família in Barcelona last summer. The place was so visually striking that I honestly haven’t quite known what to do with the photographs, but I started digging into them recently. We are familiar with photographs of the remarkable exterior of the structure, but the interior is anrguably even more amazing. The amount of detail is nearly incomprehensible, and it is profoundly affected by the light coming through myriad stained glass windows and moving across its features.

We visited late in the afternoon, shortly before sunset — and I recommend this timing to others who may go. The sun was low in the sky when we entered, and colorful beams of light from the stained glass windows angled across the interior surfaces. Because it was late, the light was not static, instead changing constantly. Shafts of colored light moved slowly across the cathedral, striking various elements such as this column, illuminated by light coming through glue and yellow glass.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Salt Pond

Image May 4, 2024 G Dan Mitchell Leave a comment

Lake Manly is not the only body of water on the Death Valley playa during this unusually wet year. That lake occupies the lowest area near Badwater, but there is a lot of water in other locations up and down the valley. I photographed this pond from Damte’s View, high in the Black Mountains. I was there before dawn, but I made this photograph much later when the early shadows had retreated back across the valley and the playa was in sunshine.

The water and the bright morning light reveal a lot of details on the playa. Not only do we see the pond, but we can see the submerged salt formations around its edge. There are channels and waterways everywhere on the playa, in comes cases separated by slightly higher bits of land where sandstorm dust has collected. At the very lower edge in this photograph we see fans spilling down from the base of the mountains and sending gravel toward the playa’s edge.

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G Dan Mitchell Photography

Meandering Channels

Far Desert Mountains

Blue Column, Sagrada Familia

Salt Pond

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.