Rectangular Patterns (Horizontal)

Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Street Market, Peja

Street Market, Peja
“Street Market, Peja” — Shoppers at the street market in the town of Peja, Kosovo.

The town of Peja (or Pec) is located in western Kosovo, just below the spectacular and rugged Accursed Mountains. During our visit a couple of years ago we were fortunate to have in our group a Kosovo native who is fluent in the local language and who knows where to take visitors. Without his help (and the hospitality of his family, who housed us during our visit) it would have been very difficult for us to see as much as we did.

One day we all headed to the town for a look around and, eventually, lunch at a local restaurant. (I became quite fond of various Kosova dishes during our visit.) Here we walked up a main street where people were congregating and vendors were selling everything from clothing to the usual faux high-end watches and so forth.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Cottonwood and Sandstone

Cottonwood and Sandstone
“Cottonwood and Sandstone” — A cottonwood tree with autumn foliage grows against Utah sandstone.

Right up front, a few things about this photograph. First, it is not recent — I photographed this scene back in 2014. I have been busy reviewing old raw files recently, and this one came up during that process. Second, unlike some of the others resulting from this review, this is a photograph that I have shared before, albeit in a different form. What you see here is a very different crop from the original, and by eliminating some elements from the original image I think I have significantly changed the effect.

The location is a place far out in theUtah backcountry — not exactly inaccessible, but not easy to get to. I was part of a group of a half dozen photographers who four-wheeled it out there and set up camp for days so that we cold photograph the heck out of the area. Sadly, from what I hear, this tree is no longer living, perhaps having succumbed to a drought and heat.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Formations, Earlry Morning Light

Sandstone Formations, Earlry Morning Light
“Sandstone Formations, Early Morning Light” — Early morning light on sandstone formations at Arches National Park.

Recently I have been revisiting photographs from a decade ago, including a couple of lengthy trips to Utah in the spring and fall seasons. On one we visited Arches National Park — believe it or not, my first visit. I felt like I sort of knew the place, having read Edward Abbey’s “Desert Solitaire” a few times, but the reality of this landscape astounded me. My wife, Patricia Emerson Mitchell, likes to tell a story about me more or less losing it when I first saw those sandstone formations!

On this morning we entered the park very early, well before sunrise. I had been photographing for some time when I made this photograph. The sun had recently risen, but the light still was warm, and the effect on the red rock formations was striking. This is an example of my long-lens landscape photographs. Some people imagine that landscape photography must be done with wide and normal focal length lenses, but I often like to use long focal lengths to limit my view to small sections of the larger landscape


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.