Photographs: France, Photographs: Travel, Photographs: Urban/Street

A Paris Corner

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A Paris Corner
A scene in a corner where two buildings meet along a Paris sidewalk

A Paris Corner. © Copyright 2019 G Dan Mitchell – all rights reserved.

A scene in a corner where two buildings meet along a Paris sidewalk.

No big Europe trip for us this summer — we’re staying much closer to home this time around. But last summer we spent close to seven weeks traveling, almost all of it in the UK and Europe. We spent the largest portion of the time in France, between a return to Paris, a week with family at a more rural location, and a final extremely brief pass through Paris on our way to flying back home.

During our Paris visit we stayed right on the edge of Le Marais this time. The hotel wasn’t anything special — a tiny place crammed between other buildings — but the location was excellent for us. As some of you may guess, we were within easy walking distance of pre-fire Notre Dame, the Left Bank, the Siene (obviously), museums, lots of places to eat (but of course, it is Paris!) and Le Marais itself. The latter is a wonderful area that was not rebuilt as part of the Parisian efforts to modernize the city, so there are many very narrow streets and lots of old buildings, especially once you get away from the most popular areas. There are little gems to be found almost everywhere, including the fun street art that is found all over the place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Rhododendron Blooms, Redwood Bark

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Rhododendron Blooms, Redwood Bark
Spring rhododendron blooms against the bark of a coast redwood tree, Redwood National Park

Rhododendron Blooms, Redwood Bark. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring rhodendron blooms against the bark of a coast redwood tree, Redwood National Park.

We spent the better part of a week in far Northern California in early June, and a major goal was to spend time in the area of the Redwood National and State Parks. This late-spring period usually marks the peak of the rhododendron bloom, and it can also provide a weather bonus comprised of less rain and more fog. We got the “less rain” part (none at all!) but we missed out almost entirely on the “more fog” part. I seem to have a special knack for chasing away redwood fog, at least in this part of the state. So far I’ve seen a total of about five minutes of fog… while everyone else seems to encounter it regularly!

That rumored fog provides a photographic advantages. The fog can render the already monumental and cathedral-like redwood forests even more mysterious. It can simplify the complex and busy forest scenes by muting more distant elements. It eliminates the “pizza light” contrasts between deep shadows and spots of sunlight, allowing more hours of photography. And when the fog is clearing or thin, beautiful and muted light can create a magical effect. I’ve seen all of this — but just not in this region! On the plus side, the rhododendron bloom was spectacular, and there were beautiful flowers everywhere. (There is often debate about when to expect the bloom. I can report that one week into June it was still going strong and even increasing in many places.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: France, Photographs: Travel, Photographs: Urban/Street

J’Existe

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Detail of wall with sticker-covered pipe, Le Marais, Paris

J’Existe. © Copyright 2019 G Dan Mitchell – all rights reserved.

Detail of wall with sticker-covered pipe, Le Marais, Paris.

For those who wonder, the title of the photograph comes from the small sticker attached near the upper end of the pipe near the middle of the frame. Once I noticed this one I started seeing them in other places in Paris… and in photographs I had made without seeing them!

I made the photograph on a walk through Le Marais, an older section of Paris that still has narrow streets and lots of rather old buildings. We were staying not far from here, and having visiting this area in the past I wanted to go back. With the narrow streets — barely wide enough for a single vehicle, with sidewalks that are barely wide enough for one person — photographing here can be a bit of a “cramped” affair, especially when shooting the buildings straight on. But the architecture is often quite interesting (if nearly monochromatic) with very old structures, some leaning at “interesting” angles. This little vignette caught my attention with its interesting geometry build out of lines and rectangles — and I was intrigued by the fact that the numerous stickers covered the pipe… but had politely been left off of the walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Mountains, Sand Storm

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Dunes, Mountains, Sand Storm
A sand storm blows a cloud of dust into desert mountains at sunset

Dunes, Mountains, Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

A sand storm blows a cloud of dust into desert mountains at sunset.

This early-April afternoon and evening produced remarkable conditions in Death Valley. I had seen the advance warnings of high winds and sand storms so I was already thinking of the potential conditions beforehand, but late in the day I noted that dust clouds were already visible far to the north. But the wind-driven sand and dust wasn’t the only interesting element — a weather front was also moving through, stacking up spectacular clouds, some of which were managing to drop some rain.

We did a big loop northward along the eastern slopes of the valley, climbing a ways into the Amargosa Range before coming back down to the valley, where the winds continued and dust and sand were blowing everywhere. We stopped in the thick of it, and I thought about a technique I often use in these conditions: photographing with a long lens from inside the vehicle. But that presented two problems: opening a window even a crack quickly let in piles of sand, and the subjects I was interested were in all directions. So I got out, cowering in the leeward side of the vehicle, and photographed as the sand blew, clouds to the west began to thin, and sunset light struck the mountains to my east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.