Photographs: Fall, Photographs: Fall Color, Photographs: Mono Lake Basin, Photographs: Nature

Two Peaks, Aspens

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Two Peaks, Aspens
“Two Peaks, Aspens” — Two peaks surrounded by autumn aspen forest.

When I became aware of the Eastern Sierra Nevada autumn aspen color spectacle a few decades ago, I became obsessed. I traveled there every autumn over a period of several weeks, often visiting three or more times, and photographing up and down the range. I got to know this subject quite well — so well that I eventually was asked to write a book about it! I still love those trees during fall, my favorite season in the Sierra. However, as the area became more popular I began to look to other areas besides the Sierra.

This photograph comes from one of many areas east of the Sierra where you can find fall color. I first spotted this general location years ago on a drive through a section of high desert, and wondered how to get up there. I figured it out before long, and on my first visit I found vast forests of aspens and great long views of the Eastern Sierra. As I continued to explore I found even more color, often in places that are barely visited.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Quiet Pacific

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The Quiet Pacific
“The Quiet Pacific” — The Pacific Ocean on a quiet, overcast morning on the Big Sur Coast.

There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.

The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Nature, Photographs: Sierra Nevada

Evening Shadow

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Evening Shadow
“Evening Shadow” — Evening shadows work their way up the face of a Sierra Nevada ridge, John Muir Wilderness.

This is one of the best times of the day in the backcountry — when the shadows lengthen and fall across the landscape, with nightfall inevitably not far behind. On typical evenings, everything slows down as the winds die and it becomes very quiet — a kind of deep quiet never experienced in our city lives. The light turns golden and we stop to watch the colors on peaks, knowing that the day is almost over.

Our group of photographers was camped in a high Sierra basin for a week a few years ago. By this evening we had adapted completely into the rituals and slower time of the backcountry, and as the quiet evening approached we set about slowly looking for a few last photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens and Evening Shadows

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Aspens and Evening Shadows
“Aspens and Evening Shadows” — Long evening shadows creep across aspen groves in the Eastern Sierra Nevada.

This photograph comes from one of those evenings when I almost packed up and left too soon. At this location there is beautiful late afternoon back-light on aspen groves in the fall, but then the sun quickly drops behind higher peaks and “turns out the lights.” That had already happened on the trees that were my primary subject, and I thought it was time to leave. But hen I noticed that the long shadows from the peaks were stretching across the trees and the rolling hills of this Eastern Sierra landscape.

It is hard to know when to stick around to see what will happen versus when it is time to move on to a different subject. I wish there was a simple rule to apply to this conundrum, but I’ve never discovered it. Sometimes staying is the right choice, but sometimes I stick around and the light just… goes away. And, of course, sometimes when I move on I do encounter something remarkable that I might have missed. However (you saw this coming, right?) I’ve also driven or walked away to look for a better subject only to be stumped.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.