Tower and steel structures beneath the Aurora Bridge, Seattle, Washington.
In early May I was briefly in Seattle on personal business, and I found myself with a free couple of hours that coincided with a Seattle Photo Walk in the Fremont district – so I left my other business behind, grabbed camera and a couple primes, and headed to the meet-up at the statue of Lenin. Really – it is a long story. ;-)
For those who don’t know, there is a waterfront along the edge of Fremont – the waterway connecting Lake Washington to the Puget Sound by way of the Ballard Locks. North of the water is a more hilly area, and Aurora Avenue crosses from there heading south over the water by way of the Aurora Bridge, which stands high above the water and above Fremont. Almost as soon as I started my “photo walk” in Fremont, I knew that I wanted to wander on over towards the bridge to see what I could find. It turns out that there is a recreational trail that passes alongside and under the bridge, so I walked down that way and made a series of handheld photographs from underneath this impressive structure.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Sunset light on dissipating thunderstom clouds above granite slabs, Yosemite National Park.
Late on this September afternoon in the Yosemite back-country I had a good idea that something might happen around sunset, but I could not have known in advance just how intense the cloud color would turn out to be. The set-up was classic. Thunder storms had built up throughout the afternoon, and by late in the day I would see and hear large storms to my north and east – though I remained right on the edge of the storm potential as I was a bit further west. As evening approached the cloud-building forces began to diminish, leaving the tops of the larger cells unsupported, and they began to thin and stretch westward, curving up and over my location along the Tuolumne River.
Knowing that interesting light of one sort or another was probable, I walked to an area of granite slabs and bowls that I had photographed when visiting this area at the start of my trip nearly a week earlier. As I considered a few photographs of the granite and trees in that area, my attention kept being drawn to the sky. At first it remained a relatively low contrast mass of gray, though the thinning clouds started to allow views through falling virga towards more distant clouds that rose into the sunlight. Then, as the sun dropped and the foreground lost the direct light, the clouds began to light up and take on wildly saturated colors. (A technical note: in many of the photographs, though not in this one, the dynamic range between cloud highlights and foreground was so large that it required multiple exposures separated by up to five stops to capture it all!)
I moved to the base of the granite bowl in which I had photographed rocks and small trees a week before when I saw these spectacular clouds building to the north west. The color was simply unbelievable – and you can see that the intense saturated light was not just in the sky, but that it also colored the granite near the bottom of the image. For this photograph I used a short focal length to try to take in a large section of the flowing and wildly shaped and colored clouds.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening thunderstorms tower beyond the ridge of Shepherd’s Crest in Yosemite National Park.
There is a bit of a serendipitous story behind this photograph. We were camped at a high lake in the Yosemite backcountry for several days. On the first day the weather was that typical Sierra blue sky weather that can sometimes go on for weeks – beautiful if you live benign weather, but perhaps less appealing to photographers. On the second day, a few small clouds appeared around noon and by evening were becoming quite nice looking above the higher peaks, so we walked up to a higher lake in the evening and did some photography there. On the third day, the little precursor clouds began to show up a bit earlier – perhaps by 11:00 a.m. or even a bit earlier. This tends to get your attention if you have spent time in the Sierra, since clouds that appear that early may have time to develop into full-fledged thunderstorms.
On the second night, one member of our party had visited another little like above our base camp and reported back that it had photo potential. Others decided to visit it early in the morning on day three, though I photographed elsewhere at that time. But when I saw these clouds I thought it might be interesting to get up to this “other little lake” in the evening. Since the route is cross-country I got directions from another member of the group – basically “head up the rocky area, keeping to the right of the bunch of willows in the creek bed, and then head up to the lake. Two members of the group, Charlie and Keith, headed up before me and I followed perhaps 15-20 minutes later.
The climb was enjoyable – while it was steep, the views just got better and better. I ascended the obvious route up the “rocky area,” saw the willows ahead, passed them on my left, and continued on. I soon realized that this was a mistake since instead of a passable route up the lake I encountered a steep rocky wall. Apparently I missed something in the instructions. I probed around a bit and finally found a reasonably safe route up some ledges, carefully marking my return route with rock duck cairns as I ascended, and finally emerged at the top of the steep section… way up the canyon from the likely location of the lake. It was spectacular, but it wasn’t the lake and Charlie and Keith were nowhere to be found.
When traveling alone I tend to be rather conservative and cautious, so I had set a turn-around time that I knew would get me back to camp before complete darkness. That time now arrived, so I back down the little system of ledges, made a few photographs of beautiful high meadows right below them, and started back down toward camp, leaving enough time to stop to make photographs on the descent.
As I passed back down below the rocky wall, the view opened up in front of me and to my right, and included within this panorama was the full length of Shepherd’s crest, with a huge thunderhead and plenty of virga just beyond the ridge. This photograph was made a few minutes before actual sunset when the angle of the light was quite low and the sunset colors were just beginning to glow.
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A vertical column of pelicans stacked one above the other along the Pacific Ocean coastline of California.
On a slow night this week – while waiting for a new hard drive to get backed up – I want back through some more raw files from the first half of 2010. Almost invariably, when I go back through older collections of images I find at least a few things that seem interesting to me know even though they didn’t really register at the time I shot them
I have previously shared some other photographs of these magnificent Pacific Coast birds that I made on this mid-May evening along the Pacific Coast Highway north of Santa Cruz, shooting from a bluff locations that I often return to. At this particular spot, when the conditions are just right, birds coming north up the coast and coasting on updrafts along the cliffs often climb toward the top of the bluff and frequently turn inland a bit right here as they come around an outcropping. That is what happened with these pelicans, who were coming almost towards me and were flying below my position on top of the bluff, creating what looks like a vertical stack of birds. How thoughtful of them to line up so that they fit perfectly within a 3:2 ratio portrait orientation frame! :-)
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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