Tag Archives: america

White-faced Ibis

White-faced Ibis
White-faced Ibis

White-faced Ibis. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A white-faced ibis feeding in a shallow pond, California Central Valley

As a relative newbie to serious bird photograph, I recall my first “discovery” of the white-faced ibis. On an early visit to a California Central Valley wildlife refuge I had been astonished by the huge numbers of birds passing by overhead, and frankly I made a lot of photographs without any idea of what I was capturing. (I still don’t always know for sure – in November I thought I had photographed Ross’s geese, only to be surprised to find that a closer inspection of the photos revealed them to be snow geese.) I recall one morning out near the levee of a major Sacramento Valley river when I saw a beautiful group of birds approaching in dawn light and I managed to get a very nice photograph of “some birds” overhead – and later a friend remarked, “Those are tundra swans!” I’d never even heard of tundra swans before, much less looked for them.

So my first ibis photographs were accidents. I recall photographing a very impressive wedge of black birds flying overhead a few years ago, and then discovering as I worked on the files in post that the birds had surprising (to me!) long and curved bills. I had no idea what this meant, but I was intrigued. I eventually asked a friend who suggested that they might be white-faced ibises. This, like quite a few bird names, confused me, since I had never seen such a bird with a white face. It turns out that I had seen them… but the “white-faced” stage is, as I found out just last week, a seasonal thing! In late November of this year I returned to one of my bird photography haunts and found a very large number of these ibises in one area of the refuge I visited. And not only were there many of them, but they were rather close to my position – so I ended up with a nice basic set of photographs of this particular kind of bird. This specimen was feeding in grasses in shallow water, and as it poked around looking for something to eat it would regularly immerse its beak almost up to its head. I like several things about this particular shot – the red eye is clearly visible, and the interesting feather coloration on this one is interesting. (It can range from black to quite colorful.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rising Desert Hills

Rising Desert Hills
Rising Desert Hills

Rising Desert Hills. Death Valley National Park, California. December 10, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A rising series of colorful eroded hills, Death Valley National Park

I get to use this photograph to tell a story at my own expense. Before arriving in Death Valley I had previous shot a very different subject. I don’t recall if it was birds in fading dusk light or perhaps classical musicians in stage lighting and backstage work lights. (Some of you can already guess where this is headed…) On the first morning in Death Valley I headed to a place that I like to photograph in early light – a place where there usually aren’t too many people, despite the easily accessible location, and where the eroded and colorful geology is almost completely devoid of plants. I arrived before sunrise and soon found a nice composition that I had not photographed before. I spent some time working that scene before moving on and photographing another a little ways away. Partway through that second set of shots I realized that my camera was still on the settings for the prior low-light subject – namely ISO 3200. That is not exactly a typical landscape sort of setting, and while good results are possible when shooting low light subjects that way, the noise levels are far from ideal for landscape. I reset and continued shooting. (I did return to the location on the final morning of the trip to reshoot that first subject.)

This scene was one of the first that I shot after realizing my error. These very eroded hills place different color material in a series of rising hills – tan, reddish, purple-black, brown, and more. The smooth features along the tops of some of the small ridges contrast with the very sharp and angular lines of the eroded channels that lead down to the wash. Later in the day the light here is almost impossibly harsh and the colors fade, but for a few minutes at the start (especially) and end of the day the colors briefly intensify.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Wall in Reflected Light

Canyon Wall in Reflected Light
Canyon Wall in Reflected Light

Canyon Wall in Reflected Light. Death Valley National Park, California. December 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Pink and blue canyon wall and plants in midday light reflected from a nearby cliff

This is the second photograph I made along this section of curiously colorful cliff face deep in the “narrows” of a Death Valley National Park canyon. I have visited this place a number of times – it isn’t all that hard to get to – and often found it to be a very challenging photographic subject. I have shot it before, but mostly made it work by including people in the frame or by shooting subjects above the canyon rather than at the bottom. Because it is so deep – and it lacks the beautiful reddish rock of the Southwest – the depths of the canyon are often simply dark and somewhat drab.

As I passed through this time I took a slower pace than sometime, and I’m sure I saw things that I had overlooked before. This was certainly the first time that I had noticed the pink tinge to the rocks in this spot, much less the subtle blue tones of the underlying layers, the interesting rippled patterns, and the glow of light from an opposite canyon wall. I almost kept going but something told me to slow down and spend a bit of time here looking around, and I finally decided to see what compositions I could make out of the cracked rock and very sparse plants.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Titus Canyon Narrows

Titus Canyon Narrows
Titus Canyon Narrows

Titus Canyon Narrows. Death Valley National Park, California. December 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Titus Canyon road passes through the Narrows as light reflects down from canyon walls high above

Titus Canyon road is a well-known “attraction” in Death Valley National Park, traveling from the eastern park boundary in the Amargosa Valley near the town of Beatty, Nevada over the Grapevine Mountains and then down to Death Valley itself. It is also known as a fairly rough road, subject to washouts and closures after storms – not a true four-wheel-drive road, but certainly not for the faint of heart of those who are not accustomed to rough desert and mountain driving. (Many chose to forgo the long drive and instead hike into the canyon from its mouth, from which the spectacular “narrows” section is easily accessible.)

I have been getting to better know the country through which this road passes as I’ve driven it many times during the past decade or so. More recently I have been slowing down and taking nearly the full day to drive its length – and in doing so I am able to see and photograph things that I used to miss. Oddly, since it is often regarded as the main attraction of the route, I’ve often found it very difficult to photograph the narrows section near the end of the road just before it spills out at the top of a giant alluvial fan along the edge of Death Valley. Perhaps it is the predominantly gray color of the rocks – once you’ve photographed the canyons of the Southwest, California rock just looks so drab! This time I think I passed through the narrows section at what must have been just about the ideal time of day and season, and light hitting upper canyon walls was reflecting down into the bottom of the canyon and creating some interesting, albeit subtle, colors and soft reflections on the rocks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.