Tag Archives: background

Pink Tulip

Pink Tulip
A pink tulip photographed against a background of dark greenery.

Pink Tulip. © Copyright 2022 G Dan Mitchell.

A pink tulip photographed against a background of dark greenery.

This is the fourth in the (slightly out of order) sequence of photographs of spring tulips that follows their transition from green buds to colorful blossoms. Here all traces of the earlier color changing process are gone, and the flower is at its peak of color.

We travelled to a local, Bay Area garden several times in April to photograph spring flowers, and on the most recent visit the tulips were the featured performers. At this location there are — or were, by the time you read this — extensive beds filled with tulips in almost every imaginable color and pattern, with even more of them placed around the grounds in pots.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

High Desert Aspens

High Desert Aspens
High Desert Aspens

High Desert Aspens. Eastern Sierra Nevada, California. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The golden leaves of a small grove of autumn aspen trees against the rolling hills of high desert sagebrush country

As I have photographed the beautiful autumn color displays of the eastern (and not so eastern) Sierra Nevada aspens, I have thought more about variations on this location theme. There is no question that there are very beautiful aspen trees up high in the eastern Sierra, and I go there every fall to photograph them. There are high elevation stands of interestingly twisted smaller trees, dense stands in lower and sheltered areas, some examples of big stands of tall and straight trees, and more. I have some favorites that I return to every autumn, and I still find new ways to see them and photograph them.

However, I’m also starting to think more about some slightly different opportunities for aspen photography that aren’t all that far from these familiar places and which present the trees in slightly different ways. I’d rather not get too specific at this point, so I’ll just say “think east.” This particular group of trees isn’t all that far east, but it has some of the characteristics that I’m interested in exploring: a narrow band of colorful trees set against a more open and barren essentially high desert landscape. Here the trees seem to tend to grow in (mostly) smaller groups, and in some ways they almost seem more special for being a bit less dense and for growing it what seems like a more difficult environment.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Boulders, Tree, and Dark Granite

Boulders, Tree, and Dark Granite
Boulders, Tree, and Dark Granite

Boulders, Tree, and Dark Granite. Yosemite National Park, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree stands on granite slabs among glacial erratic boulders against the dark background of a granite face in shadow

I have previously posted a few photographs from this early August four-day shoot in Yosemite, when I ranged between about Olmsted Point and Mono Lake for about four days. The photography was a bit strange compared to more normal years – there was smoke in the air from a fire near Mammoth Lakes and there was not much water due to the drought afflicting the mountains after a second very dry winter. So some of my photography instincts may have been challenged a bit, and I had to adapt to conditions – sometimes ending up shooting in a different place than planned when the haze was too thick, sometimes using the haze as part of the photograph, and also ranging a bit more widely than I might usually do.

On this morning I had decided to “work” that area between roughly Tenaya Lake and some rocky slabs a bit past Olmsted Point. I began at Tenaya just before sunrise, but the smoke haze was making things difficult. I made a few photographs along the curving shore as the first sun hit nearby ridges, but I wasn’t especially happy with the atmosphere or the color and quality of the light so I moved on. The slabs and domes along the road to the west of Tenaya Lake, which track the road for some distance and spread well beyond the road itself, have been an ongoing subject of interest to me. While the sun had hit the highest peaks by the time I got there, it had not quite worked its way down to these slabs, so I found some likely groups of glacial erratic boulders and various small trees and made some photographs. In this one, a single tree stands beyond a group of large boulders that had just been hit by the first light, and across a nearby canyon large granite walls are still in shadow.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Three Ross’s Geese, Blue Sky

Three Ross's Geese, Blue Sky
Three Ross’s Geese, Blue Sky

Three Ross’s Geese, Blue Sky. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three Ross’s geese directly overhead against blue morning sky

These Ross’s geese obligingly flew directly over head against a blue sky and in morning light… and, no, they did not drop any, uh, payload on me. (That has happened. It comes with the territory. Someone told me that somewhere in the world – Europe? – it is considered good luck to get “bombed” by a goose. I could write much more on this topic, but I’ll restrain myself. You may thank me later! ;-)

In any case…a difficulty when shooting birds passing overhead is that the light source is often higher than the bird, thus putting the parts of the bird facing the camera into shadow. But in very early or very late light – near sunrise or sunset – the sun is so low that it can cast light on the undersides of the birds, as in this photograph. When shooting this critters as they pass overhead in flight, while I can and do think about their positions in the frame and relative to one another, in the end I have to take what the birds give me. There is a lot that I cannot control about this kind of photography. It comes down to being observant, being able to work quickly and intuitively, and a whole bunch of luck regarding the birds, the light, and the weather.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.