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Rhyolite Ghost Town, Amargosa Valley and Mountains

Rhyolite Ghost Town, Amargosa Valley and Mountains
“Rhyolite Ghost Town, Amargosa Valley and Mountains” — The ruins of the ghost town of Rhyolite, Nevada stand above the Amargosa Valley, with the Amargosa Range and Death Valley National Park in the distance.

While there can be some moments of beautiful and colorful sunrise light at the ghost town of Rhyolite, Nevada – and I was there for it – this early morning light from a short time later probably gives a more true sense of what the place tends to look like during the winter months. (Even here, the high, thin clouds soften the scene a bit – it is often quite cloudless.)

From what I understand, Rhyolite sprang up in the very early 1900s after gold was discovered nearby. During the short life of the town, measured in no more than decades, it was reportedly the second largest city in southern Nevada. It featured banks (two of which are seen in this photograph), a railroad station (abandoned but still present and located behind my camera position), newspapers, an impressive school house, and thousands of residents. It was all largely abandoned in the first half of the 1900s and most of the buildings are gone, though traces of them and the old roads they lined can still be found here and there. A few large buildings in the center of the town still more or less stand, in varying states of decay. The building on the right was the Cook Bank. Another bank was located where the white walls are a bit further in the distance. The town school house is the furthest building. The whole town overlooked the Amargosa Valley, where the current boundary of Death Valley National Park lies. Beyond that, an inside the park, are the Amargosa Range and in the far distance the ridge of the Panamint Range and the summit of 11,000+’ Telescope Peak.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Cook Bank Ruins, Rhyolite

Cook Bank Ruins, Rhyolite - The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.
The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.

Cook Bank Ruins, Rhyolite. Rhyolite, Nevada. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.

This was the closest to the winter solstice that I’ve visited Rhyolite, so I shouldn’t have been surprised by several things. First, the sun came up not only later, but also a bit further south along the horizon – and the light that would usually strike these ruins at sunrise was blocked for a while by a large hill that sits next to the town. Second, it was cold! Third, no one else was there at sunrise! This is a bit unusual since in the Death Valley high season (which arrives a bit later in the year), Rhyolite can be a pretty popular place… for a ghost town… in the middle of the desert… in Nevada. :-)

Because I have photographed here several times before and for the reasons mentioned above, I took a bit of a different approach to photographing the place this time. The winter light, some high clouds, and the different point along the horizon of the sun rise meant that the light was quite different from what I’ve occasionally had to work with in the past. At first I was a bit disappointed to realize that the direct dawn light was not going to strike the old Cook Bank and other nearby buildings. But when some clouds to the east obscured the direct light and high, thin overhead clouds begin to pick up color and fill in the shadows, I saw that other interesting lighting was going to make up for it. At the moment that I made this photograph, those clouds to the east (right) of my position beautifully softened what might otherwise have been some stark and harsh light on the pinnacles beyond the town. They also created an unusual and beautiful quality of light for a few moments – a reddish-pink quality from the light reflected from the clouds but with a few soft quality.

I decided to shoot from a distance with a long lens so as to control the position of the ruins against the background hills, and the longer focal length makes these hills more prominent than they would be if I shot the building with a shorter focal length from a closer position. This also allowed me to more carefully eliminate some distracting elements that invariably appear at old sites like this. (The first times I visited, access to most of the ruins was quite unimpeded. Now fences have been erected around some of them. Part of me regrets the loss of access, but the greater part of me understands that this will allow these buildings to be around longer so that more people will get to see them. I stayed behind the fences.) If you look around on the web a bit, you can find some wonderful old photographs of this town when it was a bustling place with thousands of residents, and when the Cook Bank was a very impressive and modern-for-the-time building.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Tamarisk

Autumn Tamarisk - Tamarisk plants with autumn foliage on the banks of a desert stream, Grand Staircase-Escalante National Monument
Tamarisk plants with autumn foliage on the banks of a desert stream, Grand Staircase-Escalante National Monument

Autumn Tamarisk. Grand Staircase-Escalante National Monument, Utah. October 24.2012.© Copyright 2012 G Dan Mitchell – all rights reserved.

Tamarisk plants with autumn foliage on the banks of a desert stream, Grand Staircase-Escalante National Monument

I photographed these tamarisk plants with autumn colors on a cold and extremely windy day in the Grand Staircase-Escalante National Monument – most likely, if memory serves, during a brief lull in the wind. It was a beautiful and invigorating day – but certainly not one that was conducive to photographing autumn foliage! We did spend the better part of the day in this canyon, but the wind increased and by the end of our work it was almost strong enough to occasionally stop us in our tracks on the hike out… and then it started to rain!

Tamarisk plants can offer some of the most varied colors of almost any plant, though they are often overlooked because they can easily look drab, especially in daytime light, and because their form is not classically tree-like. But depending on the season and the lighting they can have almost every color imaginable: reds yellow, purple, blue, tan, green. This small group of plants was, obviously, sporting brilliant autumn colors. But, in addition, it was lit by the reflected glow of warm colored light coming from a nearby cliff face in full sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Water and Granite, Tuolumne River

Water and Granite, Tuolumne River
Water and Granite, Tuolumne River

Water and Granite, Tuolumne River. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Swift water flows over granite along the bank of the Tuolumne River, Yosemite National Park.

In this section of the Tuolumne River – as in many other places throughout the Sierra Nevada – the river passes through a steep section and across granite slabs that span the full width of the river. As the water flows over the granite it forms constantly changing patterns of rock and whitewater that can only be predicted in general ways. The spot included in the photograph was right along the edge of the river, and you can see the transition between the diminished flow along the bottom edge and the faster and more abundant water in the main channel beyond.

Part of the fun of shooting this sort of subject – and shooting it is a pleasant way to spend an hour along the river – is in trying to find workable compositions in such a changeable subject. And making it even more “fun,” the shutter speed becomes an important decision as it determines just much the image is affected by motion blur and how much of the scene is stopped. Fortunately, digital cameras make this process just a bit more predictable and productive, since they allow the photographer to quickly see the result of composition and shutter speed choices and verify whether or not the educated guesses were correct, and to see just how the infinitely variable and unpredictable patterns of flowing water come together at the instant of exposure.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.