Tag Archives: bay

Photographs: Nature

Shooting Star Flower

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Shooting Star Flower
Shooting star wildflowers, photographed in San Francisco Bay Area hills

Shooting Star Flower. © Copyright 2019 G Dan Mitchell – all rights reserved.

Shooting star wildflowers, photographed in San Francisco Bay Area hills.

Shooting stars are among my favorite wildflowers. I know that I have seen them for years — they grow in the California coastal hills where I have hiked since I was a child — but my first strong memory of them comes from the Sierra Nevada. Decades ago I summited Mount Whitney for the first time, near the end of a two-week backpack trip that had started on the opposite, west side of the range. As we descended we crossed a creek and there was a dense field of these flowers.

In addition to liking this flower, there is another reason for posting this photograph. After doing close-up work with a variety of compromises over the years — “diopters,” extension tubes on regular lenses — I finally picked up an actual macro lens, the Fujifilm XF 80mm f/2.8 R LM OIS WR Macro Lens for my Fujifilm X-Pro2 camera. I took it out for the first time recently, photographing spring wildflowers in a nearby canyon that I’ve visited for years.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Alpine Shoreline, Autumn Plants

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Shoreline plants with early autumn colors along the back of a backcountry lake.

Alpine Shoreline, Autumn Plants. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shoreline plants with early autumn colors along the back of a backcountry lake.

For all of the usual reasons, our group base-camped at a high, subalpine lake during our recent week in the Sierra Nevada backcountry. What are those reasons? Some are, of course, scenic — many lakes provide open vistas, reflections, an easy way to walk their perimeters (though not always!), meadows, and access to other nearby locations. “Our” lake had a large and convoluted shoreline. Most of it was covered with trees and mead owing areas, though one side was comprised of the base of a giant talus slope leading down from the nearby peaks.

I walked much of the lake’s perimeter, revisiting sections a number of times during our stay. On this morning I had set out to reach the farthest point of the lake, where a rocky outlet stream led to further meadows and more lakes. I had a lot of ideas about what I could photograph there, but central in my mind was to photograph a couple of bays like this one, surrounded by rocky terrain and early autumn vegetation, and with the distant peaks of the Sierra crest in the background.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rocky Beach, Big Sur Coastline

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Rocky Beach, Big Sur Coastline
A rocky beach near Willow Creek, rugged Big Sur coastline

Rocky Beach, Big Sur Coastline. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rocky beach near Willow Creek, rugged Big Sur coastline

The color of the ocean varies immensely along this California Big Sur coastline. The causes are varied. The water reflects the light, and that light can be dark and dramatic, soft and misty, or bright to the point of brilliance. The surface of the water, affected by wind and weather, has an effect — the water can be rough and textured or nearly glass smooth. The depth of the water and what lies beneath change the color — rocks, sand, kelp beds.

I’m fascinated by these locations, often in small bays, where the water is much lighter, a color that reminds me of lakes below glaciers. My theory is that in these locations the water is not very deep, and that the bottom must be sandy. In some spots I think that runoff or the action of waves on the shoreline may add sediment to the water. The little bay in this photograph is a spot where I often pause along this coast. But this time, as I returned from the southern endpoint of this day’s drive, I stopped before I arrived there and photographed it from a distance.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco

South Beach Harbor, Morning

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South Beach Harbor, Morning
Morning light on South Beach Harbor and buildings of downtown San Francisco

South Beach Harbor, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.