I confess to having photographed this scene quite a few times. I live close enough to Big Sur that I can drive down for a morning of photography and be home for a late lunch. This spot, where the Little Sur River flows across Little Sur Beach and into the Pacific Ocean, has always intrigued me. I stop and at least take a look almost every time I am down there.
Continue reading Little Sur River and Beach
When we stayed at Riquewihr, France, in the Alsace region a month or so before Christmas 2024, our lodgings were just barely outside the center of the old town. We could easily walk over there and back. While the main street could be busy, side streets were nearly deserted. Here one of those streets is lit by lights on the sides of the buildings as dusk arrives.
Like many other towns in this part of Alsace, the place seems to thrive on cuteness — and wine, food, and other goodies. the Main Street, decorated with holiday lights, is where most of the visitors happily spent their time and money.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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while there is fall color in Yosemite, it is not widespread, and it comes in bits and pieces rather than hillsides blanketed in color. This scene is a case in point. The great majority of the trees here along the Merced River are conifers. But deciduous trees are scattered though the forest. Here they include three major sources of fall color in the Valley: A big leaf maple, a dogwood, and a black oak.
While working on this photograph I had a not-unusual “Yosemite experience.” When I made the exposure I was shooting across the Merced River into what seemed like an inaccessible forest. But as I post-processed the file and looked closely I discovered that there were old electrical wires hidden among the trees! The Valley has been populated for centuries, and few places there can be said to be true wilderness at this point.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is another of those dense vegetation photographs that I like. I enjoy the challenge of looking at these complex scenes long enough to find order in their complexity and near-chaos. Here that meant setting up a good distance back from the scene and photographing with a very long lens, moving around to find just the right relationships among the elements.
There are two special things about this specific spot in Yosemite Valley. The first has to do with light. Since areas along the base of the southern cliffs tend to remain in the shadows for many hours, I go here to find soft shadow light. But even better, El Capitan is across the Valley from this spot, and it reflects the daytime sun into these trees, giving a directional quality to the light. There’s one more interesting thing about this spot: a road runs fight in front of it, so one must compose carefully to leave it out and then wait for any cars to pass!
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.