Tag Archives: black and white

Fire Escape, Shadows

Fire Escape, Shadows
Shadows from a fire escape fall across the front of a San Francisco building

Fire Escape, Shadows. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Shadows from a fire escape fall across the front of a San Francisco building

I made this photograph late in the day back in early September, on a street photography shoot with a group of like-minded folks in San Francisco. We met in the late afternoon, wandered about for a while in the beautiful late-day light, then broke for dinner before going back out to photograph after dark.

One one hand, you could probably find a similar scene in many other cities. On the other hand, it also evokes the architecture of San Francisco, where buildings are packed tightly together, often with seemingly little regard for their aesthetic appearance when viewed from the street — with the result being very utilitarian facades, often featuring metal gates, fire escapes, and sometimes a worn and weathered appearance. This street runs almost directly east-west, so late in the day the sunlight was falling across the front of the building at a low angle and casting strong shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Steps and Concrete Walls, Night

Steps and Concrete Walls, Night
“Steps and Concrete Walls, Night” — A stairway in the dark, Mare Island Naval Ship Yard

I made this photograph recently, on a night photography visit to the Mare Island Naval Ship Yard with my friends from the Nocturnes, the San Francisco Bay Area night photography group. We assembled for an “alumni” event, so almost all of us were veterans of night photography at this location. Many of us have photographed here for a decade or more.

Instead of beginning with the usual subjects, I needed out into the night with the goal of avoiding them, at least at first, and instead looking in unlikely places that I had not previously photographed. I spent more time that I would have expected in the area of this staircase. I first happened on it almost by chance. I was photographing this building from some distance away, and as I worked on that photograph I began to notice the potentials of some of the concrete structures near the front of the building. I wandered over there, slowly considered the possibilities, and was first drawn to this stairway. It took be a bit of work to finally arrive at this composition — my first thought was to use a vertical composition.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Snag, Sky

Snag, Sky
“Snag, Sky” — An old, twisted snag against a gray and cloudy Sierra Nevada sky

Old dead snags can be some of the most compelling sights in the High Sierra. They are everywhere —on the glaciated granite slabs, high atop ridges, within the first, lying in meadows. They are the other end of the life cycle begin by small trees at the edges of meadows. Sometimes to me they seem almost closer in spirit to rocks than to other living things, and some that die in dry rocky places continue to stand for a long time before finally decaying and fading away. Because they are stripped of small branches and needles, the reveal the complex and twisting shapes of the inner tree.

I came across this snag high in an area of granite slabs above a lake where we were camped. I visited it several times, intrigued by its shape and challenged to figure out a way to photograph it that did not include the surrounding living trees. Finally I found an angle that I could photograph with a long lens, tightly cropping a section of its form against the gray of a cloudy sky. In the end I decided on a monochrome rendition, feeling that it better captures the abstract from of the trunk and branches.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer Doug Kaye

Photographer Doug Kaye
Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Photographer Doug Kaye. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Doug Kaye prowling a San Francisco alley in late afternoon light

Back in early September I joined up with a group of fellow photographers to explore areas of downtown San Francisco in late afternoon light, followed by dinner, and then a return to the streets to photograph at night. Among the group was photographer Doug Kaye, here seen walking into the light along a narrow San Francisco street, a street lined with a bit of Dr. Seuss architecture with wildly dissonant angles from shadows, fire escape leaders, perspective convergence, and a crazily tilting lamp-post.

Later on this evening we headed back out after dark to photograph areas between roughly upper Chinatown and the Union Square vicinity. Night street photography is rapidly becoming a bit of a passion. Last year on a trip to Manhattan I realized that my little mirrorless camera performs well enough at high ISOs that I can effectively do handheld photography in the urban night environment — and this was a revelation!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.