Tag Archives: black and white

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shoreline, Abandoned Dock, Morning

June 14, 2014 G Dan Mitchell Leave a comment

An abandoned dock stands along the shoreline of San Francisco Bay in morning light

Things have been very busy recently, limiting my time to go out and shoot. For some time I’ve been looking forward to another of my periodic “personal photo walks” in San Francisco, and I finally had the chance today. My routine is to get up very early and catch a Caltrain to the City, arriving there no later than 7:00 AM. This is a bit before the crowds arrive, and early enough that there is still a lot of good light around. The good light is especially likely long the San Francisco Bay waterfront, where it shine toward the City from across the bay, often through mist or fog and always reflecting on the water.

This time I explored around the fringes of the Mission Bay area. This was formerly a pretty run down location, with lots of empty lots and some abandoned structures. However, recent urban development has come, and many of the formerly empty areas are now construction sites or the sites of very new and recently occupied buildings. I walked past these and looped over towards the waterfront, where some areas are surprisingly “unimproved,” at least so far. Here I found the remnants of several old piers that have been left to decay and gradually tumble into the bay. In this photograph I shot straight into the morning sun, silhouetting the rotting wood, and composing the scene to include a bit of a working pier to the left and a couple of tankers anchored out in the bay beneath the thinning fog bank.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Base of the Panamint Range

June 2, 2014 G Dan Mitchell Leave a comment

The lower reaches of the Panamint Range drop to the floor of Death Valley

The stillness of this image belies what was actually happening when I made the exposure. It was late afternoon, and the sun was just above the ridge of the Panamint Range as we drove down through Death Valley, past the Mustard Hills and towards Furnace Creek. As often happens in the spring, the winds were rising. I saw the scene and immediately knew I wanted to stop and photograph it, with the backlit hills rising across the far side of the Valley. I grabbed my tripod, camera, and one lens and headed across the side of a nearby hill that looked like it might provide me with a higher vantage point, and immediately recognized that wind was going to be a real problem.

The same wind that had filled the atmosphere with the beautiful haze that was glowing in the backlight was also making it nearly impossible to photograph. There are some winds that are strong enough that almost no tripod can hold a camera still, and this was that sort of situation. I set up, hanging onto the tripod to prevent it from blowing over, and waited for a lull in the wind. The wind momentarily diminished enough for me to make a few exposures as a cloud shadow darkened the foreground salt flats.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Mountains, Sea, and Haze

May 28, 2014 G Dan Mitchell Leave a comment

Spring haze, morning light, and rugged mountains meeting the Pacific Ocean, Big Sur coast

This spot marked the furthest south that I travelled on my brief photographic foray along the Big Sur coast earlier this week. Here, as in a number of other spots along this section of the Pacific Coast Highway, the route rises high above the ocean to pass through a section of very steep cliffs where the coastal mountains and the ocean meet abruptly. From this overlook the spines of a few nearby ridges were just to my south, and beyond the shoreline disappeared into the glowing atmospheric haze to the south.

One of the advantages of modern digital cameras is that they permit more flexibility and allow us to make aesthetic choices about our photographs more freely. Although I mostly “see” in color, sometimes a subject works better in black and white. Sometimes I don’t even realize this at the time of the exposure. Which is OK, since digital allows us to sometimes think less of “making the photograph” in the field and perhaps more about “bringing the image back” for full realization in the post-processing stage. In some cases, it allows us to focus more on pure capture and to put off some of the decisions we might have had to make at that point until later. I don’t think this is necessarily a bad thing! However, this is an example of a photograph that I knew was going to be black and white as soon as I saw the scene. Looking south along this coast on a day like this one, the air is filled with a haze made luminous by backlight. Colors are often so muted that they might as well be black and white, and the haze itself can take on a strong blue cast. Here I didn’t want that blue haze effect, but I did want the glow and the strong shapes of the ridges dropping into the sea.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Rain

May 13, 2014 G Dan Mitchell Leave a comment

Afternoon rain falls on peaks beyond a rising series of rugged desert mountain ridges, Death Valley National Park

This turned out to be a surprisingly and almost ridiculously productive day of photography, which was not at all what I expected as the day began nor at any number of times later in the day. Much of what happened was unplanned and the result of discovering things and of reacting intuitively to changing conditions. Prior to getting up before dawn to head to out first shooting location, my description of what I hoped would happen on this day or even of what I expected would happen would have had little in common with how it evolved. I have related some of the details of the earlier parts of the day already—sunrise light cut short by an incoming storm, the surprise discovery of abundant high desert mountain wildflowers, a snow storm, a first visit to an old historic site, and more—so I’ll just briefly mention the later part of the day. The winter storm, that brought some rain and snow to Death Valley National Park mountains, finally broke up, leaving a few showers high up in the mountains along with brilliant light coming through gaps in the thinning clouds, and these conditions lasted right on into the evening.

I made this photograph in the late afternoon. There was still plenty of rain or snow among the peaks, though the air was much clearer below and, indeed, some light was beginning to come through the clouds. Here I had a clear view across a portion of the valley, over the alluvial material at the base of the Cotton Mountains, and on up across the layered ridges toward the cloud-shrouded higher peaks. I had an idea for this as a photograph, but the light was difficulty and I knew that significant work in post would be required. Indeed, while this might seem like a simple natural landscape, the final version here is the result of significant work done after the fact in the digital darkroom.

G Dan Mitchell Photography

Tag Archives: black and white

Shoreline, Abandoned Dock, Morning

Base of the Panamint Range

Mountains, Sea, and Haze

Desert Mountains, Rain

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.