Tag Archives: black and white

Zabriskie Point Detail, Gullies and Folds

Zabrisksie Point Detail, Gullies and Folds
Zabriskie Point Detail, Gullies and Folds

Zabriskie Point Detail, Gullies and Folds. Death Valley National Park, California. March 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of patterns of gully and hills in bright daytime light at Zabriskie Point, Death Valley National Park, California.

Here I decided to try a black and white high key approach to this generally very bright scene shot not in the typical early morning time frame, but about two hours or so after the middle of the day. I like the way that darker, shadowed wedge of hill on the right sits in the middle of the curving line of the gully as outlined by the lighter face in the full sun. As with several other photographs I’ve posted recently from this area, I used a rather long focal length and composed an image from a very small detail of the scene in the folded hills below Zabriskie Point.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 330mm
ISO 100, f/16, 1/80 second

keywords: zabriskie, point, death valley, national, park, california, usa, north america, desert, geology, folds, gully, earth, hill, bright, day, daytime, light, shadow, pattern, texture, curve, angle, black and white, monochrome, travel, scenic, landscape, nature, high key, stock, southern

Late Winter Ferns, Muir Woods (Black and White)

Late Winter Ferns, Muir Woods (Black and White)
Late Winter Ferns, Muir Woods (Black and White)

Late Winter Ferns, Muir Woods (Black and White). Muir Woods National Monument, California. April 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of lush leaves of late winter ferns in the redwood forest of Muir Woods National Monument, California.

On this late-winter visit to Muir Woods National Monument – a place I photograph often – I noticed the combination of lush growth for recent heavy rains and somewhat warmer temperatures indicating the approach of spring. Many of the forest floor plants were coming back to life and there was lots of greenery everywhere. (There were also plenty of wildflowers, though it seems that I missed the trillium bloom this season.)

Ferns grow throughout the groves in the bottom of the Redwood Creek canyon and there is a mixture of lush green ferns and the older dead growth underneath. One of my objectives was to shoot the older brown and gray ferns, but I couldn’t resist this pattern of the interlocking and overlapping leaves of these very green ferns – not that you can tell in this black and white rendition of the subject! (There is a color version of this photograph coming soon.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 70-200mm f/4 L USM at 200mm
ISO 200, f/16, 4 seconds

keywords: lush, growth, fern, leaf, frond, branch, green, overlap, dense, winter, late, redwood, forest, coast, grove, foliage, flora, nature, scenic, travel, muir, woods, national, monument, golden gate, recreation, area, pattern, san francisco, california, usa, north america, marin, county, stock, black and white, monochrome

Sliding Rock, Cloudy Morning – Racetrack Playa

Sliding Rock, Cloudy Morning - Racetrack Playa
Sliding Rock, Cloudy Morning - Racetrack Playa

Sliding Rock, Cloudy Morning – Racetrack Playa. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of a “sliding rock” on a cloudy morning at the Racetrack Playa, Death Valley National Park, California.

The weather gods were not on my side during my visit to the Racetrack Playa in Death Valley near the end of March. My plan was to shoot sunset and sunrise, and in between to do night photography. As I drove out there on the terrible washboard gravel road my hopes were high – I saw some interesting looking clouds that looked like they might even form into lenticular clouds. When I arrived I shot a bit in decent light at the “Grandstand” feature near the north end of the playa.

Unfortunately, the good light was short-lived. Before I left the Grandstand a high, thin back of clouds spread across the sky. It stayed in the evening (tantalizing me with some bits of clear sky far to the west), blocked the full moon all night, and was still there when I wandered out onto the playa in the morning to do some early shots. It never did really clear, and I came back from the playa with far fewer good images than I expected. (I shouldn’t have been surprised. I’ve had uniform great luck with lighting on every previous visit, so I was probably due for less than great light.)

In order to make this photograph work I did quite a bit of post-processing, some of which I anticipated when I made the exposure. First of all, I realized that getting everything from the very close rock to the distant ridge in focus would be a problem. So I made three exposures, “focus bracketing” them with one focus on the far ridge, one focused on the rock, and one focused in between. I made a blend of the three exposures in post, keeping the most focused portions of each.

Because the light and colors were fairly flat I decided to go with a black and white interpretation. The conversion was fairly straightforward, but here I also decided to indulge in a bit of post-processing. I duplicated the background layer, turned it into and “overlay,” and added some Gaussian blur. With a bit of dodging, burning, and work with curves, the image ended up where I imagined it would.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 80mm
ISO 200, f/16, 1/10 second

keywords: sliding, moving, gliding, rock, stone, racetrack, race, track, playa, cracked, mud, earth, ground, cloudy, mountain, hill, barren, desert, rugged, track, trail, black and white, monochrome, death valley, national, park, california, usa, north america, landscape, nature, travel, scenic, stock

Salt Flats Near Badwater, Evening

Salt Flats Near Badwater, Evening
Salt Flats Near Badwater, Evening

Salt Flats Near Badwater, Evening. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white vertical format photograph of evening on the salt flats of Badwater Basin, Death Valley National Park, California.

Yes, I’m still mining the Death Valley photographs from my late March trip. And there are more to come… :-)

This photograph was made in evening light on the salt flats of Badwater Basin, not far from the “official” Badwater area – but far enough away that there were only a couple other photographers out here enjoying the solitude and the beautiful evening light. A few weeks earlier this area had been flooded by unusually heavy rains in Death Valley. From all appearances (and from photographic evidence that I’ve seen) the photographers who were first on the scene had to do a bit of wading to get out onto the salt flats. Some of them were rewarded for their efforts with wonderful and unusual images, including reflections of the Panamint range in the circular pools between the polygons of raised salt.

By the time I arrived the area was no longer flooded, though it was clear that the playa beneath the drying salt crust was still wet. In places some of the water appeared in cracks and in other spots walking on the salt felt a lot like walking on winter pond ice. During the flooding, the usually tall ridges between the salt “polygons” seem to have dissolved. Typically they are perhaps up to a few inches tall and contain large cracks. At the time I arrived, the counter had apparently been set back to zero – and the salt surface was almost completely flat, though it is obvious that the polygon outlines were still visible and beginning to rise a bit. The vertical ridge leading away from the camera position in the lower portion of the frame is a good example.

I went with black and white in this rendition since the sky had not really lit up yet – in other words, color wasn’t necessarily the main feature of the scene. I also liked what I could do with the clouded sky and the distant ridge in black and white.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 35mm
ISO 100, f/16, 1/25 second

keywords: salt, flat, polygon, pattern, landscape, nature, geology, hills, mountains, sky, dark, clouds, evening, dusk, sunset, haze, atmosphere, light, shadow, badwater, basin, death valley, national, park, california, usa, north america, travel, scenic, black and white, monochrome, texture, curve, stock