Tag Archives: black and white

Burn Zone, Near Foresta

Burn Zone, Near Foresta

Burn Zone, Near Foresta. Yosemite National Park, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Trees, stumps, and boulders in a recently burned area near Foresta, Yosemite National Park, California.

The story behind this photograph is a sad one, and one that provokes a certain amount of anger. The small village of Foresta is just on the western boundary of Yosemite National Park, above El Portal and below the road into Yosemite Valley from the highway 120 northern park entrance. A number of years ago – seems like perhaps 15 or so, though I haven’t looked it up – a tremendous fire started near Foresta and burned quickly and very destructively through a mature forest that had gone too long without burning. Because of the build-up of litter on the forest floor, the fire burned unusually hot and not only consumed small trees and low-lying plants but also destroyed a complete mature forest between Foresta and Tioga Pass Road where it finally was stopped.

This was one of the fires that probably made clear the terrible risks forests were facing due to many years of fire suppression – these forests evolved in a world of periodic fires and smaller fires to clear out the undergrowth the inevitable big fire has so much fuel to feed upon that the damage to the forest is ultimately much worse. For this reason, Yosemite (along with other parks) has adopted a wise policy of letting natural fires burn out on their own. Personnel are dispatched to keep an eye on the fire and to ensure that it doesn’t get out of control or threaten people or structures, but otherwise the fires are allowed to burn naturally. The price of some additional late summer smoke is, I think, a small price to pay for a more healthy forest.

After that original fire, what had previously been a forest along this section of the road instead became an open area. At first many small plants and wildflowers took advantage of the sunlight and grew like crazy. Eventually larger trees began to grow and in the past few years it was almost possible to imagine that a forest like the original one might eventually return.

One day in August this past summer I was camped in the Ten Lake Basin to do photography. On the second to last day I decided to leave my base camp and instead plan a dry camp on top of a ridge above the Basin from which I had seen a tremendous panorama of the Sierra crest on my way in. I packed up, carrying extra water, and climbed the steep trail to the pass. But as I climbed I smelled smoke, and as I came to the summit I saw a plume of forest fire smoke to the west… in the direction of Foresta. I gave up on the photography and hiked on out. I eventually found out that NPS personnel had been conducting a “management fire” near Foresta (on a very hot and dry summer day!) when it got out of control. This “little fire” burned right out of the Foresta area and into the surrounding hills and valleys, eventually consuming thousands of acres… including a good portion of the area of the previous fire that had slowly been starting to recover.

The tragedies of this fire are several. First, it is troubling that those in charge of actions designed to lessen fire damage to the forest miscalculated so badly that they ended up destroying substantial areas of the forest they were to protect. Even worse, the recovery of this area has now been set back by years, and perhaps decades.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Redwood Forest, Sunbeams

Redwood Forest, Sunbeams

Redwood Forest, Sunbeams. Muir Woods National Monument, California. October 24. 2009. © G Dan Mitchell – all rights reserved.

Beams of morning sunlight stream between the trees of the redwood forest at Muir Woods National Monument, California.

This is another photograph of the wonderful morning sunlight during my late October visit to Muir Woods National Monument. I usually visit and photograph Muir Woods in softer cloudy or foggy conditions which are, to be honest, easier to photograph. That diffused light lights the shadows and reduces the overall dynamic range of the scenes. However on this morning the sun was out and the light was magical, streaming through the forest canopy and between the giant trees to light up the air and the forest floor.

I perhaps mentioned that the previous photograph I posted from Muir Woods required me to merge two exposures to deal with this huge dynamic range – but this one required three exposures separated from each other by 2-stop brackets! The brightest exposure captured some detail in the trunks of the trees and the plants near the bottom of the frame, while the darkest exposure let me retain a bit of the branch detail in the very bright area where the light comes through between the trees.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Red Alder Leaves, Autumn

Red Alder Leaves, Autumn

Red Alder Leaves, Autumn. Muir Woods National Monument, California. October 25, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunlight filtering through the canopy of the redwood forest back-lights overhead red alder leaves at Muir Woods National Monument.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

I made a black and white and a color version of this image – since I think I prefer the black and white version I’m posting it first.

This year I have been returning to Muir Woods in all seasons and, among other things, I’ve watched the red alder trees as they have gone through the cycle from the first spring leaves to the deterioration of the leaves as they begin to change color before dropping from the trees as winter approaches. In many places along the main trails at Muir Woods the path travels directly beneath a canopy of these trees and when the light comes through the trees, filtered by passing through the upper levels of the forest, it highlights the curving and twisting shapes of the branches.

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McGee Creek Pack Station, Autumn Snow Storm

McGee Creek Pack Station, Autumn Snow Storm

McGee Creek Pack Station, Autumn Snow Storm. Sierra Nevada, California. October 4, 2009. © Copyright G Dan Mitchell – all rights reserved.

Snow flurries from an early autumn storm mask the high peaks above the McGee Creek Pack Station in the eastern Sierra Nevada, California.

When I’m driving back from the Bishop area I often make a few odd stops at special little places along highway 395 at which I think I might find something special, and the McGee Creek Canyon is one of these places. The canyon is just a short drive above the north-south highway, and in the right conditions it can provide really wonderful scenes – the aspens that grow along the road to the canyon, the views back into and across the valley to peaks beyond, intimate scenes of high desert rocks and vegetation, and from the road end up the steep-sided canyon toward the alpine headwalls of the canyon.

On this early October 2009 day I was returning from shooting near Bishop Creek in light snow and thought I might get some interesting views of aspen color (which didn’t really happen) and the view up McGee Canyon, so I turned off of 395 and headed on up. From previous visits I knew of this specific view from along the gravel road right above the pack station, so I already had it in mind as I arrived. When I saw the cloud-shrouded peaks at the end of the canyon and the foreground light I quickly stopped and set up. The cloud shadows were moving quickly and, unfortunately, heading my direction so I had to work very quickly – and I had just enough time to make this one exposure with the light on the area around the pack station before the light was gone.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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