Tag Archives: black and white

St. Madeleine Church, Trona

St. Madeleine Church, Trona
The stark architecture of St. Madeleine Sophie Barat Catholic Church, Trona, California.

St. Madeleine Church, Trona. © Copyright 2018 G Dan Mitchell – all rights reserved.

The stark architecture of St. Madeleine Sophie Barat Catholic Church, Trona, California.

I have a bit of history with the California town of Trona, but it has mostly been superficial. I may need to consider changing that. The town is in the far reaches of San Bernardino County, in the desert region between Ridgecrest, California and Death Valley National Park. The entire reason I even know of the place is that it is on the route that I almost always follow into the park. The town has roots that go back to the 1800s, and it seems to be supported almost entirely by the mining/extraction operations that go on there. To this outside, Trona has that utilitarian, dusty, sad, potential ghost town look of so many remote Western towns. I’m sure that some of that impression is the result of my own ignorance, but still…

I’ve passed through Trona annually for about two decades. However I rarely stop, mostly because Trona is either the last step on a very long drive to Death Valley (and I just want to get to DEVA and get to work without delay) or the first step on the long drive home (and I feel little need to stop yet). There isn’t much there for travelers — a drive-in, a restaurant on a side street, a market, a gas station or two. However, with each visit the feeling grows that there is something worth looking at and photographing here, especially in an increasingly urbanized age where fewer people have any experience with such places. So this time, on the way out of the park, we paused briefly and drove around just a bit. I noticed things that I have missed before. (For example, not all of the homes here are abandoned or unloved.) Our final stop before moving on was the parking area next to the St. Madeleine Church. In fact, this was one of the features that first suggested photography here to me some years ago, even though I had not previously stopped. It is a remarkable building, and its brutalist concrete construction and unadorned square shape somehow seem appropriate in this stark desert landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dunes, Light And Shadow

Dunes, Light And Shadow
A curving interaction between light and shadow on Death Valley sand dunes

Dunes, Light And Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

A curving interaction between light and shadow on Death Valley sand dunes

The visual patterns of desert sand dunes can quickly become a sort of photographers’ playground. While we often may go out looking for individual subjects and composition (the “perfect photograph of that mountain”), once in the sand dunes there are likely to be photographs almost everywhere we look. The subjects are remarkably varied, ranging from the smallest to the largest, from nearly pure abstraction to literal depictions, including human elements or not, and changing over the course of the day and in evolving light. Topping another wave of sand or curving around into a new hollow can bring a whole new set of possible photographs.

I made this photograph on a morning when we walked out into a lonely section of dunes before sunrise. I generally tend to photograph more “literal” subjects in that softer pre-sunrise illumination. That softness quickly disappears with the sunrise most days, and I begin to look for more stark compositional contrasts. Here I was attracted but the abstract shape of the sand that was struck by the light, and the suggestively organic shapes of the curve.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Old Tree, Snow Flurries

Old Tree, Snow Flurries
Snow flurries begin around an old tree, Yosemite Valley

Old Tree, Snow Flurries. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow flurries begin around an old tree, Yosemite Valley

In the latter part of February I was very fortunate to be able to spend a full week in Yosemite National Park, mostly photographing in the Valley. (Thank you to Yosemite Renaissance for sponsoring my stay.) It was a cold week with a fair amount of snowy days — no heavy snow, but with the cold it fell all the way down to the elevation of the Valley and even lower nearby.

Late on this afternoon I had finished up some earlier projects and I was casting about for a final subject before the light faded. Since I was in this area I went to where I knew I could find this magnificent old tree, along with some other smaller trees growing along the Merced River. On this very cold afternoon the scene was quite gray, with clouds above and light snow beginning to fall, muting the details of the background forest and almost completely hiding the granite walls of the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Meadow, Snow Storm

Trees, Meadow, Snow Storm
Snow falls on a tree-studded Yosemite Valley meadow

Trees, Meadow, Snow Storm. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow falls on a tree-studded Yosemite Valley meadow

I made this photograph as a snow squall swept through this part of Yosemite Valley, on an afternoon that featured changeable weather. It was often cloudy, sometimes the sun broke through, at other times snow fell heavily for short periods. It was during one of those latter moments when I stopped here, entranced by the silhouetted tree shapes and the moodiness of the snow-obscured landscape.

Snow and fog (and to some extent rain) can make the task of photography more difficult, but the visual value they bring mac the challenges worthwhile. A location like this one can be almost too dense with complex detail when the air is completely clear, but some fog or snow mute the distant details and simplify the scene in useful ways. Here the dark shapes of the closer trees acquire a stronger (and more abstract) presence in the scene, and the distant features that would otherwise be visible fade to obscurity and instead provide a sort of depth to the scene. I made a practical decision, too, when photographing this scene. Because of the challenging conditions of windblown snow, rather than putting my bigger camera on the tripod I shot handheld with a smaller system I was also carrying.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.