Tag Archives: black and white

Mountains, Spring Snow

Mountains, Spring Snow
New snow from a spring storm blankets high ridges near the Sierra Nevada crest

Mountains, Spring Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

New snow from a spring storm blankets high ridges near the Sierra Nevada crest

There is no question that for me and many others the sight of high, rocky, snow-covered alpine ridges, especially when backed by dramatic clouds and their racing shadows, is a compelling thing. I know it is true, but I often wonder why it is. Logically, such places are not pleasant or comfortable. In Darwinian terms, it is hard to see how an attraction to these places is logical — you aren’t going to find food or shelter there, and the conditions can be life-challenging. Yet we — or at least a pretty big percentage of “we” — find them appealing and even heart-stirring. I suppose that some things must remain mysteries.

This scene looks like winter, but it was photographed during spring. And, despite the alpine appearance, the photograph was made from a road — during my annual first trip over Tioga Pass via Tuolumne Meadows. As can happen at this time of year, one of those dying-gasp-of-winter weather fronts was in the process of moving through, it had left snow on the highest peaks and ridges, and its clouds were still blowing across the mountaintops.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Valley, Morning Sun And Clouds

The Valley, Morning Sun And Clouds
Clouds from a passing weather front break up over Yosemite Valley as sun rises above Sentinel Dome

The Valley, Morning Sun And Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front break up over Yosemite Valley as sun rises above Sentinel Dome

I confess that I’m often tempted to title photographs of this subject, “Yet Another Clearing Storm.” The subject is, to say the least, done a lot! The location is accessible, the view is tremendous (even if you’ve seen it a hundred times), storms clear in dramatic fashion. Sometimes I just have to stop and photograph it. Again. This does, however, bring to mind the famous comment that one photographer offered when asked by a neophyte if he had any advice about photographing from Tunnel View: “Don’t,” he replied. Yet we do. It can be a sort of guilty pleasure, and on a number of beautiful winter evenings I’ve run into friends there.

The light on this morning was something of a surprise — given what I had seen in the first predawn light I expected gray overcast. But as I came down toward the Valley I began to see hopeful signs — a bit of a glow from the east that suggested breaks beyond the edge of the cloud shield. I arrived here just before the clouds began to open up. I almost didn’t photograph — I first walked over without my equipment thinking it might be a quick stop before moving on. But it soon began to look more and more like the light might become even more interesting, so I raced back to my car and grabbed my camera, lenses, and tripod. Soon the morning sun rose over Sentinel Dome, intermittently breaking through the clouds and sending beams of soft light across and into the Valley.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest Scene

Forest Scene
The trunks of tall conifers trees in afternoon light

Forest Scene. © Copyright 2018 G Dan Mitchell – all rights reserved.

The trunks of tall conifers trees in afternoon light

I had initially stopped near these trees to photograph an entirely different subject in the opposite direction, behind my position as I made this photograph. I spent a good deal of time on that other subject, but in the end it didn’t (at least not as of this date) end up seeming to “work” quite the way I envisioned. As I finished I saw this row of strong, side-lit tree trunks and thought it might make a photograph. Ironically, I almost didn’t both — at first the light wasn’t remarkable, and I knew that I had photographed similar subjects in the past with success. I wasn’t sure that this version was going to work.

But, this being a cloudy day in the Valley, the variable light began to play on the trees, alternately lighting them and putting them in shade. At the same time, the variability extended to the complex pattern of more distant forest. I’m always intrigued by the challenge of making a workable composition out of very complex and “busy” subjects, and here the momentary light makes all the difference. (And, yes, I do seem to be in a bit of a “black and white mood” with some recent photographs. Maybe this is to balance out some of the other highly colorful images.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
The morning sun breaks through clearing clouds above Merced Canyon

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

The morning sun breaks through clearing clouds above Merced Canyon

If I had to choose my favorite conditions of atmosphere and light, something like this morning would be on my short list. The light was a surprise that emerged after I had almost written off the potential as being bland and gray. Since the clouds were in motion, the light was constantly changing — at moments it actually was not that interesting, but suddenly the clouds would shift and light would emerge, frequently moving across the scene and providing more than one opportunity. There were multiple levels and types of clouds. A thick overcast lay high above, though it was occasionally broken. Other clouds occasionally formed directly on the peaks, and others drifted below me, often low enough to count as fog. This show actually continued for several hours.

The location here is a fairly iconic spot that many who have visited Yosemite will immediately recognize. (However, as I discovered as visitors new to the park stopped and asked questions, to many this is a wholly unfamiliar view, which probably makes in even more spectacular to them.) If you look closely you will likely recognize the famous feature that provides a point of focus. The vantage point gives a view looking up the canyon of the Merced River and into the lower end of Yosemite Valley. This section has more of the v-shape of a river gorge, but the classic glacial u-shape begins under the brightest section of the lower clouds and then tracks to the left. Those light beams are real, and as I photographed they were traversing the scene from right to left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.