“Autumn Leaves and Frost” — Fallen autumn leaves, covered by frost, on a cold fall morning in the Sierra Nevada.
These fallen, frost-covered leaves were so interesting that I took a significant break from photographing trees to focus on them. They lay in a shaded strip along the edge of a gravel back-country road high in the Eastern Sierra. (I wonder what the other aspen hunters who drove past must have thought when they saw me ignoring the big trees and pointing my lens down at the ground!)
The photograph is a reminder to me — one that I frequently experience — that sometimes the thing you came to photograph is not the only subject worthy of attention. It is important to look away from that and see what else is around. Look away from the “big” and toward the small, turn around and see what is behind you.
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“Table and Chairs” — A table and chairs under a portico in Santiago de Compostela.
One of the pleasures of (warm-weather) travel in many parts of Europe is sitting at an outdoor table to have a drink or a coffee and watch the world go by. The table and chairs were ideally situated beneath the arch of a portico, perfect for that kind of activity along a narrow street in Santiago de Compostela.
The table was empty, but my photo archive suggests that this was not the case for long. The next photographs in my collection are a series of images of espresso cups and spoons… strongly suggesting that we must have ordered coffee, taken seats at the table, and engaged in precisely that activity.
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“Free ‘P’ Star” — Free ‘P’ Star, a Paris thrift store, with orange and black paint and lots of street art.
This was one of those street photography “grab shots” — I think it was in Le Marais —that I make while walking about in the urban environment. I often make them almost spontaneously — thinking in the moment that the subject is interesting visually, but then not taking time to note the precise location or other facts. To be honest, in a lot of ways this is the opposite of how I work in my landscape photography, and that may be part of the appeal.
From more recent internet research, it appears that “Free ‘P” Star” may be a chain of what we in the US call “thrift stores” or “second hand shops.” There were lots of things in this scene that attracted me: the string contrast between black an orange, the glow of the purple light inside the store, and the impressive collection of street art on the outside wall.
“First Light, Panamint Mountains” — The first sunrise light on Rogers Peak and the Panamint Mountains, Death Valley National Park.
How many times have I watched for this first light as it touches the peaks and ridges of the Panamint Mountains before working its way down to the floor of Death Valley? I have no idea, but I’ve been going there for something like 25 years now, so it must be quite a few times! It never gets old.
The highest point in this photograph is snow-capped Rogers Peak. The highest summit in the park, Telescope Peak, is just out of sight to the left. Surprisingly, there are communications facilities on top of Rogers Peak, and in a higher resolution version of this photograph you can see the towers on the very summit.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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