Tag Archives: black

Dogwood Bloom and Leaves

Dogwood Bloom and Leaves
Dogwood Bloom and Leaves

Dogwood Bloom and Leaves. Yosemite Valley, California. May 7. 2011. © Copyright G Dan Mitchell – all rights reserved.

An early dogwood blossom and leaves in Yosemite Valley, California.

This is another plant that I’m on a first name basis with. I know this particular dogwood rather well, having first been attracted to it one fall while walking along the north side of Yosemite Valley looking for leaves against rock. At that time the fall-color leaves of this dogwood tree were draped across the top of a low, flat boulder. When I’m in this part of the Valley, I often walk past this tree to see what it is doing. On this first weekend of May, the tree was just getting its first blossoms of the spring season, and I was able to clamber up on top of the boulder, set up my tripod, and make a few close-up photographs of the flowers.

I originally figured it would be a color photograph but as I worked on it I started to think it might be interesting in black and white, too. (You’ll get to decide – the color version will appear tomorrow.) Besides having to wait for the slight breeze to pause so that I could make a 1/8 second exposure, another challenge was the dynamic range between the bloom and the rather dark background. I tend to slightly underexpose the highlights, since digital capture is not kind to over-exposed whites. Then I work in post to bright the brightest parts back up to where I think they should be, but without letting anything blow out.

For dogwood fans, the “word on the street” had been that these flowers were coming along a bit later than usual this year. But on this day it seemed like they were suddenly starting to appear in many of the usual places in the Valley. I’m expecting them to peak between now and perhaps a week or so from now, and later on at higher elevations. One potential wrinkle is the possibility of snow in the Valley on Sunday!

Update: There is also a color version of this photograph.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Corner Store With Boarded-Up Windows

Corner Store With Boarded-Up Windows
Corner Store With Boarded-Up Windows

Corner Store With Boarded-Up Windows. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

A corner store with boarded-up windows in the Chinatown district of San Francisco.

There probably isn’t a whole lot to say about the subject of this photograph other than it is a boarded-up corner store in the Chinatown area of San Francisco, photographed in morning light last July. The components of the scene are kind of odd, I think: a bit of a flag, green awnings and painted wall, the slanting sidewalk with some poles and boxes, and the layers of older and newer boards and graffiti over the windows. I also though the light was interesting, partly because it was short period when the San Francisco fog is breaking up and the light is brighter but still soft, and partly because of the diagonal shadows cast across the vertical and horizontal shapes of the wall.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Man Descending Peter Macchiarini Steps

Man Descending Peter Macchiarini Steps
Man Descending Peter Macchiarini Steps

Man Descending Peter Macchiarini Steps. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man descends the Peter Macchiarini steps past worn and dilapidated buildings in downtown San Francisco.

I photographed this rather bleak scene on a side street in San Francisco last summer. I first walked up this street to photograph the “Peter Macchiarini Steps” that ascend steeply here in place of a normal sidewalk. Then I saw the opposing shapes of the large square ductwork and the smaller round pipes against the weathered and dilapidated exterior of the buildings. Finally, I found that the occasional person descending the steps might add a point of interest, so I waited…

When I look at a photograph like this one I see layers of different things – but maybe that’s just me! :-) At one level it is just a slightly gritty little street scene, presented in a pretty unvarnished manner. (I did some work to straighten angles and so forth in post – I generally don’t get to use tilt/shift lenses when I shoot street!) Then I see several interesting-to-me geometries in the scene. I mentioned above the opposing bends of the pipes and ducts and their relative positions on the wall. I also see a collection of rectangular shapes throughout the frame: the lighter area of wall behind the figure, the doors in the lower center, the small window above the doors, the three upper windows, and the sections of wall between them. Then there are a bunch of horizontal components: the large lighter band across the upper center, the very small patterns of the siding, the sequence of upper story windows against siding, the lower edge of the siding. And within these separate layers of order there are things that don’t quite fit. The man of course, wearing black and in motion with one foot suspended in mid-step, but also the trash can in front of him – also black, the bits of conduit running in odd directions, the small section of pipe in front of the door, and the concrete sidewalk steps.

Of course, you are free to see a picture of some guy walking down the steps…

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.