Tag Archives: blue

Crystal Bay, Lake Tahoe

Crystal Bay, Lake Tahoe
“Crystal Bay, Lake Tahoe” — Blue water and light above Crystal Bay, Lake Tahoe

My annual hunt for aspen color took me to the Lake Tahoe area in early October. I realized that although I’ve gone to Tahoe for many years that I have very few photographs of the area. So often Tahoe has been a place to go for other purposes, such as skiing or a cabin stay, etc. And, frankly, Lake Tahoe is very busy and, in many ways, an urbanized place — so my nature and wilderness instincts are often a bit frustrated there. But it is a beautiful lake, and I saw more of that when I went there with photographic intentions.

The underlying reason this time has to do with a project related to fall color in the mountains of California. I’ve covered many other Sierra fall color areas, but I needed more material from the Tahoe area. So I spent an evening, a full day, and part of a morning doing some exploring. The “full day” began with a drive to the Carson City, Nevada and then north towards Reno and back toward Tahoe via Mount Rose. There were quite a few aspens along this part of the drive, but I couldn’t stop much due to road construction. Then I did something I’ve done a number of times before — I circumnavigated the lake, paying special attention to fall color. I realized that there is quite a lot of it, even if much of the color is in areas filled with cabins and resorts. This photograph overlooks the northeast part of the lake from the roadway descending from Mt. Rose.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Walls, Reflected Light

Canyon Walls, Reflected Light
“Canyon Walls, Reflected Light” — Light reflected from blue sky and sunlight canyon walls illuminates the lower reaches of a Utah slot canyon

On this day I visited — though just barely — an area of slot canyons in southern Utah. I rarely do much advance research when I plan to photograph in a new area, generally preferring to discover the place for myself. This has both advantages and disadvantages. I certainly make my share of missteps and sometimes miss spectacular locations on my initial visits. On the other hand, when I come with few preconceptions I am free to make my own relationship with these places and perhaps I am forced to look a bit more carefully at what I see.

I had a vague plan to visit an area where there are some fairly well-known features, though I did not plan to visit the most popular of them, preferring to avoid the need to special permits and the attendance line-waiting. So I got a map (one without a lot of detail) and figured out where to find a gravel side road to a place with a name I had heard of, and I headed that direction. I parked at another place with a name that sounded familiar, loaded up and started walking down a valley with a good size wash. Soon the walls closed in on both sides and I entered an area of slot canyon. There is much to see and feel in these canyons, but my attention is often focused on the light, which does astonishing things when it bounces down between higher red rock canyon walls. As I came to this spot I was taken aback by the intensity of the brilliant blue tones when open sky reflected on the shiny surface of the rock, contrasting with the intense reddish tones of red rock illuminated by red reflected light, and creating almost sensuous forms in the rock walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red Car, Blue Building

Red Car, Blue Building
Red Car, Blue Building

Red Car, Blue Building. Chicago, Illinois. August 2. 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A red car waits in front of a blue Chicago building

This was a surprise grab shot near the end of a day of photographing, as we walked back to our Chicago hotel to get ready to go out for dinner. Most of the surroundings were not terribly conducive to photography at this point, being in the middle of a very neat and tidy hotel and business area, but here the organized forms seemed right for a photo, with the perfect vertical columns of blue shaded light and the single spot of red from the car parked in the driveway and, if you look closely, a single person in front of the car.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Elephant Seals and Blue Water

Elephant Seals and Blue Water
Elephant Seals and Blue Water

Elephant Seals and Blue Water. Point Piedras Blancas, California. July 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Elephant seals resting on a Southern California beach at the edge of the water

This time of year, a lot of elephant seal photographs are likely to be “elephant seals napping/resting/sleeping on beach” photographs, since that seems to be how these critters spend the bulk of their time. If 100 of them are around the beach, perhaps two are out for a swim, and occasionally one or two might move around a bit or engage in some biting, butting battles with one another, but the rest pretty much must there, occasionally flipping some sand on their backs or scratching somewhere.

This large group was crowded together tightly right along the edge of the wave line. For the most part there was little or no action, though occasionally one would come or go, or one might jockey for a more favorable position in the pile. I realized that if I moved further away from their position that I could shoot back over them right along the beach, and once I got to this camera position I realized that the wet sand beautifully reflected the blue of the sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.