Tag Archives: blue

Western Horizon

Western Horizon
“Western Horizon” — Thin clouds above afternoon sunlight reflected on the Pacific Ocean

This photograph begins a series from recent photographs of the Big Sur coast along the Pacific Coast Highway in California. After a week of being cooped up at home (which construction work was underway) I was itching to get out into the (more) real world, so I took a day for a long, all-day trip down this coast and back to make photographs. The trip reminded me of a lot of things, but among them was how wonderful it is, on a day of terrible inland heat, to be able to hug this coast where it remained cool and damp!

I’m one of those who is fascinated by the brilliant sunlit ocean surface and the way that it can recede towards an almost invisible horizon when the combination of light and atmospheric haze is just right. The high bluffs along this route can be excellent places to observe this and more.* At times the surface of the ocean takes on the appearance of molten metal and is almost too bright to look at. I always watch for these conditions when I am in this area, and I was not disappointed on this visit. In this scene, a group of passing thin clouds provides a visual counterpoint to the brilliant reflection on the ocean’s surface.

  • The “and more” I’m thinking of refers to an unbelievable California coastal experience that I shared with a number of other visitors at the end of this day. There are few other places in the world where you can pause at the top of cliffs hundreds of feet above the open sea at sunset, and watch for perhaps a half hour as a pod of gray whales assembles to feed, periodically breaching.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red, White, and Blue Hour

Red, White, and Blue Hour
Red, White, and Blue Hour

Red, White, and Blue Hour. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The last red sunset light falls on a forested ridge in front of snow topped Half Dome in blue dusk light

This past winter I was in Yosemite Valley for a few days for the opening of the Yosemite Renaissance Exhibit, and I had many opportunities to head out and photograph the Valley in beautiful foggy, cloudy conditions, with a bit of snow still remaining from earlier storms. (I also had a great time meeting up with plenty of other friends and photographers who were also there for this event and a simultaneous film festival.)

Sometimes I know what I want to photograph in the Valley, and I simply to look for that thing, often knowing exactly where to go find it. But in conditions such as those of this weekend, which included a lot of clouds and changing light, sometimes it was impossible to know for sure what the conditions were going to do. See fog developing? Head for a high place or a meadow. Possibility of sunset color? Perhaps one of the well-known Valley views. Clouds swirling around the upper ridges? Get out a long lens and shoot from innumerable locations. Soft sunlight? Perhaps time to photograph trees and granite. On this evening a number of us ended up at that most iconic of iconic Yosemite locations, Tunnel View. For the last few years, I’ve been playing a slightly different game at Tunnel View when I end up there, often shooting with very long focal lengths and trying to pick out small bits and pieces of the larger scene. I had been doing that and had pretty much wrapped up for the evening, since the light seemed to be dying behind clouds to the west, and in fact I was loading equipment into the car when my wife said, more or less, “Look at that!” A band of intensely red end-of-sunset light had found its way through a gap in the clouds to the west and suddenly cast an intense glow across this ridge standing between me and Half Dome. So we have red (of sun on ridge), white (of snow) and blue (of the blue hour light on Half Dome and the clouds above).

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Water, Blue Sky, Boat

Blue Water, Blue Sky, boat
Blue Water, Blue Sky, Boat

Blue Water, Blue Sky, Boat. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Blue light and morning haze over San Francisco Bay

I’m channeling the blue in this photograph, shot along the San Francisco waterfront earlier this month. The facts are straightforward — I was walking along the San Francisco Bay waterfront early in the morning, as I like to do during the summer. There was some morning haze above the bay, left over from the dissipating fog, and it took on a blue coloration from the sky. Across the bay the giant cranes of the Port of Oakland are visible along the East Bay shoreline, nearer a boat passes near the end of breakwater.

I think that some people might wonder at all the city photographs, especially since so much of my photograph is of the natural world — the coast, the Sierra, migratory birds, the desert. I photograph the city for quite a few reasons. For one, it is closer than some of those other subjects, and at a minimum photographing in the city give me a chance to keep my eye “in tune.” In some ways, urban shooting can do more for this than more photography of the natural world, since the urban environment often presents such simplified forms and because I often have to work quickly and rely on (and thereby reinforce) my visual instincts. In addition, I just have to admit that there is a part of me that likes the urban world with its intense and compressed experiences. (Not that this photograph shows that part of it!)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky
White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky. San Joaquin Valley, California. April 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A flock of white-faced ibises is silhouetted against early spring evening sky above the San Joaquin Valley

I have what almost amounts to a tradition of making a weeklong visit to Death Valley near the end of March and beginning of April, that time of year when this desert landscape oscillates between winter and summer conditions and when the flowers bloom.. After a week or so in that austere landscape I am usually quite ready to see green and a greater density of living things. I’m also ready to get home! On a typical final day of the trip I do a bit of photography in the morning and then leave the park well before noon and start the long drive home. During the last few years I have made it my practice to leave early enough that I can just make it to one of my favorite San Joaquin Valley bird locations before the sun sets.

It has been a series of drought years in California and this was the worst one so far. When I drove do Death Valley things were still just as dry as we would expect in such a year. But while I was in the park a series of winter storms swept across the state—finally! I saw some rain and snow in DEVA, but by the time I got to the Central Valley is was clear from the puddles and ponds that a real storm had come through. I drove on up highway 99 and turned west toward my destination and found fields that were actually green. And on arriving at the wildlife refuge I was greeted by the smell of damp air and plants and the sounds of birds. What a contrast to Death Valley! Close to dusk we found a large flock of dark-colored birds in the shallow water nearby, and a closer inspection showed them to be white-faced ibises, settling in where the now departed geese would have distracted us from such quiet birds a few weeks or months earlier. As the evening wore on, large groups flew in, circled, and then descended to join the flock… including this group that passed in front of delicate dusk clouds and blue hour sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.