Tag Archives: blue

Wetlands and Evening Sky

Wetlands and Evening Sky
Wetlands and Evening Sky

Wetlands and Evening Sky. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening sky reflected by the surface of San Joaquin Valley wetlands

The late fall, winter, and early spring seasons bring to most interesting skies to California’s Central Valley landscape. In the summer – when, frankly, I most often drive through here on the way to some place else – the sky is mostly just plain blue with the typical amounts of haze. (Contrary to popular opinion, the LA Basin is not necessarily the location of the worst air in California – that “distinction” actually belongs to portions of the Great Valley.) But in winter there seems to be much more variation and conditions can sometimes change quickly – as they did on this photography day in mid-December.

While it can often be very foggy in this part of the Valley, on this day there was only light fog in the early morning and some lingering haze. This actually turns out to be beautiful light for photography as the haze mutes and softens the light in ways that I love. By midday the light was, well, midday light – and we took a break in a nearby town for lunch. When we returned to the field by mid afternoon early clouds from a weak approaching weather system were beginning to appear. When a really big front comes through at this time of day, the light is basically switched off – but this weak front brought alternating bands of blue sky, partial clouds, and thick clouds that blocked the light. For a few minutes before the end of the day everything turned blue – sky, water, and clouds – and I stopped to take of my long birding photography lens and use a wide-angle to make a photograph of this scene that is almost entirely sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Island, Marsh, Autumn Sky

Island, Marsh, Autumn Sky
Island, Marsh, Autumn Sky

Island, Marsh, Autumn Sky. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late-autumn morning sky above islands and flooded marshland, San Joaquin Valley

We arrived here in predawn darkness for a day of bird photography. I never know exactly what I’ll find when I start a morning out here, especially since I most often start before sunrise and frequently in thick fog. On this day, the air was a bit murky before dawn but there was no thick fog, and as we drove the perimeter of this marshy area we could not only hear the cranes and geese and other birds, but we could even see them a bit. The atmosphere was “interesting,” to use a euphemism for “doesn’t look promising but you never know what might happen!” No thick fog… but clouds overhead that might or might not allow some interesting light at sunrise.

Perhaps 10 minutes before sunrise it was time to pick a subject and be ready for it. At about that point we arrived at this flooded pond with its odd little tule-covered islands. It was still gray, but I figured that if color did arrive at sunrise I might be able to fill the frame with the sky – both the actual sky and its colors reflected in the water – and split the image with the island and the thin horizon line. So I swapped my long bird lens for my widest ultra-wide and set up right along the edge of the water. The sunrise itself was blocked by thicker low clouds to the east, but as the sun rose above them it began to light higher cloud layers above the low-lying atmospheric haze and everything turned to shades of blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, Dusk

Geese, Dusk
Geese, Dusk

Geese, Dusk. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese take flight into dusk haze and clouds

A group of us – Patty Mitchell, Michael Frye, Claudia Welsh, David Hoffman, Charlotte Hoffman, and I – spent a day photographing migratory birds and the landscape of California’s San Joaquin Valley recently. I hope that it is obvious that this photograph does not attempt an objectively realistic presentation of geese! The facts include… these are almost certainly Ross’s geese, they are passing quickly as they fly between two close flocks in the early dusk light, the clouds in the distant sky are colored blue and pink and purple by post-sunset light. By the time I made this photograph it was almost too dark to clearly make out much of anything in this scene, and certainly not to see clearly the individual birds rising into the air, flying past, or landing among other birds already on the ground.

From a certain point of view, this photograph does everything “wrong” when it comes to wildlife photography in general and bird photography in particular. The shutter speed was something like 1/8 of a second, and kept that “short” only by underexposing by nearly a full stop and shooting at ISO3200. The shot was hand-held with a 400mm focal length. Geese, barely visible in the twilight gloom, where coming and going in almost unpredictable ways, yet getting an interesting arrangement of birds in the frame required quickly responding to what they did and then panning while shooting. I had positioned myself to the east of the flock in the hope of getting some interesting sky behind them, so I was also trying to remain aware of the background while tracking the birds. Clearly, this is not a recipe for razor-sharp, carefully and thoughtfully composed images! Additional work was done in the post-processing phase – to deal with the inevitable noise and with balancing out the luminosities of various parts of the frame and bringing out details that might otherwise be lost. Yet, with enough shots and some intuition from photographing these birds in these conditions before, it is possible to make something happen. In the end, for me a photograph like this can evoke the mystery of what happens in the deepening twilight – the sudden unpredictable motion, the sounds of the geese, the hazy atmosphere, and the gathering darkness.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Downtown Storefronts

Downtown Storefronts
Downtown Storefronts

Downtown Storefronts. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A row of downtown bars and restaurants, Seattle, Washington

This is another Seattle photograph, shot quickly in street style while walking around portions of the city and exploring. It is hard for me to put my finger on precisely what it is that appeals to me about subjects like this, but let me make an attempt. My first impression of such a location, especially in the daytime when everything is more clearly seen and fewer people are around, is that a lot of it is simply run down and even drab – weathered bricks, worn and peeling paint, construction that isn’t quite square. This patina of age and use is itself interesting, and somehow a photograph of it (or the act of making a photograph of it) helps me see it for what it is and for what else I might otherwise not see.

On the large scale, there are patterns that appeal to me – and, yes, patterns are part of my way of seeing. The scene is divided into successively smaller and smaller rectangular shapes for the most part, ranging from the largest one formed by the green facade to the very small ones formed by things like the spaces between the bars of a gate. Superimposed on this are things that don’t fit the geometric grid – the car (which also seems a bit out of context with the old buildings), the roughly triangular shapes of umbrellas, and many other odd little bits and pieces. In fact, if you like this sort of thing, seeing those “bits and pieces” might make the photo become a bit more than what it first seems to be: the figure of a red and white chef statue in the window at far right above some sort of bright green carts, the tree bright blue flower pots and a pink watering can on a ledge, the bright colors near the “Il Chiosco” sign, one door that has been varnished rather than painted the same drab colors as everything else, etc.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.