Tag Archives: bluff

Photographer, Raging Surf

Photographer, Raging Surf
A photographer stands on headlands bluffs to photograph huge Big Sur swells

Photographer, Raging Surf. © Copyright 2018 G Dan Mitchell – all rights reserved.

A photographer stands on headlands bluffs to photograph huge Big Sur swells

On this day of gigantic Pacific Coast surf, I stopped at the first location I came to that afforded close access to the bluffs above the raging surf. I grabbed camera, one lens, and tripod and set out on one of the informal use trails between the Pacific Coast Highway and the surf, eventually finding a side trail that took me to a spectacular overlook with views to the south across the surf and into the light. (I mostly shoot “contre jour,” or into the light in these conditions, since that enhances the light on the mist and waves, among other reasons.) Soon it was time to move on, so I packed up and started back up to my car.

At the top of the trail I took one last look before packing and moving on to my next location. As I did I saw a photographer on the spine of one of the ridges running toward the sea, and noticed that he was backed by some truly astounding surf. So I quickly held up, put my tripod back up again, and made a few exposures as he stood against the background of the huge waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Coastal Bluffs, Morning Fog

Coastal Bluffs, Morning Fog
Under foggy morning skies, steep coastal bluffs rise above the Pacific Ocean along the Big Sur coast

Coastal Bluffs, Morning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Under foggy morning skies, steep coastal bluffs rise above the Pacific Ocean along the Big Sur coast

I’m fortunate to live in a (photographically speaking) “target rich environment.” Two hours to my west is the Great Central Valley of California, a couple of hours beyond that and I’m high in the Sierra Nevada, and a bit more driving takes me to the east side of the Sierra and the beginning of basin and range country. I can get to Death Valley in a day’s driving. San Francisco is a train ride away, and a bit north of that begins the heart of coast redwood country. (I can actually get to redwoods by driving only about a half hour from home.) Less than an hour away is the Pacific Ocean, and a somewhat longer drive takes my past Monterey and Carmel and into the remarkable Big Sur coastline.

That’s where I went on this day, getting a somewhat later start than I hoped for but arriving in time to find fog still hanging around among the coastal mountains and bluffs. I know this coastline well enough to photograph in some little-known spots, but this location is very close to something quite iconic. I’ve photographed this location many times, in all sorts of conditions — fog, brilliant sun, winter storms. It can be a very colorful and bright place late on a clear-sky day, but on this morning it had a quieter and more closed-in feeling.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Shoreline And Spray

Rocky Shoreline And Spray
Spray from surf mutes a rocky Northern California shoreline scene

Rocky Shoreline And Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Spray from surf mutes a rocky Northern California shoreline scene

This rocky and exposed beach, open to the Northern California Pacific Ocean, first caught my attention as I headed north on the first day of my visit to redwood country. I had made the long drive up the Central Valley, the long traverse out to the coast at Eureka/Arcata, and then traveled further north to the redwoods on my way to my final destination in Crescent City. Perhaps unexpectedly, in many spots along this coastline you don’t actually see the ocean or the shoreline itself — the route tends to be inland a ways and/or travel through forests. So when the road came around a bend near sunset and arrived at this spot, where the waves are literally only feet from the edge of the road, it made quite an impression. I stopped briefly but did not see a photograph at that time, and I travelled on.

Several days later, as I departed the Redwood National and State Parks area (and after making a final stop at Prairie Creek State Park), I again came down a hill to this beach. I stopped again, but this time the conditions were quite different. There was active surf coming onshore, and the waves had stirred up a thin, low fog that hugged the coast. Overhead higher clouds indicated the passage of a weather front. From this spot it was easy to see how littered this coastline is with the boulders and sea stacks that are left behind as the ocean erodes the shore.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bluff, Tidal Flats, Tomales Bay

Bluff, Tidal Flats, Tomales Bay
Evening along the shoreline of Tomales Bay

Bluff, Tidal Flats, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening along the shoreline of Tomales Bay

This is another photograph from our very recent visit to areas of California just north of San Francisco. If you follow the news, that description perhaps calls to mind the recent (and current, as I write this) major wildfires burning in California, including the disastrous fire in the Santa Rosa area that killed dozens of people and destroyed thousands of homes and other structures. In fact, we were very close to that area on this trip. We might not have gone at all, except that one of the reasons for going there was to participate in a wedding — and since the wedding went on despite the first, we went. We had planned a few days after that for photography, and we decided to stick to that plan, too.

The effects of the fires were obvious in many ways: signs in shops and elsewhere about people needing a place to stay or raising funds for fire relief, the traffic heading to the coast to try to find relief from the smoke, and the constant presence of that smoke in the air. We ended up doing much less photography than we usually would, but on one day we did manage to make a few photographs. We had driven north up that coast a ways, turning around just north of Jenner where the smoke became quite severe, and we were returning to the area around Point Reyes National Seashore. We arrived alongside upper Tomales Bay, which separates Point Reyes from the rest of California, not long before sunset. Here the smoke thinned a bit, mostly just producing some atmospheric haze, and the scene was quiet and still in the early evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.