Tag Archives: bright

Point Sur, Sunlit Ocean

Point Sur, Sunlit Ocean
Point Sur is sillhouetted against the brilliantly bright sunlit ocean

Point Sur, Sunlit Ocean. © Copyright 2018 G Dan Mitchell – all rights reserved.

Point Sur is sillhouetted against the brilliantly bright sunlit ocean

Point Sur is one of the most striking landmarks along the rugged Big Sur coastline south of Monterey, California. There is plenty of striking and remarkable seascape and landscape here, but this feature is pretty much unique. It consists of a rocky, rounded hill right at the edge of the ocean, and it is (barely) connected to the mainland by a narrow, sandy peninsula. (I often wonder how many times the peninsula has been overridden by tsunami waves over the millennia.)

The spot also has a long human history. Over a century ago a lighthouse was established on Point Sur, and since it was so isolated — there was no Pacific Coast Highway back then — the residents had to be essentially self-reliant. The lighthouse workers were let go decades ago when automated lights replaced the old lighthouses, but the place is still there and much of it has been restored. I am in the area often, but the view changes a lot, and this time I photographed it from hills to the north as giant waves approached the coast and the brilliant sun glinted on the surface of the Pacific Ocean

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Museum Windows, Shadows

Museum Windows, Shadows
Silhouetted figures, windows, and beams of light, Metropolitan Museum

Museum Windows, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Silhouetted figures, windows, and beams of light, Metropolitan Museum

This is a second “take” on a location I photographed between Christmas and New Year’s Day last year, when we spent a week in New York. It was an exceptionally cold week, and on a few days we decided that we really needed to find indoor activities. (On other days we defied the cold and wind and walked all over Manhattan anyway.) One of the reliable options is a visit to a museum, so we headed to the Metropolitan, where we wanted to see the David Hockney show. You can’t see it in this photograph, but the museum was packed with other visitors who were also looking for a warm, indoor option.

We passed through this room twice, on our way to and from a section of the museum with relatively modern art that we wanted to view. This space is really essentially a very wide walkway, though I suspect that it could also be used for exhibits at times. The row of tall windows along the southern wall opened to Central Park and, further away, the Manhattan skyline. Lots of people took advantage of the wide window sills as a place to sit. The resulting effects of light were intriguing — backlit people in a variety of poses, the faint image of the park and city outside, and the alternative effects of shadows and reflections from the bright light streaming through the windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Chinatown Street Scene

Chinatown Street Scene
Tourists on the sidewalk in front of a brightly lit souvenir shop in San Francisco’s Chinatown district

Chinatown Street Scene. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tourists on the sidewalk in front of a brightly lit souvenir shop in San Francisco’s Chinatown district

Another evening in San Francisco, another photograph of people walking along the sidewalk in front of a Chinatown shop. These are becoming something of a theme, or so it seems. I’m not exactly certain where I made this one, but I feel like it might not have been along the main tourist area of Grant Street — but I’m prepared to be wrong.

My approach is to look for good light first and to then find a composition and people to fill it. Some interesting elements, like the stairway at the right, are nice, too. I’m always looking for spots where light spills onto the sidewalk, offering the potential to illuminate passers-by when they enter the scene. It is even better if street lights or the lights of another shop provide just a bit of front light to fill in the shadows. Aside from the way that all of the people managed to position themselves across the frame, I think I owe the woman to choose to wear the red dress on this evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Columns and Lichen

Columns and Lichen
Basalt columns and bright yellow lichen, Devils Postpile National Monument

Columns and Lichen. Devils Postpile National Monument, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Basalt columns and bright yellow lichen, Devils Postpile National Monument

This photograph is probably the result of at least one accident. We had gone to the Eastern Sierra for a few days to photograph fall color, arriving late in the evening, tired and ready to sleep. We discussed how early we would get up the next morning, but I managed to remain vague about my plans, secretly hoping that I might not wake up on “photographer time,” but perhaps actually sleep in a bit! In fact, that is what happened — and it was probably a good thing since I was tired after three busy weeks including several previous trips over the crest to photograph on the east side of the range.

Of course, once we got up late we still had to figure out what we would photograph. Obviously dawn light was out of the question, and it seemed like we might not get out until the best early and soft light for aspen color had passed. We hatched a very general plan to head over to Devils Postpile National Monument, though I didn’t have real high hopes for it. However, once we arrived we realized that we had actually come at just the right time. This feature, at this time of year, doesn’t get sunlight very early. When we arrived the face was still in beautiful, soft, shaded light but the surroundings were reflecting some light onto the columns. That’s what I call a “happy accident!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.