Tag Archives: brown

Brown-eyed Evening Primrose

Brown-eyed Evening Primrose
Brown-eyed Evening Primrose

Brown-eyed Evening Primrose. Death Valley National Park, California. March 27, 2010. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brown-eyed Evening Primrose flowers and buds, Death Valley National Park

Going through some older Death Valley photographs near the end of 2012, I came across a few photographs of small desert flowers including this one of (what I’m pretty certain is) Brown-eyed Evening Primrose. (I’m certain it is a primrose, and it seems to fit the description of the specific form.) I’m not sure why this and a few related photographs had sort of disappeared into the raw file collection, though every time I go back through the old original files I find something interesting that I missed the first time around.

Even though it has now been several years, I recall quite specifically making this and the other similar photographs. I had driven to a well-known Death Valley location – one of the “icons” – quite early in the morning, and as I looked around near that subject, I saw some color on a small, rocky hill just off the highway. I decided to investigate, so I walked over there with my gear and wandered up onto the small hill. (I suspect that anyone who had seem me poking around over there might have wanted to yell, “Hey, you, the photograph is over this way!”) It had rained recently and what I found was a fairly astonishing number of new wildflowers that were just beginning to come to life in this seemingly barren and rocky area. I ended up photographing a number of different types of flowers and even surprises such as a big green caterpillar!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood, Fallen Monolith, and Cliff

Cottonwood, Fallen Monolith, and Cliff - Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.
Cottonwood, Fallen Monolith, and Cliff – Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

Cottonwood, Fallen Monolith, and Cliff. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

I may be repeating a story I’ve previously told, but here goes. Earlier during my late-October visit to Utah we had wandered into this area, only to be largely stymied by clouds, cold, absurdly strong winds, and even a bit of rain. It was a bit disappointing, in that we had really looked forward to visiting this portion of the Escalante River, and when we started out in the early morning and saw a lot of beautiful fall color we thought we were in for a good day of shooting. Although that day was not a complete loss, it wasn’t what we hoped for – and by the end of the day we were struggling against very strong winds and cold.

Fortunately, nearly a week later we found ourselves back in roughly the same area of Utah, and as we considered the next day’s possible shooting locations the idea of giving this spot a second try came up. After considering that alternatives of trying a new location or going back, we decided to go back. It was a good decision! Where the first visit had been cold, cloudy, windy and even a bit damp, the second visit brought warmer conditions, almost completely clear skies… and most important, nearly windless conditions. (At one point we were cautiously admitting to one another that we had made exposures of foliage that lasted as long as a couple of seconds!) Near one large bend in the canyon there was a spectacular abundance of “targets” – brilliant cottonwood and box elder trees, beautiful canyon walls of various colors, fallen leaves, and more. On the previous visit we had all looked at this little scene of a large fallen section of the canyon wall with golden cottonwoods growing all around, and then pretty much continued on since the trees where being whipped around by the wind. But on this second visit the wind was calm, and light was reflected into the scene from sunlit sandstone walls to our left.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fiery Furnace, Arches National Park

Fiery Furnace, Arches National Park
Fiery Furnace, Arches National Park

Fiery Furnace, Arches National Park. Arches National Park, Utah. October 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ridges and mesas recede into the distance beyond Fiery Furnace formations, Arches National Park.

These formations are part of a much larger set of similar structures along the road toward the Devil’s Garden area of Arches National Park. They overlook a large section of the park and beyond. The distant plateau in the sunlight is along the Colorado River, and though they are not visible in this photograph the La Sal Mountains tower even further off. Between there is a lot of rough country full of valleys and ridges and other formations.

The Fiery Furnace area contains sandstone with layers of contrasting color, as see here. This material has been eroded it all sorts of fantastical ways. On this particular day, the light conditions were both interesting and challenging. There were quite a few high clouds and a good portion of the time the sun was blocked by them and the light was somewhat dismal. But as the clouds moved along, the sun light occasionally broke through gaps and cast beams of light that traversed the landscape. When we first stopped here and saw the overcast conditions I almost decided to just move on. But I saw a few hints of this changeable light and decided to try patience first! It took a while, but eventually some of the clear areas in the overcast lined up with our position and we had moments of nice light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

One Green Leaf

One Green Leaf, Capitol Reef National Park
“One Green Leaf” — One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

My two October trips to photograph in Utah extended my ongoing education about the place, and one of the locations about which I had and still have the most to learn is Capitol Reef National Park. My encounter with this park, in 2012, was a bit superficial, though my excuse is that we were only passing through on our way to another place. All I saw was the short highway drive that passed through the park via the Fruita District — the rest of the park remained a complete mystery. In October I was there twice. On the first visit I was in the area enough to start to get a bit of a feel for the place, though I mostly still stuck to popular and accessible areas, with the addition of a bit of hiking and a long drive on gravel roads down the less-visited side of the park. On the second visit I learned and saw a bit more – enough to convince me that there is much more to this park and that I want to return.

I made this photograph in a short slot canyon in an out-of-the way area of the park. We drove there on a very cold morning and headed into the canyon while the temperature still hovered around freezing. There was no one else there, and we barely even saw anyone else on the long drive to get there. The little canyon itself was quite beautiful and full of interesting surprises – juxtapositions of glowing red-orange walls and shaded blue-purple walls, brilliantly colorful gambel oak leaves, large sandstone faces and walls, and more. As I investigate a place like this I try to let my eyes roam beyond the first things I see, and try to also see smaller things that could easily be missed. Here I happened to look down at my feet – sometimes a good thing to do! – and see that the floor of the stream bed carpeted with oak and other leaves that had recently fallen, and this batch of brown and tan leaves held one that was still green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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