Tag Archives: california

Black Sands Beach, Coastal Cliffs

Black Sands Beach, Coastal Cliffs
Black Sands Beach and the Lost Coast, Shelter Cove, California.

Black Sands Beach, Coastal Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

Black Sands Beach and the Lost Coast, Shelter Cove, California.

Previously I have shared my dark secret: for decades I barely visited the portions of California north of the San Francisco Bay Area, Sacramento, and Tahoe line. Sure, I visited Lassen National Park with my family when I was young, and I’ve been on Mt. Lassen a few times, and — of course — I have driven north out of the state on Interstate 5. But the Northern California coast remaining mostly off my radar for decades. A decade or two ago this began to change — slowly — as we visited areas in Mendocino County and along the path to and from there, and when we pushed a bit further north from that base on some day trips.

Finally, during the last decade or so, I began to get more serious about this wonderful region and, among other things, I began photographing in the redwoods. (I have photographed closer redwoods for decades.) And then I pushed out toward the coast. On this year’s visit we finally made it to the edges of the Lost Coast area below Eureka, a portion of the coast so rugged that even “the coast highway” takes an inland jog. In the middle of this region lies the isolated (but surprisingly large) community of Shelter Cove. Black Sands Beach extends from this local toward the northern section of the Lost Coast, and no roads touch the coast again for many miles.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Basalt Columns and Lichen

Basalt Columns and Lichen
“Basalt Columns and Lichen” — Yellow lichen growing on the basalt columns of Devils Postpile National Monument

This is the second of two photographs that “reemerged” from a recent look back to raw files from a trip to Devil’s Postpile National Monument a few years ago. The first was, in essence, a “new” photograph in that I had not taken it through my post-processing workflow back when I first captured the image. At the time I was more interested in one or two other photographs from the session, so I left it behind. But when I went back and looked again this year I “discovered” it anew, and now it did not seem a like file to simply archive! This one has a different story. I did finalize a photograph of this image shortly after I made the exposure. But now, some years later, I see it differently than I did originally… so here is a new interpretation of the subject.

To rehash the old story in brief, we ended up at Devil’s Postpile essentially by accident… after sleeping in and enjoying a leisurely breakfast rather than heading out into the pre-dawn cold as I usually do. And when we got to Devil’s Postpile, at first I wasn’t even going to photograph! The geometric forms of the “post pile” are fascinating, and they are even more interesting in soft light and when sections of the formation are isolated, here with a long lens. The pattern of columns in this scene reminds me of various things — the pipes of an organ, some sort of stairway, and so forth.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Redwood Forest Trail

Redwood Forest Trail
A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

Redwood Forest Trail. © Copyright 2021 G Dan Mitchell – all rights reserved.

A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

As I write this post, it has been a 100+ degree day with wildfire smoke drifting across the Bay Area and mostly forcing us inside — and I know it is much worse in many other parts of California and the West. Barely more than two months ago we walked this coastal trail through redwoods on a cool June morning as fog drifted overhead and rhododendrons bloomed. How long ago that seems now! But looking forward an equal amount of time we can hope that this nasty, dry, hot summer will be behind us and, with luck, autumn rains will return.

Photographing redwood forests can be a tricky thing. Deep in the forest the light can be so low that exposures as long as a second or more a necessary. Meanwhile, even on the most still days there is always a slight bit of air motion, and the long palm fronds and hanging plans are virtually never still. And when the sun rises higher in the sky and sends a few beams of light to the forest floor, the difference between the sunlit spots and the shadows can be huge. In this photograph, in order to produce something that reflects what we see when we look around such a scene, I had to carefully control the brightness of the bits of sky at the top of the photograph and the stray beams of light along the trail… and then ensure that the dark areas were bright enough to make details visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of the Pacific

Edge of the Pacific
Boulders and surf under clearing fog along the Big Sur coast.

Edge of the Pacific. © Copyright 2021 G Dan Mitchell – all rights reserved.

Boulders and surf under clearing fog along the Big Sur coast.

This photograph likely looks a bit… ambiguous. In fact, it was that sort of day along this section of the California coast. I’m generally a fan of fog when I go to photograph there, but getting just the right amount of fog in the right places takes a bit of luck — we don’t control that! I was hoping for the kind of day that starts with thick, mysterious fog but then transitions to clearing, gradually revealing features as the sun begins to appear. But that fog never fully cleared. (At one point as I was photographing a disappointed tourist stopped and more or less asked me where the Pacific Ocean was and whether or not he might be able to see it.)

Later in the afternoon the fog did begin to diminish a bit, but it remained right up against the coast. In many places when I positioned myself to photograph over the ocean, the sun was shining on the hills directly behind me as I pointed the camera into the murk at the edge fo the land. In this spot the fog had sufficiently thinned right at the coast and I was able to make out rocks right at the water’s edge… but the fog obscured and muted the more distant ocean. That distant, fuzzy line near the top of the frame is some vague, opaque combination of the horizon and fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.