Tag Archives: california

Desert Gold, Snow-Capped Peaks

Desert Gold, Snow-Capped Peaks
“Desert Gold, Snow-Capped Peaks” — Desert Gold flowers bloom with snow-capped desert mountains in the distance.

This photograph epitomizes the extraordinary diversity of Death Valley National Park. It includes two subjects that might surprise those unfamiliar with the place — wildflowers and snow. Because it is known as the place registering the world’s highest recorded temperature, many imagine it to be a place of sand dunes and barren salt playas. Those are part to its landscape, but they are far from the “all of it.”

These wildflowers are desert gold, which was blooming in great fields of yellow in many lowland locations when we visited in late February. I spotted these flowers on a small rise and set up my camera so that they were backed by Telescope Peak, the highest point in the snow-capped Payment Range of desert mountains.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Desert Gold Field

Desert Gold Field
“Desert Gold Field” — Late afternoon light on field of desert gold wildflowers in southern Death Valley.

A day or two ago I thought that I was finished with the photographs from our late-February visit to Death Valley. But I decided to make another pass at the raw files from the trip, and I found a few more photographs that I think help fill out the story of this trip. (Update: Since I wrote that I have found even more!) The highlights — and my primary photographic targets — were the exceptional wildflower bloom and Lake Manly. Here’s another of the wildflower photographs, one which illustrates the extent of some of the larger fields of color.

If you visit this spot during most of the year you might not notice much vegetation at all. Aside from a few bushes, it would mainly give the appearance of a gentle gravel slope. But in February the desert gold plants were taking full advantage of the season’s above-normal rainfall, and some places like this one were more or less carpeted with colorful flowers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Four Desert Star Flowers

Four Desert Star Flowers
“Four Desert Star Flowers” — Four tiny desert star (monoptilon bellioides) flowers, Death Valley.

The desert star flower has become a bit of a… star here at the blog recently. It is one of the small flowers that you might easily overlook in Death Valley, but once you spot them they are abundant, poking up just above the ground, often in small groups. They are pretty flowers, but you have to get down close to the ground to appreciate them.

Big fields of wildflower color get the attention of visitors to Death Valley in a year like this, when earlier rains produced an impressive wildflower bloom. At the end of February we saw whole hillsides covered with desert gold and phacelia, and sand verbena covered the ground in some low places. But a closer look reveals a world of other small and inconspicuous flowers like the desert star.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wetland Island and Fog

Wetland Island and Fog
“Wetland Island and Fog” — Tule fog mutes the wetland landscape beyond reed-covered islands.

Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.

I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.