Tag Archives: canyon

Cliffs, Morning Light

Cliffs, Morning Light
Cliffs, Morning Light

Cliffs, Morning Light. Zion National Park, Utah. October 22, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Immense cliffs in the Pine Creek Canyon area of Zion National Park.

This was an interesting morning, as much for its place in the sequence of events on this trip to photograph in Utah as for the actual photographic opportunities. I have noticed, and other photographers I’ve spoken with about this seem to agree to at least some extent, that there is sometimes a sort of “getting up to speed” element to certain types of shooting when you are getting started. I recall mentioning this to one photographer friend in the context of a discussion about the idea that you should always have a clear vision for your photograph before you make it – a theoretical concept that most photographers I know acknowledge to be unrealistic and perhaps even a bad idea. (This is not to say that thinking about what your “capture” may look like as a photograph is unimportant, but rather an acknowledgement that things are often more complex than the simplistic notion suggests and that sometimes we, quite honestly, don’t really know for sure which images will work or why.) When the idea of waiting for a really good image before making a photograph came up, I shared the observation that I sometimes have to “prime the pump” but simply starting to make some photographs, even if I’m not convinced that the first ones will be great. (One friend then referred to this as “photographic foreplay.” ;-)

The previous day we had driven to St. George, Utah from the San Francisco Bay Area – a LONG drive – and finally stumbled into a motel in St. George close to midnight. (As I recall, the motel advertised something like “The Cheapest Rooms in St. George!”) Up in the morning for precisely the free breakfast that you might expect in such a place – I resisted and instead walked across the street to a Starbucks – we left early and headed into Zion. As I recall we did not spend much, if any, time in Zion Canyon, and we were soon heading up the Mount Carmel highway, still having made no photographs. Finally, as we turned a few switchbacks on the initial climb, we saw some interesting light on the cliffs across the canyon, pulled over, got our cameras and lenses and tripods and made some photographs. I’m not sure that any of them were exactly remarkable, but with this first “shoot” (priming the pump) our work was now underway.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cliffs and Fog, Morning

Zion Canyon cliffs in clearing fog
“Cliffs and Fog, Morning” — Cliffs of Zion Canyon emerge from morning fog

This is a somewhat different photograph of a scene that I previously shared. The earlier version featured a closer view of the pinnacle near the right of this frame – this one backs off a bit and shows more of the overall cliff face. We had arrived at Zion National Park the previous day, coming across Arizona in very rainy weather to enter this park in light rain in the afternoon. On the way over the Mount Carmel Highway to Springdale, where we would stay that night, we had photographed the wet high country sandstone as the rain came to an end.

On this morning the clouds from that rain storm had not quite left as we rode one of the very early shuttles into Zion Canyon with a plan to photograph further up the canyon. But as the shuttle entered the lower canyon I was intrigued – as I always am! – but mist and clouds swirling around the upper slopes of the canyon walls. Aside from the much more colorful red rock here, the scene reminded me a lot of what I frequently see in Yosemite Valley during stormy weather. The timing was just right in relation to the clouds and the light. As the sun came up behind my camera position, the clouds had cleared over the center of the valley allowing the morning light to shine under the mist swirling around the upper cliff face, so while the highest ridge was still darkened by the clouds, the lower face was increasingly lit by the morning light as the clouds rose and began to clear away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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High Country Desert Canyon

High Country Desert Canyon
High Country Desert Canyon

High Country Desert Canyon. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A back-country gravel road twists through the upper reaches of a colorful mountain canyon, Death Valley National Park

The gravel back-country road might be hard to spot in this photograph, but if you look closely near the lower right you may see it twisting around a bend before crossing the canyon behind the rocky prominence at the bottom of the frame. The road begins in desert sagebrush country, then rises to cross the Amargosa Range before descending, sometimes precipitously, down toward the main Death Valley.

Some things about photographing this subject are easy and obvious, but others are a bit challenging and require some attention and then some resistance to trying to turn the scene into something it isn’t. What is easy about this subject? I am endlessly fascinated by winding canyons with overlapping ridges that descend toward the bottom of the canyon, creating a back and forth weave of form. Here the canyon winds from right (at the top) to left to right to left to right to left and, finally, back to the left. And the colors and textures are remarkable, ranging from the very dark rocks at the bottom, through the much lighter slopes right above to the rather reddish rock in the far, upper portion of the canyon. What is hard about it? In many ways, it is easy to pass right through such an area and overlook what it offers, since there really is not single, central, and iconic “thing” to focus the attention. Instead, I almost have to remind myself to slow down, to stop, and to just look… and finally the way to photograph such subjects begins to reveal itself. In addition, because the color palette of this land is so subtle, including mostly pastel shades that subtly contrast with one another, it is important, I think, to resist the ever-present temptation to hype it up into something it isn’t.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Light, Big Sur

Canyon Light, Big Sur
Canyon Light, Big Sur

Canyon Light, Big Sur. Pacific Coast Highway, California. April 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree stands on a hillside at the base of a rugged canyon filled with morning light and haze

I have driven past this canyon many times, even stopping to hike up into it on more than one occasion. I’m usually there in the morning, when the early sun is just clearing the top of the high ridge beyond the canyon, and backlight streams down into the canyon, sometimes so bright that it is almost impossible to look up into it.

This was one of those mornings. As I got to the Monterey Peninsula I was initially surprised by the amount of haze in the air, since it was supposed to be – and actually was! – a very windy day. This was good news, though, since I love atmosphere that is not crystal clear. A few fog clouds were trying to form over some of the higher hills, but mostly the air was just filled with this semi-opaque, luminous haze that gave form to the light passing through it. As I arrived at this spot I looked to my left out of habit and first thought that it might be too hazy to produce a photograph that showed the faint details that I was interested in. But since I was there and this was a lot more interesting than the view out over the ocean, I stopped and took a look, soon finding a composition that placed the solitary tree silhouette near the bottom of the frame and anchored the scene, the rest of which was very atmospheric and subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.