Tag Archives: canyon

Old Cottonwood Trees, Autumn

Old Cottonwood Trees, Autumn
“Old Cottonwood Trees, Autumn” — Old cottonwood trees against autumn sky, Grand Staircase-Escalante National Monument

This is a photograph that I wish I had seen this way while I was there! On the scene, while wandering into a beautiful section of a big, deep canyon to photograph water, sandstone, and fall colors, I came across these trees (or this tree – they may grow from a common root system) and made the photograph in landscape orientation… and only realized while working on it in post that I really like it in portrait orientation, too. So, yes, this is cropped from a larger original photograph.

I don’t know how others will “see” this, but for me this version recalls a lot of older monochrome photographs of subjects like this from an earlier era – the era in which I first came to be fascinated by photography. Way “back in the day” when I first did photography, with the encouragement and help of my father, virtually all of the photographers whose work inspired me shot black and white. With that in mind, and with my early experience involving how to shoot, develop, and print black and white, I suppose it shouldn’t be a surprise that I still love monochrome. (A number of my personal favorites among my own work are black and white.) In this one I even applied the virtual equivalent of the classic filtering to alter the tonal balance and lighten clouds and foliage and somewhat darken the massive, twisting forms of tree trunks and branches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Cottonwood Trees Detail, Autumn

Cottonwood Trees Detail, Autumn - Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument
Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument

Cottonwood Trees Detail, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24. 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument

One of the main reasons we visited this particular canyon at this particular time of year and on this exact day was… fall color from cottonwood trees and a few other contributors. This small group was growing almost directly against the cliff walls alongside the river, and when I was there the cliffs shaded the trees and provided softer, diffused light.

While many of my cottonwood photographs set the trees in their surroundings a bit more clearly, in this one I simply wanted to show the colors and patterns and textures of the trees themselves, so I chose to shoot in tight and exclude anything that was not “tree.” These trees really are this colorful, especially in this light. This presented me with a bit of a challenge while working on the photograph in post. When shooting in the shade, as I like to do with such subjects, the light is often quite blue, since the scene is largely lit by that giant blue light box that we often refer to as “the sky.” Most people (other than photographers) would not notice the blue-ness of the scene while standing there, but it becomes quite apparent when looking at the photograph. In order to make the color balance conform to what we think we see when on the scene, I often choose to warm up the color balance of all or part of the photograph. For example, I might move the objectively blue tones of background rocks more toward gray, if the rocks were that color. But here, if I went to the “objectively gray” point, the color of the trees shifts to be warm beyond belief, so here I left the overall balance a bit on the blue side.

(Note: This photograph was originally posted with the wrong title. The error has now been corrected.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

One Green Leaf

One Green Leaf, Capitol Reef National Park
“One Green Leaf” — One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

My two October trips to photograph in Utah extended my ongoing education about the place, and one of the locations about which I had and still have the most to learn is Capitol Reef National Park. My encounter with this park, in 2012, was a bit superficial, though my excuse is that we were only passing through on our way to another place. All I saw was the short highway drive that passed through the park via the Fruita District — the rest of the park remained a complete mystery. In October I was there twice. On the first visit I was in the area enough to start to get a bit of a feel for the place, though I mostly still stuck to popular and accessible areas, with the addition of a bit of hiking and a long drive on gravel roads down the less-visited side of the park. On the second visit I learned and saw a bit more – enough to convince me that there is much more to this park and that I want to return.

I made this photograph in a short slot canyon in an out-of-the way area of the park. We drove there on a very cold morning and headed into the canyon while the temperature still hovered around freezing. There was no one else there, and we barely even saw anyone else on the long drive to get there. The little canyon itself was quite beautiful and full of interesting surprises – juxtapositions of glowing red-orange walls and shaded blue-purple walls, brilliantly colorful gambel oak leaves, large sandstone faces and walls, and more. As I investigate a place like this I try to let my eyes roam beyond the first things I see, and try to also see smaller things that could easily be missed. Here I happened to look down at my feet – sometimes a good thing to do! – and see that the floor of the stream bed carpeted with oak and other leaves that had recently fallen, and this batch of brown and tan leaves held one that was still green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Butte and Petrified Dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park - Morning light on buttes and petrified dunes, Arches National Park
Morning light on buttes and petrified dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park. Arches National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on buttes and petrified dunes, Arches National Park

While I’m fascinated and amazed by the namesake arches in this park and by the monumental sandstone buttes, mesas, fins, canyons, towers, and more… I also find that the light and the atmosphere can produce some of the most interesting subjects in Arches National Park. Because this particular butte and the terrain beyond are seen from a spot that is also excellent for photographing certain other nearby subjects, especially in the early morning, this was not the first time that I photographed this scene – though the atmosphere and light were so different on the two main occasions that you might hardly see them as the same subjects at first.

After photographing some impressive nearby sandstone formations in early morning light, I watched as the sun rose high enough to slant its light across the tops of the low formations known as petrified dunes. This is one of several photographs I made there were largely “about” that light and those dune structures, though in both cases I used them as elements in a larger scene rather than the primary subject. Here the backlit morning haze was thick enough to almost render the furthest buttes in the upper right corner of the frame invisible. They are a good distance away, being on the far side of the canyon of the Colorado River, which is visible in front of the buttes. The large, close butte at the lower left posed a challenge as the “front” side was in shadow. (Though the challenge here was less than the last time when I shot here – on that occasion the backlight was so brilliant that I could keep almost no detail in the front of that butte.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.