Tag Archives: central

Twilight Flight

Twilight Flight
A rush of (mostly) geese at the end of the day

Twilight Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rushing blur of birds at the end of the day

First, I do know how to make sharp photographs of birds, too… ;-)

There are many things I can’t really explain about winter bird populations. But as I have watched them (and listened to their remarkable sound) from Washington to California, I am starting to at recognize a few more patterns. At times some birds become increasingly active, and at the end of the day, as light fades, there may be opportunities to depict the motions of individual birds and flocks in a different way — rather than trying to stop motion I just go with longer shutter speeds, pan with groups as they fly by, and let the motion blur take over. Frankly, in many ways I think that this confusing blur may better evoke the wild actions of these evening flocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Geese Landing

Two Geese Landing
Two geese descend to land in a wetland pond

Two Geese Landing. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two geese descend to land in a wetland pond

Since we’re well into my “bird season,” focused on migratory and other birds, I’ll stick with that theme a bit longer. I photographed this pair of geese (I’m pretty sure they are Ross’s geese) back at the beginning of December. Near the end of the day I moved to where the light would come in from the right, highlighting light and shadow and the textures of the birds features. Not too long before sunset, geese began to arrive and land in the pond, and I was able to photograph their descent.

I often marvel at the contortions of these birds during the final instants of their flights. In the air they are often graceful, but the landings vacillate between that grace and nearly-out-of-control clumsiness as they transform from creatures of the to earthbound animals. They glide in, instinctively facing into the breeze, and can sometimes then seem to almost drop right out of the sky. Wings go upwards, feet extend down, and necks stretch forward, and quickly they are on the ground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Fields

Winter Fields
A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

Winter Fields. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

During winter I travel to California’s Central Valley somewhat frequently, ostensibly to photograph birds but, to be honest, also to photograph the landscape — one that often features fog, fields and trees on the trajectory between winter and spring, unusual effects of light, and those birds. In mid-January I was there one afternoon, on my way to an opening reception at the Carnegie Arts Center in Turlock. The drive would usually take me about two hours, but I left early to create some time to explore areas along the San Joaquin River as it approaches the delta and eventually San Francisco Bay.

It was an interesting weather day. It was range when I left the San Francisco Bay Area, but I got ahead of the front as I crossed into the valley, and it was partly sunny as I headed east on country roads towards this destination. Out here by the river it was hazy and foggy, as it so often is this time of year, and before long the clouds of that front caught up with me and produced an interesting and evocative “atmospheric soup” that was occasionally illuminated subtly when the clouds above the fog to the west thinned. The photograph looks across fallow and muddy fields where sandhill cranes were collecting and towards the scattered trees that grow nearer to the river, above which a flock of cranes flies past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Island With Trees, Thinning Fog

Island With Trees, Thinning Fog
Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

Island With Trees, Thinning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

We all know that (apparently false) story about the number of words that Inuit people have for the myriad types of snow. I suspect that it would be possible to have a similarly diverse vocabulary of descriptions for fog, dependent upon its thickness, temperature, quality and color of light, tendency to move, effect on sound, time of day, season, persistence, and much more. Photographing in California is something of a laboratory in the nature of fog, in that we have so many types. Living in the San Francisco Bay Area I am very familiar with the type of fog created by the marine influence — often cold and gray and damp, and frequently a feature of the late-spring and summer months. Photographing Central Valley birds (and driving across the great valley while traveling to and from the Sierra Nevada) has given me ample opportunities to know the tule fog, mostly a winter phenomenon caused by cool and damp conditions over land.

On winter days when I photograph in the valley I experience transitions though many different types of fog and fog-light. I often start before dawn, when the fog and darkness can close the world down to what I can (barely) see in my headlights, or by the glow of commercial signs and streetlights as I pass through towns. Before sunrise the fog can glow in colors ranging from sky blue to the gaudy reds, oranges, yellows, and purples of first light on clouds above the fog. Eventually that color dissipates and the fog can simply become gray. Then, as it things (often from the top down), and light begins to filter down to the ground level, the colors of grasses and trees and water being to appear faintly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.