Tag Archives: clouds

Photographs: Nature, Photographs: Sierra Nevada

Trees and Fog, After the Storm

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Trees and Fog, After the Storm
Drifting fog obscures trees in rocky alpine terrain as a Sierra summer storm clears.

Trees and Fog, After the Storm. © Copyright 2022 G Dan Mitchell.

Drifting fog obscures trees in rocky alpine terrain as a Sierra summer storm clears.

Later this evening the sky would explode into spectacular color as our storm began to break up and clear. But earlier, when I made this photograph, there were still plenty of clouds around, and much of the surrounding landscape was obscured as they drifted across peaks and ridges, and passed between trees in the forest. I went to a high place with a 360-degree view, set up my camera, and enjoyed the show.

I spent a lot of time focusing on this section of the panorama, a spot where sparse trees were growing on rocky ledges, apparently gaining just enough purchase to put down roots in cracks in the granite. At times the fog would drift back and forth, momentarily revealing details of the trees and even the higher ridges beyond. But when I made this photograph the scene was nearly obscured, and even the frontmost trees were half-hidden by the drifting clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

After the Storm

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After the Storm
“After the Storm” — Brilliantly colorful clouds above the Eastern Sierra as a summer storm clears at sunset.

Every so often, if you are out in the field enough, nature serves up light and color that can seem almost unreal. These exceptional moments are rare, but they are memorable when they happen. Sometimes they are predictable, but more often they seem to emerge from conditions that don’t seem likely to lead to extraordinary light — the cloudy aftermath of clearing storms, thin clouds that dissipate at sunset to reveal the sky beyond, beams of light that sneak in under a cloud deck. This was one of those times.

After more than twenty-four hours of mostly rainy conditions, the precipitation stopped and the clouds thinned a bit… and we photographers headed out to see what we could find. At first, the conditions were not promising. Low clouds obscured peaks and the light was a bit flat. But before long the clouds began to thin behind peaks to our west, and there was hope that some light might come through. And then, just at sunset — as the sun dropped below the edge of the cloud deck far to the west — the clouds began to glow in shades of red and orange, against a background of darker clouds. and deepening blue sky. I made several photographs of the landscape that included the clouds, but in this one I decided to just let the clouds be the full show.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

Post-Storm Clouds

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Post-Storm Clouds
“Post-Storm Clouds” — A great variety of clouds and fog as a summer storm clears over the Eastern Sierra.

No, I am still not quite finished with this spectacular evening in the Sierra backcountry. In early August our group spent a week base-camped in the wilderness, heading out each day (starting before sunrise and concluding after dark) to photograph our spectacular surroundings. We experienced challenging weather during the first 24 hours, but on the evening of the second day the storm dissipated, and just at sunset things opened up and alpenglow briefly lit up the sky.

There was no guarantee of this happening — which is often the case when chasing such subjects. Not long before this things were pretty gray, and fog drifted just overhead, obscuring trees and peaks, al though we could see that the sky was lightening up a bit. Then a bit of pink showed up on the higher clouds, gradually working its way down though the various layers left by the departing storm. I had been photographing the fog, but I quickly turned my attention to this developing scene! As the sky became more and more colorful, a bank of lighter fog enveloped the top of a ridge on the other side of the valley beyond the lake. A few minutes after this spectacular finale… the show was over.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Reflection Deception

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Reflection Deception
The glass surface of a New York building reflects and distorts its surroundings.

Reflection Deception. © Copyright 2022 G Dan Mitchell.

The glass surface of a New York building reflects and distorts its surroundings.

Scenes like this are, of course, common in big urban centers that are filled with tall, modern buildings. This one comes from Manhattan. One striking difference between many new buildings and those from a much earlier era is that today the surfaces are often nearly 100% windows and, as such, the buildings are extremely reflective. A few years ago it occurred to me how odd it is that what we see when we look at these buildings today is mostly not the buildings at all. The building is essentially invisible beyond the slender outlines of frames between windows. The “surface” we see is composed of other things — sky, clouds, other buildings — that are distorted by the qualities of the reflective surface. (I have an idea for a photo project: Remove all of the reflective surfaces from images of these buildings, leaving only the minimal structural elements that are actually visible.)

These buildings are one reason that I often refer to these places and photographs of them as “urban landscapes. There is a continuum in landscape photography. At one end lies subjects that are entirely “natural” — or at least seem to be so. Somewhere in between we enter the realm of historic landscape paintings, in which it was common to include the human presence. Continue along that trajectory far enough, and it is possible to see cities as being just a different sort of landscape, and that way of seeing leads to different ways of photographing them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.