Tag Archives: cottonwood

Photographs: Central California, Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Autumn Wetland Color

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Autumn Wetland Color
A quiet morning under fog with autumn colors, Central Valley

Autumn Wetland Color. © Copyright 2021 G Dan Mitchell – all rights reserved.

A quiet morning under fog with autumn colors, Central Valley

Autumn, my favorite season, is a month-and-a-half away by the calendar — and in terms of California weather it is more like three months away. Here the transition is gradual, and the first month of solar autumn still feels more like summer on most days, with warm or even hot temperatures and no sign of changing colors, at least not in the areas closer to the coast. (By early October aspen color does come to the Eastern Sierra Nevada.) We may get teased by a few early weather fronts in October, but the actual rainy season doesn’t start until November — and perhaps later in our changing climate.

This photograph comes from an early December visit to the Great Central Valley, hardly what most people would regard as a great fall color destination. But these wetlands, many of which are preserved in wildlife refuges, attract me in late autumn and winter. Right around the fall/winter boundary there can actually be a fair amount of color out here if you know where to look for it. The main attraction is the migratory birds, but I’ve come to love the quiet landscapes of this region, too. Because I usually arrive very early — typically before sunrise — and on days when most people aren’t out here (I love fog!), I am often nearly the only person sharing these places with a few thousand of my bird friends.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Narrows

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Canyon Narrows
Soft light in the narrows of a Death Valley National Park canyon.

Canyon Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft light in the narrows of a Death Valley National Park canyon.

Canyons are (almost) all about the light. OK, the textures and forms are pretty striking, too, as is the quiet. But the light is really special. In the narrowest sections — such as the “narrows” in this photograph — direct sunlight doesn’t penetrate to the bottom of the canyon much or sometimes at all. The typical ideas about best times for landscape photography can be upended, as the best light often comes to these places when the sun is high enough to shine directly on upper walls and then bounce its way down into the depths of the canyon.

I have recently shared some other photographs from this canyon, made on a recent trip when I camped nearby and was able to enter the canyon more than once and at various times of the day. The other photographs are all in color, and they tend to highlight the subtle (and sometimes not-so-subtle!) contrasts between warm and cool-colored light. I had to chuckle inwardly a few days ago when a friend suggested that I try monochrome with this subject. I’ve been a black and white photographer since, well, the first time I picked up a camera, and I often think that my visual home is monochrome. So it shouldn’t be a surprise that I would want to find a way to produce a photograph of this place in black and white, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Entering the Narrows

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Entering the Narrows
The path up a desert canyon enters shaded narrows, Death Valley National Park.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The path through a desert canyon enters shaded narrows, Death Valley National Park.

Most of the time I approach places like this by passing across some sort of alluvial fan, then following a wash that narrows as its walls rise. When I think of these approaches, heat, direct and intense sunlight, dryness, and the sound of boots crunching on rocks come to mind, along with a sense of exposure to these elements. The terrain feels like it is mostly about loose materials — compacted soil, conglomerates, cracked faces, and the water-transported rocks all around.

That all changes when entering narrows like these. The open sky may constrict to a narrow channel far above or it may disappear entirely. The walls, having been scrubbed by moving water and gravel, are smooth and curved. The light becomes soft and often quite blue, coming entirely from the blue sky itself, reflected among the faces as it descends into the canyon. It becomes quiet and my own crunching footsteps are likely the only sound. The expansive world of light and sky on the alluvial fans and washes contracts, contained between the close walls and the next bend in the canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Yellow-Headed Blackbird

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Yellow-Headed Blackbird
“Yellow-Headed Blackbird” — A yellow-headed blackbird perched on the branch of a Central Valley tree.

This bird was a bit of a surprise. Some large cottonwood trees packed full with a flock of tai-colored blackbirds caught my attention. I pulled over and got out the long lens and began to photograph dense groups of those birds. But as I looked through the telephoto I realized that not all of the birds were the same. Two in particular didn’t quite fit — this yellow-headed blackbird and a nearby European starling.

While the tri-colored blackbirds were clumped closely together in a wildly-singing flock, this bird perched just a bit to the side. It was close enough to initially look like part of the boisterous group, but just far enough away to make a case that “I’m not one of those loud birds!”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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