Tag Archives: county

Approaching Geese, Evening

Approaching Geese, Evening
Approaching Geese, Evening

Approaching Geese, Evening. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese approach their evening landing spot on a hazy late-autumn evening in California’s Central Valley.

This is yet another photograph of Ross’s geese from our December 2012 trek to the migratory bird areas of California’s Central Valley. We saw nearly all of the possible seasonal weather types on this day, save actual rain (that held off for another day) and clear, unfiltered sunlight. But other than that the day transitioned from so-thick-you-can-barely-drive tule fog, to clearing and drifting fog, to fog burning off, to brilliantly luminous winter haze, to dull and gray light as the first clouds of an incoming storm began to arrive, to the finale of a suddenly and unexpectedly colorful sunset.

After a mid-afternoon break to grab a bit to eat, we returned to this wildlife refuge in hopes of photographing the fly-in. Indeed, there were many thousands of Ross’s geese around, settled into pastures and occasionally lifting off to circle the area and then land again. But the light became increasingly dull as the first clouds of an approaching Pacific winter weather system arrived in the west. I made this photograph in what was, in many ways, rather gloomy light, though it is apparent that the sky is just beginning to pick up a hint of the pink that soon developed into a downright amazingly intense sunset. At this particular point in the evening I had positioned myself beyond the end of a large flock that stretched from nearly my position to the line of trees seen in the distance. It seemed that many of the geese were starting to move from the far end of the flock to closer to my position, so I was a in a good spot to photograph them straight on as they approached, and I had managed to position the slightly darker trees behind them, allowing their lighter bodies to stand out a bit. This group was just about to set down not far in front of me.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tomales Bay Building, Morning Fog

Tomales Bay Building, Morning Fog
Tomales Bay Building, Morning Fog

Tomales Bay Building, Morning Fog. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Detail of a Tomales Bay shoreline building with morning fog along nearby hills

Living in the San Francisco Bay Area, I am fortunate to be within a few hours driving distance of the Point Reyes National Seashore, so I shoot there fairly regularly. I had a free morning on this early February day, so I decided to drive up that way with the intention of being there for dawn. I didn’t quite make it for the actual sunrise – at that point I was driving through foggy redwood forest – but I got to the road that travels along the edge of Tomales Bay on the way to the “point” shortly after sunrise, and as the fog was clearing from over the water and the hills.

This structure is what I think of as the “Launch for Hire” building, since a very large size with that announcement has been painted on both sides. I haven’t stopped to photograph here much at all in the past, but the early light was interesting on this morning – foggy to the north toward the entrance to Tomales Bay, and backlight fog and trees to the east – so I spent a bit of time photographing along here. I shot the building from both sides – the side facing into the “golden hour” early morning light, and the deeply shaded backside of the building with the very bright morning light and thinning fog beyond. In the latter case, there was a glow in the windows of this building, on pilings out over the water, from the light coming into its interior through windows on the far side facing the rising sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

The Cranes Return, Evening

The Cranes Return, Evening
The Cranes Return, Evening

The Cranes Return, Evening. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The sandhill cranes return to the marshes of the San Joaquin Valley at dusk on a mid-winter evening.

For reasons I can’t quite put my finger on, the evening return of the sandhill cranes is one of the magical things among a host of magical things about central California’s winter migratory bird population. I think I was primed to regard these birds this way by reading about them many years ago, though I never quite new what sandhill cranes actually were and I presumed that they were only found in far-off places. Then when I first began to photograph birds seriously – which was only a few years ago – one of my first encounters with the winter bird popular involved finding sandhill cranes in fields south of Sacramento. Then, perhaps last winter, there was an evening at a wildlife refuge in the Central Valley when I was photographing geese with a small group of friends. There had been many, many Ross’s geese around that evening and as dusk approached the goose photography gradually came to an end as the geese departed. After the intense focus of shooting those birds, once they were gone we sort of looked up and realized that the sun was gone and that the world was quieting down. It seemed like the show was over. And then I heard a sound from over the trees to the southeast, a sound I now immediately recognize as the distinctive call of the cranes, and within moments huge flocks of these birds began to coast overhead and look for landing spots.

That is now how I expect to see them – at some point during the dusk period when most everything else has started to quiet down, the cranes appear. Their sound is a distinct contrast with the wild and raucous cackling of the geese, an altogether calmer and quieter call. And their mode of flight is also different. While the geese often launch loudly into the sky in huge, flapping clouds, the cranes coast in slowly and rather quietly, often in long lines, and their motion is slower and smoother. On this evening, at a point when there was barely enough light left to make photographs, they appeared to my left and crossed in front of me with the western dusk sky as a backdrop.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Fog, Ridges

Winter Fog, Ridges
Winter Fog, Ridges

Winter Fog, Ridges. Marin County, California. February 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter fog wraps around the lower slopes of Marin County mountains along the Pacific coast north of San Francisco

This was the sort of day of photography that I have learned to accept as something that comes with the territory. I was up hours before dawn, and on the road shortly after that, with an idea of photographing in the redwoods of Marin County north of the Golden Gate, or perhaps of photographing along the coast where high surf was predicted. As I got on the road I noticed that there was some fog about, which is fine as I often like photographing in such conditions. Nearly an hour later as the time of sunrise approached, I noticed that the day was not becoming light very fast and, in fact, things were looking quite gray. I crossed the Golden Gate in fog, stopped briefly on the north side of the bridge, and wasn’t able to see much of anything. I continued on to the Muir Woods area and parked. As I sat in the car, it became clear that there wasn’t going to be much in the way of compelling light here, either. (I’m not one to insist on incredible light, so when I say that the light wasn’t promising… I mean it!) I soon decided to leave and go up the coast a ways. As I drove I figured out that the murky light was the result of a combination of thick coastal fog, generally hazy conditions where it wasn’t foggy, and above it all the high clouds of a passing weather front.

While finding myself in conditions like these doesn’t exactly make me happy – who wouldn’t prefer beautiful light and easy subjects!? – I don’t get upset about it any more. In order to find really special subjects and light one must simply go “out there” a lot to increase the odds. Special things are special at least partially because they are not ordinary, and we cannot expect stupendous conditions on every outing. I shoot enough to have had the good fortune to almost regularly encounter truly wonderful conditions and to have some idea how to work with conditions that are merely good. But along with this good, I also have to accept the possibility – certainty, actually – that there will be some days when it seems like nothing happens. This was one of those days. I enjoyed being out and about, and I explored a few places that I had not visited before. I gave up on some ideas, tried others, and when the light was clearly not going to be good in the forest, I headed for the coast. When that didn’t work, I headed into the hills. It was what it was! Eventually, I ended up at the Mount Tamalpais State Park high in the Marin hills, and around one bend in the road the view opened to the west and I could see the ocean of fog bumping up against ridges below me and stretching on out over the ocean – so I stopped and made the only photographs of the day that worked. It wasn’t a great day… but it was still a good day!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.