Tag Archives: curve

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Wash at Base of Tucki Mountain, Dusk

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Desert Wash at Base of Tucki Mountain, Dusk
Desert Wash at Base of Tucki Mountain, Dusk

Desert Wash at Base of Tucki Mountain, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Soft rose-colored dusk light illuminates an alluvial fan below a canyon at the base of Tucki Mountain, Death Valley National Park.

This is one of several photographs from the recent Death Valley trip that beg the question, “Is that color real?!”*

Yes, this really is the color of the light from this scene.

I learned quite a while ago that the interesting light most definitely does not end at sunset – often the best and most interesting light comes after the sun has set. Sunset on this evening had been quite interesting, but a few minutes after the sun set the last brilliant red light struck high clouds overhead and lit up the entire scene with this lurid and intense wash of color.

The scene is a large desert gravel wash where a drainage canyon spills out into Death Valley at the base of Tucki Mountain and forms a huge alluvial fan. I had climbed to the top of a low hill to shoot late afternoon and sunset light, so I had a good vantage point to view this wash beyond intervening hills. Tucki Mountain itself is a massive lump of a mountain that rises above Stovepipe Wells – what it lacks in terms of an impressive and jagged summit peak in makes up for by means of its sheer bulk. It constitutes a large spur off of the Panamint Range and almost seems like a small sub-range all by itself.

*After I originally wrote the text to this post I made a 12″ x 16″ test print of this photograph. As I often do, I put the print out on a table in our living room so that I can see it in a context other than that of my small studio. My wife, who is a very perceptive viewer and who has seen the results of, uh, printer errors (for real fun, print on the back side of your paper by accident some time…) looked at these colors and said, “Is something wrong with your printer?” Ah, I love critics! ;-)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Branch on Playa, Panamint Valley

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Branch on Playa, Panamint Valley
Branch on Playa, Panamint Valley

Branch on Playa, Panamint Valley. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

A lone branch lies across dried mud on the playa of Panamint Valley, Death Valley National Park.

First, a story about the location. My first visit to Death Valley was sometime in the late 1990s, when the “hiking and biking” club at my kids’ middle and high school did a trip there. The club is a long and interesting story that I don’t have time or space to describe here fully. Suffice it to say that the teacher, “Mr. Hodges,” had for decades taken kids on amazing outdoor adventures throughout the western United States every year, and that the trip that year was to involve visits to several places in the park and then a backpacking trip down to the Valley from up in the Teakettle Junction vicinity. This may sound like a crazy thing to do with a bunch of school kids, but the group had a record of success. I was along as a parent chaperone since my oldest son was a participant in the trip.

The “readers digest” version of the story of the trip is that, as is often the case near the beginning of April, we encountered an astonishing range of weather conditions. Early on it snowed and the wind blew at gale force levels. This forced us to abandon our initial backpacking plans after we had already camped overnight near Teakettle Junction, and to head back down to the Valley. We readjusted our plans and decided that we might still be able to do an overnight hike down the length of the upper Valley and (leaving out a bunch of intervening adventures in this narrative) we arrived at Stovepipe Wells and set up camp… just in time for a tremendous dust storm to blow in. The next morning the “bus” arrived that was to take the kids and a few of the chaperones home (the rest of us were in a truck carrying tons – literally – of gear on the roof rack and in a trailer) and we headed up to cross Towne Pass. It turned out that the “bus” (which was more or less a large airport shuttle-type van) was ill-equipped for these conditions and after struggling up the pass and then racing down the other side, the transmission blew out at the bottom of the descent into Panamint Valley. Those of us in the truck pulling the trailer arrived a few minutes later to find a group of scared kids and parents who had just experienced more excitement than they wanted.

I have a strong visual memory of “Mary,” one of the parents, who had just had a bit too much excitement walking quietly north away from the road and across this playa. Ever since that time, this place that most people would probably blow right past, has almost always warranted a stop as I passed by on my way out of the Valley. This trip was no exception. I left my camera gear in the car and just walked a ways out onto the playa. As I walked, even though I had been certain that my photography for this trip was finished, I started noticing some of the small details on the playa… and I went back to my car to get my camera, then returned and made a few hand-held exposures of some of these small subjects.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Ice, Water, Reflected Clouds

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Ice, Water, Reflected Clouds
Ice, Water, Reflected Clouds

Ice, Water, Reflected Clouds. Yosemite National Park, California. June 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Clouds in blue sky are reflected in the surface of Gaylor Lake next to melting winter ice.

This photograph is very similar to another I made on this late June evening in 2010 when a small group of us hiked over a ridge near Tioga Pass to find a snow covered valley and this lake that was still almost completely covered with ice. The deep blue water near the edge of the melting ice along the shoreline reflected evening clouds passing overhead, and there were quite a few possible compositions combining the clouds, blue sky, curving edge of the ice and the interesting formations where the ice surface was melting. I made quite a few photographs – some up close like this one and others taking in the larger landscape. As I was recently reviewing raw files from 2010, I ended up spending quite a bit of time with this set of images!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Pool, Panamint Range, Morning

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Desert Pool, Panamint Range, Morning
Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.