Tag Archives: desert

Green River Canyon, Evening

Green River Canyon, Evening
“Green River Canyon, Evening” — Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Tungsten Hills, Buttermilk Country, and the Sierra Crest

Tungsten Hills, Buttermilk Country, and the Sierra Crest - Layers of terrain including Owens Valley sagebrush, the Tungsten Hills, Buttermilk Country, and the Sierra Crest including Basin Mountain, Mount Humphreys, and Mount Emerson
Layers of terrain including Owens Valley sagebrush, the Tungsten Hills, Buttermilk Country, and the Sierra Crest including Basin Mountain, Mount Humphreys, and Mount Emerson

Tungsten Hills, Buttermilk Country, and the Sierra Crest. Round Valley, California. January 2, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Layers of terrain including Owens Valley sagebrush, the Tungsten Hills, Buttermilk Country, and the Sierra Crest including Basin Mountain, Mount Humphreys, and Mount Emerson.

In some ways this is a very typical eastern Sierra Nevada scene but in others, some of which might not be immediately obvious, it is atypical. I made the photograph while on my way to Death Valley in early January 2012. I had done the long drive over Tioga Pass (a first hint about the “unusual” issue) and was headed south to where I would turn east to cross the Inyo Range to that park. As I descended the long grade from Tom’s Place toward Bishop I passed through familiar Round Valley, but this little scene of sagebrush, Sierra foothills, and the crest caught my attention so I quickly stopped and made a few photographs.

The first and primary unusual thing about this photograph is that this was January! In a typical January the peaks here would be completely buried in winter snows – but this January the snowpack brought to mind mid-July. Although the season had started with early and heavy snows in October, things came to an abrupt halt and at this point it had been a month since real snow had fallen. A second slightly unusual thing is that I made this photograph in the mid-afternoon time frame. This is not a time typically regarded as being conducive to landscape photography. However, the high backlight was making the bluish haze more visible and the light was softened a bit by the high clouds, so I went ahead and made a photograph that, I hope, captures the somewhat harsh and dry conditions of the area and the season.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rhyolite Ghost Casino

Rhyolite Ghost Casino - The "Rhyollite Ghost Casino" was originally the railroad station in what is now the ghost town of Rhyolite, Nevada
The "Rhyollite Ghost Casino" was originally the railroad station in what is now the ghost town of Rhyolite, Nevada

Rhyollite Ghost Casino. Rhyolite, Nevada. January 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The “Rhyollite Ghost Casino” was originally the railroad station in what is now the ghost town of Rhyolite, Nevada.

This building in the ghost town of Rhyolite was originally a (very expensive) railway station that was abandoned when the town itself was abandoned after the nearby mines ran out of profitable ore in the early 1900s. According to several sources I have read, the building was then turned into a bar and casino, and many years later was for a time a curio shop and museum. Today it is boarded up and behind cyclone fences – more off-limits than almost any other structure in the ghost town.

I would live to get beyond the fencing and photograph this building more closely. It looks, in some ways, surprisingly modern for something that was constructing in the middle of nowhere about a century ago, and there are a number of interesting elements in the architecture. (I have photographed some of them, and eventually I’ll perhaps post a few.) The green sign on the front of the building appears to be a repurposed sign from the railroad station days. Underneath the fading “Rhyolite Ghost Casino” lettering, barely readable in this photograph, is and older sign declaring in larger print, “Rhyolite.” A walk around the structure reveals other interesting details, including one area that looks like it might have been a booth for a fortune-teller.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Eureka Valley, Twilight

Eureka Valley, Twilight - Twilight on plants and sand flats in Eureka Valley, Death Valley National Park.
Twilight on plants and sand flats in Eureka Valley, Death Valley National Park.

Eureka Valley, Twilight. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Twilight on plants and sand flats near the edge of the dunes, Death Valley National Park.

Some might accuse me of being a bit of a contrarian with this photograph, I suppose. I made it at the base of the some very spectacular sand dunes, purportedly the tallest sand dunes in the USA – but I have the dunes to my back and the photograph doesn’t show them at all. This is also an area with very interesting and somewhat dramatic surrounding hills and ridges, but I intentionally cut the upper border of the photograph so as to not include these ridges or the sky. Speaking of the sky, I shot this just after sunset, when sky color is at its peak… but no sky here! And in a time when pumped up, saturated photographs are very common… this one goes with a very different palette, one that includes a lot of tones that are basically tan, along with some bluish color on the far mountains.

I hope that some who know places like this might understand. This is a very desolate place, and I wanted to just accept and try to photograph that. And in the early evening, when the sun has dropped behind the western hills, the blue-tone light comes on and the contrast lowers, and the colors drain from the landscape. In addition, it was cold! For me, the coloration of this scene suggests that aspect of the scene, which is perhaps not what first comes to mind when we see desert sand and plants.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.